Lost without his wife's love, Robicheaux's haunted soul mirrors the intensity and dusky mystery of New Orleans' French Quarter -- the place he calls home, and the place that nearly destroys him when he becomes involved in the case of a young prostitute whose body is found in a bayou. Thrust into the world of drug lords and arms smugglers, Robicheaux must face down a subterranean criminal world and come to terms with his own bruised heart in order to survive.

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    From the gritty streets of Los Angeles to its most protected enclaves of prestige and power to the ruthless glamour of Hollywood, a killer stalks his prey. A killer so merciless no one in his way is safe—not even the innocent.At the end of a long day battling street traffic, bike messenger Jace Damon has one last drop to make. But en route to delivering a package for one of L.A.'s sleaziest defense attorneys, he's nearly run down by a car, chased through back alleys, and shot at. Only the instincts acquired while growing up on the streets of L.A. allow him to escape with his life—and with the package someone wants badly enough to kill for. Jace returns to Lenny Lowell's office only to find the cops there, the lawyer dead, and Jace himself considered the prime suspect in the savage murder. Suddenly he's on the run from both the cops and a killer, and the key to saving himself and his ten-year-old brother is the envelope he still has—which holds a message no one wants delivered: the truth.In a city fueled by money, celebrity, and sensationalism, the murder of a bottom-feeding mouthpiece like Lenny Lowell won't make the headlines. So when detectives from the LAPD's elite robbery/homicide division show up, homicide detective Kev Parker wants to know why. Parker is on the downhill slide of a once-promising career, and he doesn't want to be reminded that he used to be one of the hotshots, working cases that made instant celebrities of everyone involved. Like the case of fading retty-boy actor Rob Cole, accused of the brutal murder of his wife, Tricia Crowne-Cole, daughter of one of the most powerful men in the city, L.A.'s latest "crime of the century."Robbery/Homicide has no reason to be looking at a dead small-time scumbag lawyer or chasing a bike messenger...unless there's something in it for them. Maybe Lenny Lowell had a connection to something big enough to be killed for. Parker begins a search for answers that will lead him to a killer—or the end of his career. Because if there's one lesson he's learned over the years, it's that in a town built on fantasy and fame, delivering the truth can be deadly.

    When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of do's and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job--and don't ever associate with loose women.The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail. Within a single night, his search for gainful employment--and a stiff drink--leads him to a local bar, where he is hired for what seems like a simple job: to collect a debt owed to a powerful local businessman, Hank Pittleman.Soon Archer discovers that recovering the debt won't be so easy. The indebted man has a furious grudge against Hank and refuses to pay; Hank's clever mistress has her own designs on Archer; and both Hank and Archer's stern parole officer, Miss Crabtree, are keeping a sharp eye on him.When a murder takes place right under Archer's nose, police suspicions rise against the ex-convict, and Archer realizes that the crime could send him right back to prison . . . if he doesn't use every skill in his arsenal to track down the real killer.

    Their loot is priceless, impossible to resist.Bruce Cable owns a popular bookstore in the sleepy resort town of Santa Rosa on Camino Island in Florida. He makes his real money, though, as a prominent dealer in rare books. Very few people know that he occasionally dabbles in unsavory ventures.Mercer Mann is a young novelist with a severe case of writer's block who has recently been laid off from her teaching position. She is approached by an elegant, mysterious woman working for an even more mysterious company. A generous monetary offer convinces Mercer to go undercover and infiltrate Cable's circle of literary friends, to get close to the ringleader, to discover his secrets.But soon Mercer learns far too much, and there's trouble in paradise--as only John Grisham can deliver it.

    But when corporate security catches up with Adam Cassidy, a low ambition junior staffer at the high-tech behemoth, they call it something else: embezzlement, to the tune of nearly $80 grand.Ruthless CEO Nick Wyatt is impressed by Adam's scheming, and offers him one way out-take on the role of a rising corporate hotshot and infiltrate Wyatt's rival, Trion Systems. His mission is to get close to Trion's legendary founder Jock Goddard, and his ultra-secret "Project Aurora," and report back to Wyatt.With Wyatt pulling the strings and a dramatically improved identity, Adam is set up as Trion's new boy genius. Suddenly, he's got a sweet new Porsche, a closet full of $1,500 suits, and even a lovely lady who thinks he's a dream. But it's all just a mirage, because Adam is about to learn that nothing is what it seems and that it isn't paranoia...everyone is out to get him...

    It's a tough-guy mystery to please even the most bloodthirsty of fans!

    Simon Serrailler, her enigmatic superior. Though she fits well within the local police force, she finds herself unable to let go what seems like a routine missing persons report on a middle-aged spinster. When yet more townspeople turn up missing, her hunch is verified and a serious police search begins, bringing her into closer proximity with Serrailler at the same time it exposes her to danger.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    Decker, star tenant of the local trailer park and neophyte private eye is fishing for a killer. Thanks to a sportsman's scam that's anything but sportsmanlike, there's a body floating in Coon Bog, Florida -- and a lot that's rotten in the murky waters of big-stakes, large-mouth bass tournaments. Here Decker will team up with a half-blind, half-mad hermit with an appetite for road kill; dare to kiss his ex-wife while she's in bed with her new husband; and face deadly TV evangelists, dangerously seductive women, and a pistol-toting redneck with a pit bull on his arm. And here his own life becomes part of the stakes. For while the "double whammy" is the lure, first prize is for the most ingenious murder.

    C. Cook, a legendary, now retired detective, and Dan "Doc" Holiday, his former partner who left the force under a cloud of suspicion.

    Malcolm Ainslie takes a phone call he would have been better off ignoring. The caller is the chaplain at Florida State Prison, delivering a message from Elroy Doil, the serial murderer Ainslie helped put on the prison's death row. On the eve of his execution, Doil has asked to make a confession. But there is a condition: he will deliver it only in person to Ainslie.Ainslie has no choice. Doil was convicted of a double murder, but he was suspected in ten more. No homicide detective could turn down the opportunity to close ten murder cases in a single night. What Ainslie learns from the condemned man, however, propels the ex-priest-turned-cop into an investigation that reaches into the most elite levels of his own department and the Miami city government. And it tests as never before his skills as a cop and his character as a man.Master storyteller Arthur Hailey is legendary for the scrupulously researched authenticity and electrifying realism of his novels, for taking readers inside the places where men and women endure and sometimes crack under the pressures of jobs that shape our lives and world. Bristling with the sights, sounds, and true-to-life details of a contemporary urban homicide division, and with all the narrative suspense that has made him one of the best-selling fiction writers of our time, Detective is the novel Arthur Hailey was destined to write.

    The author of The Winter of Frankie Machine is back with a razor-sharp novel as cool as its California surfer heroes, and as heart-stopping as a wave none of them sees coming.

    The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of The Big Nowhere, L.A. Confidential, White Jazz). As their lives intertwine, we are given a story of war and of consuming romance, a searing exposé of the Japanese internment, and an astonishingly detailed homicide investigation. In Perfidia, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the Demon Dog of American Crime Fiction.

     Sam Prichard was a cop, and a good one, until the bullets took out the joint of his right hip. Now he's trying to learn to live without being a cop, and getting to know his neighbors, learning to walk again and even ride a motorcycle. Life is bearable, barely, but then he gets asked to find a missing child, and the lure of getting back into some kind of police work is too much for him to resist. When he teams up with computer whiz Indiana Perkins, he suddenly becomes one of the best investigators he's ever even known. Now, he's found the missing child, but it's thrown him right into the middle of something that may be a drug war--or could be a chance to stop the next 911! There's no way out for Sam, so he's in for the ride of his life, but when the girl he's becoming fond of is suddenly drawn into the line of fire with her own little daughter, Sam is ready to forget all the rules and do whatever is necessary to win the day.