Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philip Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett's style: "Hammett gave murder back to the kind of people that commit it....He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes."Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolutiuon of this quintessentially American art form, from its earliest beginnings during the Golden Age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett's 1925 tour de force "The Scorched Face," in which the disappearance of two sisters leads Hammett's never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman's 1992 "The Long Silence After," a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include "Brush Fire" by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler's "I'll Be Waiting," where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald's most famous creation, the cryptic Lew Archer, and "The Screen Test of Mike Hammer" by the one and only Micky Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard's "3:10 to Yuma" and John D. MacDonald's "Nor Iron Bars." Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block.Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and oursleves.

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    Chetan, to move in with her and her son, Solo. Over time, the three become a family, loving each other deeply and depending upon one another. Then, one fateful night, Solo overhears Betty confiding in Mr. Chetan and learns a secret that plunges him into torment.Solo flees Trinidad for New York to carve out a lonely existence as an undocumented immigrant, and Mr. Chetan remains the singular thread holding mother and son together. But soon, Mr. Chetan's own burdensome secret is revealed, with heartbreaking consequences. Love After Love interrogates love and family in all its myriad meanings and forms, asking how we might exchange an illusory love for one that is truly fulfilling.In vibrant, addictive Trinidadian prose, Love After Love questions who and how we love, the obligations of family, and the consequences of choices made in desperation.

    Within the confines of seemingly ordinary cases, John explores the ineffable and inexplicable, the profoundly mysterious within the mundane. In this diverse collection of cases, John investigates the Shroud of Turin, a pregnant virgin, a daring prison break, a Hurricane Katrina orphan who might just be the Second Coming, a desperate woman who sleeps with one too many men, a bloody body on the rec yard, a mystery that turns on a single observation, and a murder in which John himself is the prime suspect—all this as he deals with depression and battles alcoholism. These stories are puzzles, whodunits, and enigmas, but they are much more. John Jordan doesn't just solve crime, he investigates the hidden heart of humanity and the mysterious world in which we live. Here are temporal answers and eternal questions, and at the center of it all, a conflicted man of faith and doubt, flawed, but faithful, who ministers mercy even as he thirsts for justice.

    Delving into issues of family, class and loyalty, Black Rain Falling is a stunning crime novel that asks how far one should go to protect those they love.On the Caribbean island of Camaho, forensics expert Michael 'Digger' Digson is in deep trouble.His fellow CID detective Miss Stanislaus kills a man in self-defence - their superiors believe it was murder, and Digger given just six weeks to prove his friend is innocent.While the authorities bear down on them, Digger and Miss Stanislaus investigate a shocking roadside murder, the first tremors of a storm of crime and corruption that will break over Camaho at any moment.

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

    Hoch --Death rides the elevator / Lois H. Gresh & Robert Weinberg --The burglar who smelled smoke / Lynne Wood Block & Lawrence Block --No way out / Michael Collins --Off the face of the earth / Clayton Rawson --Murder strips off / Amy Myers --Out of his head / Thomas Bailey Aldrich --The Doomdorf mystery / Melville Davisson Post --The adventure of the Jacobean house / C.N. & A.M. Williamson --The motor boat / Jacques Futrelle --Murder in the air / Peter Tremayne --The pulp connection / Bill Pronzini --Stag night / Marilyn Todd --Mr Strang accepts a challenge / William Brittain --The legs that walked / H.R.F. Keating --The next big thing / Peter T. Garratt --The second drug / Richard A. Lupoff --Ice elation / Susanna Gregory --The mystery of the taxi-cab / Howel Evans --Heartstopper / Frank M. Robinson --Blind eyes / Edward Marston --The amorous corpse / Peter Lovesey --Afterword: Impossible crimes / Mike Ashley.

    Trigger Warning includes previously published pieces of short fiction--stories, verse, and a very special Doctor Who story that was written for the fiftieth anniversary of the beloved series in 2013--as well "Black Dog," a new tale that revisits the world of American Gods, exclusive to this collection.Trigger Warning explores the masks we all wear and the people we are beneath them to reveal our vulnerabilities and our truest selves. Here is a rich cornucopia of horror and ghosts stories, science fiction and fairy tales, fabulism and poetry that explore the realm of experience and emotion. In "Adventure Story"--a thematic companion to The Ocean at the End of the Lane--Gaiman ponders death and the way people take their stories with them when they die. His social media experience "A Calendar of Tales" are short takes inspired by replies to fan tweets about the months of the year--stories of pirates and the March winds, an igloo made of books, and a Mother's Day card that portends disturbances in the universe. Gaiman offers his own ingenious spin on Sherlock Holmes in his award-nominated mystery tale "The Case of Death and Honey". And "Click-Clack the Rattlebag" explains the creaks and clatter we hear when we're all alone in the darkness.A sophisticated writer whose creative genius is unparalleled, Gaiman entrances with his literary alchemy, transporting us deep into the realm of imagination, where the fantastical becomes real and the everyday incandescent. Full of wonder and terror, surprises and amusements, Trigger Warning is a treasury of delights that engage the mind, stir the heart, and shake the soul from one of the most unique and popular literary artists of our day.

    Each book comprises all new stories, each one set in a distinct location within the geographic area of the book. Grady and Graff, both Montana natives, masterfully curate this collection of hard-edged Western tales.From the introduction by James Grady and Keir Graff: This anthology is a road trip through the dreams and disasters of the true Montana, stories written by authors with Montana in their blood, tales that circle you around the state through its cities and small towns. These are twenty-first century authors writing timeless sagas of choice, crime, and consequences...You'll meet students and strippers, cops and cons, druggies and dreamers, cold-eyed killers and caught-in-their-gunsights screwed-up souls. But mostly, through all our fiction here, you'll meet quiet heroes and see the noir side of life that makes our Montana as real as it is mythic. No doubt the state's beauty will still make the very idea of Montana Noir seem incongruous to some. Noir is black-and-white. Streets and alleys. Flashing neon lighting a rain-streaked window. But while noir was definitely an urban invention, it knows no boundaries. Noir is struggle. It's doing the wrong thing for the right reasons. It's being trapped. It's hubris. It's being defeated yet going on. Sometimes it's being defeated and not going on.That's life everywhere. This is our Montana.

    As Hagedorn points out in her insightful introduction, Manila is a city burdened with a violent and painful past, with a long heritage of foreign occupation. The specters of WWII (during which the city suffered from U.S. saturation bombing), and the oppressive 20-year reign of dictator Ferdinand Marcos live on in recent memory. The Filipino take on noir includes a liberal dose of the gothic and supernatural, with disappearance and loss being constants."--Publishers Weekly (starred review)"This Southeast sampler is unique, possessing an overall gritty tone. Each slice of supernatural splendor pulls the reader in with their nontraditional heroes…Ultimately, readers get a strong taste of the real Manila and all her dark secrets, wanting more of while being slightly afraid of what she might do next. Manila is the perfect place for noir scenes to occur, and it is easy to get sucked into its deadly nightshade of doom."--Criminal Class PressBrand-new stories by: Lourd De Veyra, Gina Apostol, Budjette Tan and Kajo Baldisimo, F.H. Batacan, Jose Dalisay Jr., Eric Gamalinda, Jessica Hagedorn, Angelo Lacuesta, R. Zamora Linmark, Rosario Cruz-Lucero, Sabina Murray, Jonas Vitman, Marianne Villanueva, and Lysley Tenorio.Manila provides the ideal, torrid setting for an Akashic Noir series volume. It's where the rich rub shoulders with the poor, where five-star hotels coexist with informal settlements, where religious zeal coexists with superstition, and where politics is often synonymous with celebrity and corruption.From the Introduction by Jessica Hagedorn:Manila is not for the faint of heart. Built on water and reclaimed land, it’s an intense, congested, teeming megalopolis, the vital core of an urban network of sixteen cities and one municipality collectively known as Metro Manila. Population: over ten million and growing by the minute. Climate: tropical. Which means hot, humid, prone to torrential monsoon rains of biblical proportions.I think of Manila as the ultimate femme fatale. Complicated and mysterious, with a tainted, painful past. She’s been invaded, plundered, raped, and pillaged, colonized for four hundred years by Spain and fifty years by the US, bombed and pretty much decimated by Japanese and American forces during an epic, month-long battle in 1945.Yet somehow, and with no thanks to the corrupt politicians, the crime syndicates, and the indifferent rich who rule the roost, Manila bounces back. The people’s ability to endure, adapt, and forgive never ceases to amaze, whether it’s about rebuilding from the latest round of catastrophic flooding, or rebuilding from the ashes of a horrific world war, or the ashes of the brutal, twenty-year dictatorship of Ferdinand Marcos . . .Many years have passed since the end of the Marcos dictatorship. People are free to write and say what they want, yet nothing is different. The poor are still poor, the rich are still rich, and overseas workers toil in faraway places like Saudi Arabia, Israel, Germany, and Finland. Glaring inequities are a source of dark humor to many Filipinos, but really—just another day in the life . . .Writers from the Americas and Europe are known for a certain style of noir fiction, but the rest of the world approaches the crime story from a culturally unique perspective. In Manila Noir we find that the genre is flexible enough to incorporate flamboyant emotion and the supernatural, along with the usual elements noir fans have come to expect: moody atmospherics, terse dialogue, sudden violence, mordant humor, a fatalist vision.

    She is an artist who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. Following the success of Montreal Noir and Toronto Noir, the Noir Series travels to the west coast of Canada.Brand-new stories by: Linda L. Richards, Timothy Taylor, Sheena Kamal, Robin Spano, Carleigh Baker, Sam Wiebe, Dietrich Kalteis, Nathan Ripley, Yasuko Thanh, Kristi Charish, Don English, Nick Mamatas, S.G. Wong, and R.M. Greenaway.From the introduction by Sam Wiebe:You might wonder what shadows could exist in Vancouver, rain-spattered jewel of the Pacific Northwest. Nestled between the US border and the Coast Mountains, the city’s postcard charms are familiar, even to those who’ve never been here, thanks to the films and TV shows shot in Hollywood North: The X-Files and Deadpool, Rumble in the Bronx and Jason Takes Manhattan. Vancouver is the so-called City of Glass. A nice place, in any case, and much too nice for noir.Looked at from afar, Vancouver may seem idyllic. But living here is different—cold and baffling and occasionally hostile. While outsiders focus on high-test BC bud, locals see a heroin crisis: Vancouver is home to the first legalized safe-injection site in North America, now heavily taxed by overdoses resulting from street drugs cut with fentanyl. It’s ground zero for the National Inquiry into Missing and Murdered Indigenous Women and Girls, a nationwide catastrophe involving the deaths and disappearances of hundreds of marginalized women. Money and status trample culture and community . . . If Vancouver is a City of Glass, that glass is underneath our feet.

    Ma Taffy may be blind but she sees everything. So when her great-nephew Kaia comes home from school in tears, what she senses sends a deep fear running through her. While they wait for his mama to come home from work, Ma Taffy recalls the story of the flying preacherman and a great thing that did not happen. A poor suburban sprawl in the Jamaican heartland, Augustown is a place where many things that should happen don’t, and plenty of things that shouldn’t happen do. For the story of Kaia leads back to another momentous day in Jamaican history, the birth of the Rastafari and the desire for a better life.

    Here then, from the well-thumbed pages of 'Black Mask' and 'Dime Detective Magazine', are eight of his finest stories including 'The Man Who Liked Dogs', 'The Lady in the Lake' and 'Bay City Blues'. Sharper than a hoodlum's switchblade, more exciting than an unexpected red-head and stronger than a double shot of whisky, they are packed full of the punchy poetry and laconic wit that makes Chandler the undisputed master of his genre.'Anything Chandler writes about grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony BurgessBest-known as the creator of the original private eye, Philip Marlowe, Raymond Chandler was born in Chicago in 1888 and died in 1959. Many of his books have been adapted for the screen, and he is widely regarded as one of the very greatest writers of detective fiction. His books include The Big Sleep, The Little Sister, Farewell, My Lovely, The Long Good-bye, The Lady in the Lake, Playback, Killer in the Rain, The High Window and Trouble is My Business.

    . . Eve Singer needs death. With her career as a TV crime reporter flagging, she’ll do anything to satisfy her ghoulish audience.The killer needs death too. He even advertises his macabre public performances, where he hopes to show the whole world the beauty of dying.When he contacts Eve, she welcomes the chance to be first with the news from every gory scene. Until she realizes that the killer has two obsessions.One is public murder. And the other one is her . . .