Benjamin Spock, September 1969The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the structuring of this book, with its own peculiar version of a beginning, a middle, and an end.

    Adams drew on his own southern fixation, his extensive foreign travel, his political service in Lincoln's White House, and much more to invent the study of history as we know it. His nine-volume chronicle of America from 1800 to 1816 established new standards for employing archival sources, firsthand reportage, eyewitness accounts, and other techniques that have become the essence of modern history. Adams's innovations went beyond the technical; he posited an essentially ironic view of the legacy of Jefferson and Madison. As is well known, they strove to shield the young country from "foreign entanglements," a standing army, a central bank, and a federal bureaucracy, among other hallmarks of "big government." Yet by the end of their tenures they had permanently entrenched all of these things in American society. This is the "American paradox" that defines us today: the idealized desire for isolation and political simplicity battling against the inexorable growth and intermingling of political, economic, and military forces. As Wills compellingly shows, the ironies spawned two centuries ago still inhabit our foreign policy and the widening schisms over economic and social policy. Ambitious in scope, nuanced in detail and argument, Henry Adams and the Making of America throws brilliant light on how history is made -- in both senses of the term.

    Lee and Jefferson Davis, and much more.

    Going beyond the practical application of techniques, Whyte helps new artists capture not just the model's physical likeness, but their unique personality and spirit. Richly illustrated, the book features Mary Whyte's vibrant empathetic watercolors and works by such masters of watercolor as Mary Cassatt, Thomas Eakins, Winslow Homer, John Singer Sargent, and Georgia O'Keeffe.

    His influential work spans many practices over a 23-year period, from music packaging to installation work to printmaking. Here, he reveals his personal notebooks, photographs, sketches, and abandoned routes to iconic Radiohead artworks. Arranged chronologically, each chapter is dedicated to a major work—whether an album cover, promotional piece, or a personal project—and is presented as a step-by-step working case study. Featuring commentary by Thom Yorke and never-before-seen archival material, this is the first deep dive into Donwood’s creative practice and the artistic freedom afforded to him by working for a major music act. It is a must-have for fans of the band and anyone interested in graphic design and popular culture.

    If the precious yellow metal hadn't been discovered . . . the development of San Francisco's underworld in all likelihood would have been indistinguishable from that of any other large American city. Instead, owing almost entirely to the influx of gold-seekers and the horde of gamblers, thieves, harlots, politicians, and other felonious parasites who battened upon them, there arose a unique criminal district that for almost seventy years was the scene of more viciousness and depravity, but which at the same time possessed more glamour, than any other area of vice and iniquity on the American continent. The Barbary Coast is Herbert Asbury's classic chronicle of the birth of San Francisco -- a violent explosion from which the infant city emerged full-grown and raging wild. From all over the world practitioners of every vice stampeded for the blood and money of the gold fields. Gambling dens ran all day including Sundays. From noon to noon houses of prostitution offered girls of every age and race. (In the 1850s, San Francisco was home to only one woman for every thirty men. It was not until 1910 that the sexes achieved anything close to parity in their populations.) This is the story of the banditry, opium bouts, tong wars, and corruption, from the eureka at Sutter's Mill until the last bagnio closed its doors seventy years later.

    They become larger than life and bigger than anyone ever thought possible, leaping off the field, the court, or the diamond and into the annals of not only history, but the very fabric of the American milieu. We all just witnessed such a moment on February 5th, 2017, when the New England Patriots battled back from the largest deficit in Super Bowl history to once again become world champions and secure Tom Brady's legacy as the greatest quarterback of all time.Amid a season of controversy, turmoil, and the most tumultuous political climate of our lifetime, the Patriots won. In spite of becoming entangled in the national spotlight on several occasions, the Patriots won. And in spite of being faced with any number of circumstances that would sink almost every other franchise in the NFL, the Patriots won.The season began with the fallout around Deflategate and losing their MVP-caliber quarterback for the first four games of the season, but honestly, the Deflategate saga was just a small part of it all.This is the story of how the Patriots rallied together as a team to surpass their obstacles on and off the football field and how that led to a remarkable run to the title - and the biggest comeback in Super Bowl history.Complete with player interviews, behind-the-scenes stories never told before, and content provided by Patriots players themselves, Drive for Five provides a unique level of insight and access to the story behind the legendary New England Patriots' 2016 season.

    Born to a Methodist preacher in 1853, near Bonham, Texas, Wes Hardin killed his first man, a former slave of his uncle’s, at the tender age of 15. Fearing that he’d receive unfair treatment in a Union occupied state where one third of the police force were former slaves, Hardin went into hiding.The authorities wasted no time in discovering Wes Hardin, but when they sent three Union soldiers to arrest him, Hardin confronted his pursuers: ‘thus it was by the fall of 1868 I had killed four men and was myself wounded in the arm’.Knowing he could not return, Hardin travels with outlaws, drives cattle, and gambles his way across the state. In his biography he details the mounting body count, and justifies every shootout, claiming to have ‘never killed a man wantonly or in cold blood’.Throughout this lively account, Hardin narrates in meticulous detail the various troubles he runs into, including his encounter with the famous “Wild Bill” Hickock. He negotiates the quarrels and the blood feuds of his late teens and early twenties with surprising good fortune, even managing to find time to marry and have children, before capture in his mid twenties. In the ten years between his first killing in 1868 and his final capture, he killed more than a score of men and became the most wanted fugitive of his time.The imprisonment of Wes Hardin marks the end of the journal, which remains the only authentic autobiography of a wild west gunslinger to date. Written during his time in prison, it is an understandably biased tale, but nonetheless a unique and gripping first-person account of an interesting life and an interesting period in American history.This version of Hardin’s autobiography also includes several other materials from the original publishers, dealing with Wes Hardin’s release and subsequent shooting in 1895.John Wesley Hardin (May 26, 1853 – August 19, 1895) was an American Old West outlaw, gunfighter, and controversial folk icon. His memoir was published the year after his death in 1896. For details of other books published by Albion Press go to the website at www.albionpress.co.uk. Albion Press is an imprint of Endeavour Press, the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the bag in spare yet haunting language—including Rose’s wish that “It be filled with my Love always.” Now, in this illuminating, deeply moving new book inspired by Rose’s gift to Ashley, historian Tiya Miles carefully unearths these women’s faint presence in archival records and draws on objects and art, to follow the paths of their lives—and the lives of so many women like them—in a singular and revelatory history of the experience of slavery, and the uncertain freedom afterward, in the United States.All That She Carried is a poignant story of resilience and of love passed down through generations of women against steep odds. It honors the creativity and fierce resourcefulness of people who preserved family ties even when official systems refused to do so.

    But she started her career as a ballerina, and learnt to dance alongside Margot Fonteyn, Moira Shearer, Beryl Grey and Frederick Ashton during the Second World War. A Dancer in Wartime tells the story of Gillian's extraordinary childhood. From Miss Madeleine Sharp's Ballet Class for Young Ladies in Bromley, to being evacuated with her theatre school to rural Leicestershire; from performing in the West End with doodlebugs falling to touring a devastated Europe, the early years were hard, exciting and dramatic. And when the call came to join Sadler's Wells - well, what ballerina hopeful could have asked for more?

    The second book from Brandon Boyd which follows up the successful White Fluffy Clouds, From the Murks of the Sultry Abyss comes in a special outer box, a limited edition #d sheet of stickers of artwork from Boyd, and the book itself comes sealed.

    Trading in her home for canvas roof and wheels, Mary, her husband, and their three children set out on the arduous trek westward to California.Shortly into their travels west, it became painfully obvious that Doctor Powers was simply not up to the task of making sure his family "outlasted the trail." Mary had to step in and become the head of the household with its canvas roof and wheels--leaving behind her ideals of femininity along with her beloved possessions.In Outlasting the Trail author Mary Barymeyer O'Brien uses the letters Mary Rockwood Powers wrote to her mother and sister back home as a stepping off point to further illuminate this remarkable woman's story. Based on the dramatic struggle a real family, this novel brings to life a fascinating slice of American history.

    As soon as you open the book you will want to pick up a brush and start painting — and whatever your ability, Jean encourages you to simply ‘have a go’ and enjoy the freedom and happiness that painting can bring.Jean’s subjects include animals, landscapes, people and flowers, and there are many examples of Jean’s work throughout the book to both delight and inspire you. Jean takes a highly practical approach to her teaching, and there are numerous short exercises and demonstrations as well as longer projects that guide you through a painting from beginning to end. Wherever you are on your painting journey, Jean will open your eyes to the color and light that surrounds you and show you how to incorporate it into your paintings.

    Originally published in 1986, this dark, democratic environment provided the setting for photographer Bruce Davidson's first extensive series in color. Subway riders are set against a gritty, graffiti-strewn background, displayed in tones Davidson described as "an iridescence like that I had seen in photographs of deep-sea fish." Never before has the subway been portrayed in such detail, revealing the interplay of its inner landscape and out vistas. The images include lovers, commuters, tourists, families, and the homeless. From weary straphangers to languorous ladies in summer dresses to stalking predators, Davidson's compassionate vision illuminates the stubborn survival of humanity. From the spring of 1980 to 1985, Davidson explored and shot six hundred miles of subway tracks. In his own words, "I wanted to transform this subway from its dark, degrading, and impersonal reality into images that open up our experience again to the color, sensuality, and vitality of the individual souls that ride it each day." Now nearly 25 years later, and on the eve of the subway's 100th anniversary, St. Ann's Press is publishing a new edition of Davidson's classic book. This edition adds forty unseen images to the original book, and includes a new introduction by Arthur Ollman of the Museum of Photographic Art in San Diego, and a foreword by Fred Braithwaite (aka Fab Five Freddy), the original graffiti artist. It also includes Bruce Davidson and Henry Geldzahler's original essays.

    How did Marilyn Monroe die? Although no pills were found in her stomach during the autopsy, it was still documented in the Los Angeles coroner's report that she had swallowed sixty-four sleeping pills prior to her demise. In Marilyn Monroe: A Case for Murder, biographer Jay Margolis presents the most thorough investigation of Marilyn Monroe's death to date and shares how he reached the definitive conclusion that she was murdered.Margolis meticulously dissects the events leading up to her death, revealing a major conspiracy and countless lies. In an exclusive interview with actress Jane Russell three months before her death, he reveals Russell's belief that Monroe was murdered and points the finger at the man she held responsible. While examining the actions of Peter Lawford, Bobby Kennedy, and Monroe's psychiatrist, Dr. Ralph Greenson, Margolis establishes a timeline of her last day alive that leads to shocking revelations.In August 1962, Marilyn Monroe's lifeless body was found on her bed, leaving all to wonder what really happened to the beautiful young starlet. Marilyn Monroe: A Case for Murder provides a fascinating examination of one of the most puzzling deaths of all time.