London, 1931. As growing up looms large in the lives of the Carne sisters, Deirdre, Katrine and young Sheil still share an insatiable appetite for the fantastic. Eldest sister Deirdre is a journalist, Katrine a fledgling actress and young Sheil is still with her governess; together they live a life unchecked by their mother in their bohemian town house. Irrepressibly imaginative, the sisters cannot resist making up stories as they have done since childhood; from their talking nursery toys, Ironface the Doll and Dion Saffyn the pierrot, to their fulsomely-imagined friendship with real high-court Judge Toddington who, since Mrs Carne did jury duty, they affectionately called Toddy. However, when Deirdre meets Toddy's real-life wife at a charity bazaar, the sisters are forced to confront the subject of their imaginings. Will the sisters cast off the fantasies of childhood forever? Will Toddy and his wife, Lady Mildred, accept these charmingly eccentric girls? And when fancy and reality collide, who can tell whether Ironface can really talk, whether Judge Toddington truly wears lavender silk pyjamas or whether the Brontes did indeed go to Woolworths? "The Brontes Went to Woolworths "is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.

    Walking away from her stifling father and the social conventions of her time, she leaves drab suburbia for Edwardian London and encounters an unknown world of suffragettes, Fabians and free love. But it is only when she meets the charismatic Capes that she truly confronts the meaning of her new found freedom. Ann Veronica caused a sensation, damned in the press and preached against from the pulpits when it was first published due to Wells' ground breaking treatment of female sexuality. A fascinating description of the women's suffrage movement, Ann Veronica offers an optimistic depiction of one woman's sexual awakening and search for independence.

    These matching masterpieces satirize the social world Eden knew, loved, and laughed at. Like Jane Austen she is concerned with love and marriage, money and manners. But her voice is distinct. Eden's charm and humor - both above- and belowstairs - and her sharp social commentary make her work enduringly captivating.

    Actual opening line of the novel is: "To J. Halford, Esq. Dear Halford, when we were together last..."This is the story of a woman's struggle for independence. Helen "Graham" has returned to Wildfell Hall in flight from a disastrous marriage. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter.

    She also introduces us to specific characters as well as 'types' who will appear and reappear in changing relationships as the years go by. There is the middle-aged woman centrally involved in the events and activities around her; here, Laura Morland, a happily widowed author of very successful 'good bad books' (Thirkell herself?). A disappointed suitor and/or a brief, ill-conceived infatuation of younger man with older woman. At least two romances to work out—an older couple and a younger one—with mild crises along the way. A closing of ranks among the women vs the intruder nicknamed 'the Incubus' resolves both affairs to the satisfaction of all. Especially delightful are the children, servants and other retainers; well defined characters in their own right; from motor-mouthed young Tony Morland and his model railways to housekeeper Stoker and her grapevine among the servants of the neighbourhood.

    To her overbearing family in London, it is a disturbing and inexplicable act of defiance. But Lolly will not be swayed, and in the depths of the English countryside she gradually discovers not only freedom and independence, but also, unexpectedly, her true vocation.

    Hartley's finest novel, encounters a world of unimagined luxury. But when his friend's beautiful older sister enlists him as the unwitting messenger in her illicit love affair, the aftershocks will be felt for years. The inspiration for the brilliant Joseph Losey/Harold Pinter film starring Julie Christie and Alan Bates, The Go-Between is a masterpiece—a richly layered, spellbinding story about past and present, naiveté and knowledge, and the mysteries of the human heart. This volume includes, for the first time ever in North America, Hartley's own introduction to the novel.

    The obscure case of Jarndyce and Jarndyce, in which an inheritance is gradually devoured by legal costs, the romance of Esther Summerson and the secrets of her origin, the sleuthing of Detective Inspector Bucket and the fate of Jo the crossing-sweeper, these are some of the lives Dickens invokes to portray London society, rich and poor, as no other novelist has done. Bleak House, in its atmosphere, symbolism and magnificent bleak comedy, is often regarded as the best of Dickens. A 'great Victorian novel', it is so inventive in its competing plots and styles that it eludes interpretation.

    Praised by Oscar Wilde who thought it 'admirably done ... clever and full of quick observation,' her little novel seemed to herald a brilliant career. The book is ostensibly the story of four young ladies who, after the death of their father, decide to open a photographic studio in the heart of London's bohemia (to the dismay of their more priggish relatives). Like much of Levy's work, the novel is concerned with the contradictions besetting the 'new' Victorian woman and her quest for independence despite being constrained by anachronistic social mores and conflicting values. Written just two years before her tragic suicide, a few months short of her 28th birthday, The Romance of A Shop, has a resonance that goes beyond its apparent innocence, echoing an undertone of despair and hunger for a liberation that, to Levy's misfortune, came only some years afterwards.

    At the beginning of the novel she's returned after a long absence to the fictional town of Radstowe (which is a thinly disguised portrait of Bristol). Miss Mole is not getting along well with her current employer and after a few days in a boarding house, gets a new job via her cousin Lilla, who is from the wealthier side of the family and has some good contacts. Without revealing the family connection, Lilla recommends her for a job as a housekeeper of sorts for a rather stuffy, pompous minister named Robert Corder, whose wife has recently passed away. The household consists of Reverend Corder, a nonconformist; daughter Ethel, who's rather desperately looking for a man so she can escape the house; young Ruth, who is still in school and longing for a mother figure; and their sassy cousin Wilfred, who's attending medical school nearby. Wilfred's presence in the house is rather awkward and raises a few eyebrows, but his mother is wealthy and the Reverend can't risk offending her. A spinster housekeeper/chaperone is exactly what they need to keep the house respectable -- or so they think. Miss Mole moves in and simultaneously elevates their lives and yet turns things upside-down. She's comforting and yet slyly subversive, and Reverend Corder doesn't quite know if he should appreciate her or fear her, as Hannah is smarter than he is. Wilfred takes to her instantly, recognizing her sharp with, and Ruth grows to love her. Eventually, though, there are whispers about Miss Mole's background which much be addressed, and we learn the real reason for her long absence from her hometown.

    Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up hidden masterpieces, and come to the aid of a murderess, will find that they have adventure to spare.In The Fountain Overflows, a 1957 best seller, Rebecca West transmuted her own volatile childhood into enduring art. This is an unvarnished but affectionate picture of an extraordinary family, in which a remarkable stylist and powerful intelligence surveys the elusive boundaries of childhood and adulthood, freedom and dependency, the ordinary and the occult.

    Sir Nigel Anstruthers crosses the Atlantic to look for a rich wife and returns with the daughter of an American millionaire, Rosalie Vanderpoel. He turns out to be a bully, a miser and a philanderer and virtually imprisons his wife in the house. Only when Rosalie's sister Bettina is grown up does it occur to her and her father that some sort of rescue expedition should take place. And the beautiful, kind and dynamic Bettina leaves for Europe to try and find out why Rosalie has, inexplicably, chosen to lose touch with her family. In the process she engages in a psychological war with Sir Nigel; meets and falls in love with another Englishman; and starts to use the Vanderpoel money to modernize ‘Stornham Court’.The book’s title refers to ships shuttling back and forth over the Atlantic (Frances Hodgson Burnett herself traveled between the two countries thirty-three times, something very unusual then).

    Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.

    A novel that chronicles the lives of two women who could not be more different: Becky Sharp, an orphan whose only resources are her vast ambitions, her native wit, and her loose morals; and her schoolmate Amelia Sedley, a typically naive Victorian heroine, the pampered daughter of a wealthy family.

    She thinks she sees through everyone and rules over a family of dependents with knowing cynicism. But there are two people in Redborough who resist her. One is Hester, a young relation with a personality as strong as Catherine's, and as determined to find a role for herself. The other is Edward, who Catherine treats like a son. Conflict between the young and the old is inevitable, and in its depiction of the complex relationships that develop between the three principal characters, Hester is a masterpiece of psychological realism. In exploring the difficulty of understanding human nature, it is also a compulsive story of financial and sexual risk-taking that inevitably results in a searing climax.Margaret Oliphant is one of the great Victorian novelists, and this edition re-establishes her importance.