It was the street your mother warned you about—even if you lived in San Francisco. Long associated with skid row, saloons, freak shows, violence, and vice, the Bowery often showed the worst New York City had to offer. Yet there were times when it showed its best as well.The Bowery is New York’s oldest street and Manhattan’s broadest boulevard. Like the city itself, it has continually reinvented itself over the centuries. Named for the Dutch farms, or bouweries, of the area, the path’s lurid character was established early when it became the site of New Amsterdam’s first murder. A natural spring near the Five Points neighborhood led to breweries and taverns that became home to the gangs of New York—the “Bowery B’hoys,” “Plug Uglies,” and “Dead Rabbits.” In the Gaslight Era, teenaged streetwalkers swallowed poison in McGurk’s Suicide Hall. A brighter side to the street was reflected in places of amusement and culture over the years. A young P.T. Barnum got his start there, and Harry Houdini learned showmanship playing the music halls and dime museums. Poets, singers, hobos, gangsters, soldiers, travelers, preachers, storytellers, con-men, and reformers all gathered there. Its colorful cast of characters includes Peter Stuyvesant, Steve Brodie, Carry Nation, Stephen Foster, Stephen Crane, and even Abraham Lincoln.The Bowery: The Strange History of New York’s Oldest Street traces the full story of this once notorious thoroughfare from its pre-colonial origins to the present day.

    They satisfy your boozy thirst in a strife filled life and a good one will listen to anything on your mind when no one else will. Our barman/narrator is one of the good ones. He's been disposed under chins and elbows and cocktail napkins and ashtrays and spilled drinks for decades in New York City for countless drinkers willing to confess anything to a bar top. From one bar stool to another our barman's raw and soulful voice delivers a metropolitan story of good times, struggle, regret and salvation - a story put together with well-known real life places, countless celebrity faces and amazing characters only found in New York City. Maybe you live in New York or simply wondered about living there. Maybe you've dreamed of tending a bar or owning a bar or sitting in a bar in New York City. Maybe you've always wanted to meet a bartender from the prohibition era who pissed into Al Capone's beer or a horse-betting Rabbi that can explain the world order or see Mickey Mantle fall down drunk with his face buried in a filthy barroom toilet. Maybe you're interested in a wine and beer stained, cigarette burned oak top metamorphism that will add some hardened experience to your teetotaler life. Or maybe you just have a tiny sadistic stripe and you'd like to witness what a big city, countless smokes and lots of drugs, liquor, sex, and bearing witness to the eternal under the neon glare of Times Square can do to somebody, to anybody. From 1966 and his first job in a South Bronx bar at 4 years old opening cans of beer to shining shoes in bars across the Bronx to serving booze in iconic bars and restaurants all over Manhattan our Barman spars with the life force of New York City for fifty years until last call when he's faced with an unforeseen betrayal and is left almost broke, without a plan and nearly a hollow man. That is until he learns to forgive and luckily realize that life without warning has just begun.

    She had a successful law career, met the love of her life in Doug, married him, had an apartment in New York City, a house in the Hamptons, two beautiful children, and was still madly in love after nearly seven years of marriage. Jennifer was living the kind of idyllic life that clichés are made of.Until Doug was killed in the attacks on the World Trade Center, and she became a widow at age thirty-five—a “9/11 widow,” no less, a member of a select group bound by sorrow, of which she wanted no part. Though completely devastated, Jennifer still considered herself blessed. Doug had loved her enough to last her a lifetime, and after his sudden death, she was done with the idea of romantic love—fully resigned to being a widowed single mother . . . until a chance encounter with a gregarious stranger changed everything. Without a clue how to handle this unexpected turn of events, Jennifer faced the question asked by anyone who has ever lost a loved one: Is it really possible to feel joy again, let alone love?With unvarnished emotion and clear-eyed sardonic humor, Jennifer tells an ordinary woman’s extraordinary tale of unimaginable loss, resilience, friendship, love, and healing—which is also New York City’s narrative in the wake of September 11. Where You Left Me is an unlikely love story, a quintessentially New York story—at once Jennifer’s tribute to the city that gave her everything and proof that second chances are possible.

    His journey is chronicled in Eyes Pried Open: Rookie FBI Agent. Readers will experience both the highs and the lows of an FBI agent working bank robbery, kidnapping, murder-for-hire cases, and border-related crimes in San Diego, California. The book's from-the-heart narrative demonstrates that the typical lifestyle of an FBI agent assigned to a violent crime squad may not be for everyone. This is the first book to be written from the fresh perspective of an agent who joined the FBI after 9/11.

    From Zanjeer to Deewaar and Sholay to Shakti, their creative output changed the destinies of several actors and filmmakers and even made a cultural phenomenon of the Angry Young Man. Even after they decided to part ways, success continued to court them-a testament not only to their impeccable talent and professional ethos, but also their enterprising showmanship and business acumen. Fizzing with energy and brimming over with enough trivia to delight a cinephile's heart, Written by Salim-Javed tells the story of a dynamic partnership that transformed Hindi cinema forever.

    She tells of being poor, hopeful, and adrift in the city that became her great teacher; of the small apartment that, when she was nineteen, became the home in which she transformed herself; of how punk rock gave form and voice to her own fury and explosive energy.Solnit recounts how she came to recognize the epidemic of violence against women around her, the street harassment that unsettled her, the trauma that changed her, and the authority figures who routinely disdained and disbelieved girls and women, including her. Looking back, she sees all these as consequences of the voicelessness that was and still is the ordinary condition of women, and how she contended with that while becoming a writer and a public voice for women’s rights.She explores the forces that liberated her as a person and as a writer—books themselves, the gay men around her who offered other visions of what gender, family, and joy could be, and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. These influences taught her how to write in the way she has ever since, and gave her a voice that has resonated with and empowered many others.

    Someday, when it was his turn at the table, he’d connect with his readers. The experience has been even more revealing than he’d hoped.In this hilarious and perceptive essay, the celebrated humorist reflects on the unusual patterns of forced socialization between author and audience, and the obligations and sometimes surprising returns of not-so-chance encounters with strangers: jokes, secrets, insights, and even charity.

    I’d written for the New York Times. I had a solid credit score. How did I end up here? After his breakout hit book I’m Sorry . . . Love, Your Husband, Clint Edwards has more laugh-out-loud tales, this time from the “terrible twos” and “threenager” phases each of his kids went through. His relatable toddler stories leave parents and caregivers cackling, and remind us all that no one is the perfect parent. In fact, sometimes the only thing that gets Clint through the day is thinking about when his kids grow up . . . and all the ways he can finally exact his revenge. Like leaving a leaky sippy cup full of milk to rot under the back seat of his daughter’s car, or waking up at 4 a.m. to incessantly ask his son for a cheese stick. With essays like Locking Doors Is Hilarious Until the Fire Department Arrives, Poop Doesn’t Go Easily Down a Tub Drain, Dad’s Never the Favorite, and Face It—You’ll Never Pee Alone, Clint knows exactly what’s “terrible” about the twos . . . and threes.

    New York Times bestselling author of Texts from Jane Eyre Daniel M. Lavery publishing as Daniel Mallory Ortberg has mastered the art of “poetic yelling,” a genre surely familiar to fans of his cult-favorite website The Toast.In this irreverent essay collection, Ortberg expands on this concept with in-depth and hilarious studies of all things pop culture, from the high to low brow. From a thoughtful analysis on the beauty of William Shatner to a sinister reimagining of HGTV’s House Hunters, Something That May Shock and Discredit You is a laugh-out-loud funny and whip-smart collection for those who don’t take anything—including themselves—much too seriously.

    Fresh out of college, Cantwell arrived in Greenwich Village and shared an apartment with a friend. Despite all the flair of metropolitan life, experiences with high-style department stores, exclusive little shops, theaters, parties, restaurant outings, and even a romance and marriage, she became increasingly depressed. Her close ties to a lovingly encouraging father were broken by his early death. She details the passage of years by describing the flats, houses, and apartments she lived in and the jobs lost and gained in her career pursuit, including at a fashion magazine. Despite Cantwell's lifelong involvement with psychoanalysis, her account is enlivened with the glamour of little black dresses, Steuben glassware, ethnic neighborhoods, and the whole ambiance of the city, presenting anew the eternal charm of the Big Apple for the young -- and especially in that 1950s world Cantwell inhabits, that of magazine and book publishing and fashion and the middle-class bohemia of downtown New York at a golden moment in time.

    From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates.Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it.Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.

    When Joan became the first and only American woman ever to fill Paris Vogue's coveted position of Editor in Chief, a “figurehead in the cult of fashion and beauty,” she had the means to recreate for her aging father, now a widower, the life he’d enjoyed during his high-flying years, a splendid illusion of glamorous excess that could not be sustained indefinitely.Joan’s memoir tells the story of a life lived in the best places at the most interesting times: London and New York in the swinging 1960s, Rome and Milan in the dangerous 1970s, Paris in the heady 1980s and 1990s. But when her fantasy life at Vogue came to an end, she had to find out who she was after all those years of make-believe. She chronicles this journey in beautiful and at times heartbreaking prose, taking the reader through the wild parties and the fashion, the celebrities and creative geniuses as well as love, loss, and the loneliness of getting everything you thought you wanted and finding it’s not what you’d imagined. While Joan’s story is unique, her journey toward self-discovery is refreshing and universal.

    Steven Watson follows their diverse lives from childhood through their Factory years. He shows how this ever-changing mix of artists and poets, musicians and filmmakers, drag queens, society figures, and fashion models, all interacted at the Factory to create more than 500 films, the Velvet Underground, paintings and sculpture, and thousands of photographs. Between 1961 and 1964 Warhol produced his most iconic art: the Flower paintings, the Marilyns, the Campbell’s Soup Can paintings, and the Brillo Boxes. But it was his films—Sleep, Kiss, Empire, The Chelsea Girls, and Vinyl—that constituted his most prolific output in the mid-1960s, and with this book Watson points up the important and little-known interaction of the Factory with the New York avant-garde film world. Watson sets his story in the context of the revolutionary milieu of 1960s New York: the opening of Paul Young’s Paraphernalia, Truman Capote’s Black and White Ball, Max’s Kansas City, and the Beautiful People Party at the Factory, among many other events. Interspersed throughout are Watson’s trademark sociogram, more than 130 black-and-white photographs—some never before seen—and many sidebars of quotes and slang that help define the Warholian world. With Factory Made, Watson has focused on a moment that transformed the art and style of a generation.

    They are bold, brazen, fierce—and sexy. They aren’t known for following rules, they are known for doing—and wearing—whatever they want. Tomboy captures the tomboy’s style, her je ne sais quoi, her wardrobe, and most importantly, her spirit. Throughout the twentieth century, the mass marketing of gender stereotypes meant tomboys cropped up against the odds, trends, and ads. As menswear-inspired fashions for women have exploded into the mainstream under the helm of designers and stylists ranging from J.Crew to Rag & Bone to Boy by Band of Outsiders, acceptance of both the word tomboy and the women associated with its edge has been set into play. But a tomboy is not just about style—tomboys are measured in equal parts wardrobe and spirit.A visual history that chronicles the past eighty years of women who blur the line between masculinity and femininity, Tomboy explores the evolution of the style and its icons. Vivid commentary illuminates the tomboy’s history and captures a diversity of women who are bound together by their inherent ability to seamlessly blend a rugged sensibility with classic, understated elegance.

    So when Amy finds herself turning forty, moving to Brooklyn, and making way for a baby with a new man in her life, she realizes that starting over may be her biggest opportunity yet.But how do you balance staying out all night dancing with staying up all night soothing a baby? Can a lifelong city girl trade in spontaneity for domesticity? Set amid the backdrop of Brooklyn and Manhattan's foodie scenes, Amy sets out to make her second act even sweeter than the first.