The stealthy bobcat, the inquisitive raccoon, and the dignified bear waking up from his winter nap are just a few of the glorious animals featured in this clever collection of poems and woodland scenes. This companion to In the Sea, In the Wild, and On the Farm is the first collaboration between David Elliott and Rob Dunlavey, whose colorful, expressive art pairs with the author's charming poems to create a love letter to the animals of the forest.

    Then there was the Little Mermaid. Today, thanks to Jim Toomey, it's Sherman's Lagoon, a satirical, sea-floor look at popular culture as showcased through the lives of a lovable shark and his waterborne cronies. Sherman's the somewhat dim-witted but happy-go-lucky shark who takes us for a wonderful ride beneath the waves. This Jaws-less jokester teams up with a veritable school of bottom-dwelling denizens to deliver one of the funniest creations on land or sea. With an imaginative storyline and creatively rendered characters, Sherman's Lagoon has captured a considerable following.  Sherman—who never allows thinking to interfere with life's simple pleasures, especially eating—is joined by Fillmore, his trusty turtle sidekick; Megan, his significant shark other; Hawthorne, the irascible hermit crab; and a host of other Neptunian neighbors occupying the lagoon of an imaginary South Pacific island called Kapupu.  In Sherman's Lagoon: Ate That, What's Next?, this cast of coral reef critters never fails to amuse. Consider Sherman opening a wrapped holiday gift box only to find a putrid dead fish—and loving it! Or the day he and Fillmore contemplate plunging to the deepest depths of the ocean, in order to recover Fillmore's fumbled Ninja Turtle Decoder Ring. The fun and laughs never end!

    In this anthology the authors have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources, some of which were here translated for the first time. The resulting volume is an invaluable reference work for art historians as well as for anyone interested in the mind and methods of one of the world’s greatest creative geniuses.“Highly readable. . . . Also included are documentary sources and letters illuminating Leonardo’s career; the manuscript sources for all of Leonardo’s statements are fully cited in the notes. The volume is skillfully translated and is illustrated with appropriate examples of drawings and paintings by the artist.”—Choice“Certainly easier to read and . . . more convenient than previous compilations.”—Charles Hope, New York Review of Books“A chaotic assemblage of Leonardo da Vinci’s writings appeared in 1651 as Treatise on Painting. . . . [Kemp] successfully applies . . . order to the chaos.”—ArtNews

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    Who else could have braided the dog's hair? Who else could be playing that faint music in the air? And who else could've made those mysterious circles in the grass? So thinks a little girl as she sets out into the woods in her backyard searching for the elusive little creatures. Although readers can see them, as hard as she looks, the fairies are always just out of view for our heroine. In the end, it's clear (to the girl AND to readers) that there is magic all around, even when it's hidden in plain sight.Lush, multi-textured illustrations bring the woods (and the fairies) to life in this playful read-aloud by Phoebe Wahl. Kids will delight in seeing the fairies hidden in each piece of art and revel in the tricks and games the fairies play on our unsuspecting heroine.

    With lyrical text by bestselling author Natasha Anastasia Tarpley and images by Regis and Kahran Bethencourt—the team behind CreativeSoul Photography—each page of The Me I Choose To Be is an immersive call for self-love and highlights the inherent beauty of all Black and brown children.

    There’s a village sixty miles outside London. It’s no different from many other villages in England: one pub, one church, red-brick cottages, council cottages and a few bigger houses dotted about. Voices rise up, as they might do anywhere, speaking of loving and needing and working and dying and walking the dogs.This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present. But it also belongs to Dead Papa Toothwort, a figure schoolchildren used to draw green and leafy, choked by tendrils growing out of his mouth. Dead Papa Toothwort is awake. He is listening to this twenty-first-century village, to his English symphony. He is listening, intently, for a mischievous, enchanting boy whose parents have recently made the village their home. Lanny.

    Readers learn all about the animals and the changing seasons, with informative notes at the end.

    Simple yet profound, it has since brought hope and inspiration to children and adults around the world.

    As for sax master Sonny Rollins, whose "robust style radiates roundness," could there be a better tribute than a poetic rondeau? In an extraordinary feat, Pulitzer Prize-winning jazz composer Wynton Marsalis harmonizes his love and knowledge of jazz's most celebrated artists with an astounding diversity of poetic forms — from simple blues (Count Basie) to a complex pantoum (Charlie Parker), from a tender sonnet (Sarah Vaughan) to a performance poem snapping the rhythms of Art Blakey to life. Matching Wynton Marsalis's musical cadences note for note is the bold, poster-style art of Paul Rogers, highlighted in two phenomenal foldout spreads. The art's vibrant nostalgic feel is echoed in an exquisite design, with its size simulating an old 78 LP and its endpapers die-cut to mimic a vintage record sleeve. Complete with a discography and brief biographies of the featured musicians as well as notes on the various poetic forms, this is truly an incomparable gift book — for older children learning about jazz, longtime jazz aficionados, lovers of poetry, and readers of all ages who appreciate the finest in book design.

    Soon he finds himself in the jungle and carried away by the sheer power of his imagination, seeing the world throuhg his own eyes and making friends along the way.

    Horton became the first African American to be published in the South, protesting slavery in the form of verse.

    What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

    But do you have any idea how the age-old tale of the Spider and the Fly ends? Join celebrated artist Tony DiTerlizzi as he -- drawing inspiration from one of his loves, the classic Hollywood horror movies of the 1920s and 1930s -- shines a cinematic spotlight on Mary Howitt's warning, written to her own children about those who use sweet words to hide their not-so-sweet intentions.

     Emma loves to dance and she's happy to share her thoughts and feelings with you.Read more to find out what her favorite dance style is and how she really feels when she dances. Add to your cart now.