We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    It’s the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death. It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious—and very well-guarded—secrets of Dublin’s high Catholic society, among them members of his own family. Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville’s fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black’s debut marks him as a true master of the form.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    For Harry Angel, a routine missing-persons case soon turns into a fiendish nightmare of voodoo and black magic, of dizzying peril and violent death. Many people feel that Falling Angel is the greatest American supernatural horror novel of the 20th century.With a new foreword by Ridley Scott, an introduction by the late James Crumley, and a new afterword by the author and a bonus short story, plus a letter from Stephen King, the first time that the letter has ever been published in its complete form.The hardcover edition is limited to just 300 copies and is signed by William Hjortsberg. Bound in cloth with a dustjacket with the original Stanislaw Zagorski wraparound dustjacket printed against a black background with spot varnish.

    Undoubtedly one of the best writers of English mystery.--Los Angeles Times.

    He lived only for the day he would be free—free to track down and destroy the man who had put him behind bars.Murder was merciful compared to what Cady had in mind—and what Cady had in mind was Bowden's innocent and lovely teenaged daughter...."A powerful and frightening story." —The New York Times

    In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.

    He's also a sociopath who walks a knife edge between sanity and all-out mayhem. When an exchange program is initiated and twenty Guards come to America and twenty cops from the States go to Ireland, Shay, as he's known, has his lifelong dream come true--he becomes a member of the NYPD. But Shay's dream is about to become New York's nightmare.Paired with an unstable cop nicknamed Kebar for his liberal use of a short, lethal metal stick called a K-bar, the two unlikely partners become a devastatingly effective force in the war against crime.But Kebar harbors a dangerous secret: he's sold out to the mob to help his sister. Her rape and beating leaves her in a coma and pushes an already unstable Kebar over the edge just as Shea's dark secrets threaten boil over and into the streets of New York.Once Were Cops melds the street poetry of Brooklyn and Dublin into a fast-paced, incomparable hard-boiled novel. This is Ken Bruen at his best.

    . . if you've ever known fear. In Palmerston, Pennsylvania, two men in long coats walk calmly into a crowded fast-food restaurant--then, slowly and methodically, gun down sixty-eight people. They take time to reload. On the Promenade of Santa Monica, California, a teenage girl gives sightseeing tips to a distinguished English tourist. She won't be going home tonight. In Dyersburg, Montana, a grief-stricken son tries to make sense of the accident that killed his parents--then finds a note stuffed in his father's favorite chair. It reads, "We're not dead."Three seemingly unrelated events, these are the first signs of an unimaginable network of fear that will lead one unlikely hero to a chilling confrontation with The Straw Men. No one knows who they are--or why they kill. But they must be stopped. Michael Marshall's electrifying debut novel is an instant masterpiece of modern suspense. An epic thriller for anyone who has feared that someone is watching us.

    Yet the fiction books in the Borealis imprint certainly belong to a world other than our own. This line encompasses our science fiction, fantasy and horror novels and anthologies.

    A tabloid star is killed in a helicopter crash and three years later a young journalist is warned off the story. As a news story breaks in Paris, a US senator prepares his campaign to run for office. What links these things and who controls what we know?With echoes of John Le Carre, 24 and James Ellroy, Alan Glynn has written another crime novel of and for our times - a ferocious thriller that moves from Dublin to New York via West Africa, and thrillingly explores the legacy of corruption in big business, the West's fear of China, the fate of ex-military, the role of back room political players, and the quick fix of online news.

    The thriller that introduces Parker. “A brilliant invention”. Played by Lee Marvin in the John Boorman movie. “The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the Organization. But I don’t care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you’ll pay me back whether you like it or not.”This novel was originally titled The Hunter, later retitled Point Blank because of the movie, later retitled Payback because of the other movie.

    Only it’s not like the movies or old man Stoker’s storybook. It’s worse. Especially if you happen to be one of them. Just ask Joe Pitt. There’s a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks’ brains. Joe hates shamblers, but he’s still the one who has to deal with them. That’s just the kind of life he has. Except afterlife might be better word.From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he’s not happy about it. Yeah, he gets to be stronger and faster than you, and he’s tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that’s eating at him isn’t his idea of a good time. And Joe doesn’t make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan–it ain’t easy. It’s worse once he gets mixed up with the Coalition–the city’s most powerful Clan–and finds himself searching for a poor little rich girl who’s gone missing in Alphabet City.Now the Coalition and the girl’s high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.

    This anthology of stories featuring the character of Sherlock Holmes follows on from Sir Arthur Conan Doyle's stories which ended with Holmes at Reichenbach Falls.

    Rendered in the American vernacular with vivid imagery and a wry, dark sense of humor, these thwarted and sometimes violent lives jump off the page at the reader with inexorable force. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.With an artistic instinct honed on the works of Flannery O' Connor and Harry Crews, Pollock offers a powerful work of fiction in the classic American vein. Knockemstiff is a genuine entry into the literature of place.