Seniors are scrambling to finish their theses. And two students, Tom Sullivan and Paul Harris, are a hair's breadth from solving the mysteries of the Hypnerotomachia Poliphili--a renowned text attributed to an Italian nobleman, a work that has baffled scholars since its publication in 1499. For Tom, their research has been a link to his family's past -- and an obstacle to the woman he loves. For Paul, it has become an obsession, the very reason for living. But as their deadline looms, research has stalled -- until a long-lost diary surfaces with a vital clue. And when a fellow researcher is murdered just hours later, Tom and Paul realize that they are not the first to glimpse the Hypnerotomachia 's secrets.Suddenly the stakes are raised, and as the two friends sift through the codes and riddles at the heart of the text, they are beginnning to see the manuscript in a new light--not simply as a story of faith, eroticism and pedantry, but as a bizarre, coded mathematical maze. And as they come closer and closer to deciphering the final puzzle of a book that has shattered careers, friendships and families, they know that their own lives are in mortal danger. Because at least one person has been killed for knowing too much. And they know even more.From the streets of fifteenth-century Rome to the rarified realm of Princeton, from a shocking 500 year-old murder scene to the drama of a young man's coming of age, The Rule of Four takes us on an entertaining, illuminating tour of history--as it builds to a pinnacle of nearly unbearable suspense.

    He has rehearsed for a year. Ada, his mistress, is waiting on tables. His wife is ready for lunch before writing checks for the customers. Emile is in the kitchen. Everything is set.Simenon builds the suspense with his incomparable mastery of character, bringing a silent struggle between husband and wife to a ruthless and uite unexpected culmination.

    Dick's screenplay adaptation of one of his signature novels available for the first time in more than twenty years. Copies of the first edition of Ubik: the Screenplay now fetch more than $100 on the collector's market, when you can find them. In addition, the screenplay features an ending that differs markedly from that of the novel."Dick included far more parenthetical description and interpretation than can be standard for screenplays, and so we have here his considered, after-the-fact portraits of Glen Runciter, Ella Runciter, Joe Chip, Pat Conley, and Ubik itself. And too, with a facility that's scarce among novelists, he smoothly adapts his story to the wider, deeper ranges of the film medium. The Ubik 'ads' are much more effective as actual intrusions than as chapter headings, the soundtrack becomes a central element (and makes us wonder what music Dick would have chosen to complement some of his other novels), and he presents the dysfunctions in time and perception even more effectively when he imagines them enacted on a movie screen. In some ways, in fact, it almost seems as though we're getting a purer version of UBIK—something closer to the original conception than the text of the novel." -- Tim Powers, from his foreword

    For generations, the Burroughs clan has made its home on Bull Mountain in North Georgia, running shine, pot, and meth over six state lines, virtually untouched by the rule of law. To distance himself from his family’s criminal empire, Clayton took the job of sheriff in a neighboring community to keep what peace he can. But when a federal agent with the Bureau of Alcohol, Tobacco, and Firearms shows up at Clayton’s office with a plan to shut down the mountain, his hidden agenda will pit brother against brother, test loyalties, and could lead Clayton down a path to self-destruction.

    Marigold provides an Introduction in which he reflects on his graduation from low-budget independent cinema to a big-budget studio picture, while nevertheless continuing to explore unsettling, often unglamorous human stories with his particular blend of human empathy and an unblinking eye for the details of existence.

    Requiem for a Dream is a modern-day fable set on the rusted mean streets of Brooklyn's Coney Island that follows the stories of four people desperately in pursuit of a better life. Oscar-winning actress Ellen Burstyn stars as Sara, a widowed mother obsessed with her waistline and addicted to diet pills and the thought of appearing on television. Her son Harry (Jared Leto), his girlfriend Marion (Jennifer Connelly), and his best friend Tyrone (Marlon Wayans in a surprising dramatic debut), are junkies in search of the American dream - only in their world fortunes are won through a successful score and sell operation and the three long to lay their hands on the pound of heroin that, once unloaded, will finance a legitimate business of their own. Soon enough, though, their earnest pursuits begin to take on horrifying dimensions; and, even as their world crumbles around them, Sara, Harry, Marion and Tyrone refuse to let go, plummeting with their dreams in a nightmarish freefall not soon to be forgotten.

    Until he's accused of murder.Attorney Danielle Parkman knows her teenage son Max's behavior has been getting worse—using drugs and lashing out. But she can't accept the diagnosis she receives at a top-notch adolescent psychiatric facility that her son is deeply disturbed. Dangerous.Until she finds Max, unconscious and bloodied, beside a patient who has been brutally stabbed to death.Trapped in a world of doubt and fear, barred from contacting Max, Danielle clings to the belief that her son is innocent. But has she, too, lost touch with reality? Is her son really a killer?With the justice system bearing down on them, Danielle steels herself to discover the truth, no matter what it is. She'll do whatever it takes to find the killer and to save her son from being destroyed by a system that's all too eager to convict him.

    While holding its audience with the gripping tension of a detective thriller, it is also a philosophical play about social conscience and the crumbling of middle class values. Time and the Conways and I Have Been Here Before belong to Priestley's 'time'plays, in which he explores the idea of precognition and pits fate against free will. The Linden Tree also challenges preconceived ideas of history when Professor Linden comes into conflict with his family about how life should be lived after the war.

    He excelled in college, was elected editor-in-chief of The Yale Law Journal, and his future has limitless potential.But Kyle has a secret, a dark one, an episode from college that he has tried to forget. The secret, though, falls into the hands of the wrong people, and Kyle is forced to take a job he doesn't want--even though it's a job most law students can only dream about.Three months after leaving Yale, Kyle becomes an associate at the largest law firm in the world, where, in addition to practicing law, he is expected to lie, steal, and take part in a scheme that could send him to prison, if not get him killed.With an unforgettable cast of characters and villains--from Baxter Tate, a drug-addled trust fund kid and possible rapist, to Dale, a pretty but seemingly quiet former math teacher who shares Kyle's "cubicle" at the law firm, to two of the most powerful and fiercely competitive defense contractors in the country--and featuring all the twists and turns that have made John Grisham the most popular storyteller in the world, The Associate is vintage Grisham.

    

    An invaluable reference for film students and fans, this book details the evolution of the epic romance from script to screen, including scenes and dialogue cut from the final film, as well as annotations explaining footage seen in the final cut, yet not contained in the screenplay. Never-before-seen photographs of the stars, storyboards for sequences never filmed, and an in-depth interview with Cameron make Titanic: James Cameron's Illustrated Screenplay an essential companion to the #1 bestseller James Cameron's Titanic.

    

    Illustrated.

    Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career.

    Caine is transferred, a new captain, strict disciplinarian Philip Francis Queeg, replaces him. But Queeg's actions go beyond strictness into psychopathology as he brings the ship and its crew to the brink of destruction. This necessitates a brutal shipboard court-martial that threatens by turns to clear or condemn him. In adapting his novel for the theater, Herman Wouk focused on the heart of the story: the trial and the man at its center. The result is a grimly effective picture of Queeg's disintegration from perfectionist to paranoid that acts as an indictment not only of an individual but of a society that produces such men.