Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    'In Too Deep' is a gripping novel about three brothers who choose very different life paths.

    Theatergoers who have followed August Wilson’s career will find in Gem a touchstone for everything else he has written.”—Ben Brantley, The New York Times“Wilson’s juiciest material. The play holds the stage and its characters hammer home, strongly, the notion of newfound freedom.”—Michael Phillips, Chicago TribuneGem of the Ocean is the play that begins it all. Set in 1904 Pittsburgh, it is chronologically the first work in August Wilson’s decade-by-decade cycle dramatizing the African American experience during the 20th century—an unprecedented series that includes the Pulitzer Prize–winning plays Fences and The Piano Lesson. Aunt Esther, the drama’s 287-year-old fiery matriarch, welcomes into her Hill District home Solly Two Kings, who was born into slavery and scouted for the Union Army, and Citizen Barlow, a young man from Alabama searching for a new life. Gem of the Ocean recently played across the country and on Broadway, with Phylicia Rashad as Aunt Esther.Earlier in 2005, on the completion of the final work of his ten play cycle-surely the most ambitious American dramatic project undertaken in our history-August Wilson disclosed his bout with cancer, an illness of unusual ferocity that would eventually claim his life on October 2. Fittingly the Broadway theatre where his last play will be produced in 2006 has been renamed the August Wilson Theater in his honor. His legacy will animate the theatre and stir the human heart for decades to come.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    But when her younger sister discovers her in an uncompromising position, she uses the information as blackmail, making her world a living hell. Her burden grows when she falls in love with her best friend who is all about money, which Echo doesn’t have. After being rejected from her mother and first love, Echo goes away to find herself, resurfacing years later as a powerful drug boss with an insatiable sexual drive. Before long her BFF returns, married to a dangerous man with ulterior motives. Soon old feelings from the past bubble to the surface and Echo finds herself caught between two loves. One who is passive aggressive and the other who would do anything to maintain Echo’s heart, including kill. Lipstick Dom is for ladies who love ladies and T. Styles’ fans who appreciate a drama filled love story.

    . . and done with trying to find "perfect" husbands. So why can't Hahna, Twila, and Kimberly have men strictly for friendship, companionship—and especially mind-blowing sex? Their solution: be sugar mamas to gorgeous young studs who promise the best of having it all. But the ladies soon find that real lust and no strings is way more complicated than they thought . . .All-business and all about the money, Hahna is drawn to Jovan, an aspiring writer. He's content with his work and Hahna, but her determination to make him appreciate the finest things in life could easily tear them apart. Cautious Kimberly is swept off her feet by handsome adrenaline-junkie Shawn—but an old flame from her past sparks an even more dangerous passion. And for Twila, a smokin'-hot Instagram model is fulfilling all her scandalous, insatiable dreams . . . until his high-maintenance demands and jealousy throw her life into chaos. Now Hahna, Kimberly, and Twila need to trust their instincts and their hearts to reclaim their joy—and the love they truly deserve.

    From the author of Secrets of an Irresistible Woman comes a novel of five women who explore how intelligent women with impressive careers, coveted urban dwellings, and closets full of fashions can still worry so much about the shortage of men.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist—on assignment to profile Gus—quite deliberately seeks to undermine that understanding. The fallout is dreadful—but beautifully and convincingly portrayed in all its painful consequences.

    

    This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.