Chubby Tracy Turnblad (Marissa Jaret Winokur, 2003 Tony winner for Best Performance by a Leading Actress in a Musical) is transformed into a teen celebrity on a local TV dance program. With her irresistible stage mother (Harvey Fierstein, 2003 Tony winner for Best Performance by a Leading Actor in a Musical) at her side, she attempts to win the heart of the local heartthrob and integrate "The Corny Collins Show" at the same time.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    Lerner, one of America’s most acclaimed and popular lyricists. Large-hearted, humorous, and often poignant in its reverence for a celebrated era in the American theater, this is the story of what Lerner calls "the sundown of wit, eccentricity, and glamour." Try as he might to keep himself out of these pages, Lerner reveals himself to be a man of great talent, laughter, and love. Along the way, we meet a sensational supporting cast: Moss Hart, Fritz Loewe, Julie Andrews, Richard Burton, Rex Harrison, Cecil Beaton, Louis Jourdan, and Maurice Chevalier, to name a few. They are seen in moments of triumph and disaster, but all are professionals at the creation of theater. And the creation of theater is the matrix of this wonderful book. Included are the complete lyrics to My Fair Lady, Gigi, and Camelot.

    In the "triumphant and moving" (Variety) Broadway musical of the same name, Morissette's iconic numbers-including smash hits like "Ironic," "You Oughta Know," and "Hand in My Pocket,"-are paired with new songs by the beloved musician and a powerful original story by Academy Award-winning writer Diablo Cody (Juno). Hailed as "urgent, wildly entertaining, and wickedly funny" (The Boston Globe) and "joyful and redemptive, rousing and real" (The New York Times), the Jagged Little Pill musical is a poignant and emotionally revelatory experience that is speaking to audiences across generations. Now, for the first time, this book will take you behind the scenes with stunning photography, original in-depth interviews with the cast, crew, Alanis Morisette, and Diablo Cody, and an introduction from Morissette herself on the album's genesis and journey from release to acclaimed musical-including details and anecdotes on her collaboration on the show. Including the full annotated libretto and a retrospective look at Alanis's artistic influences and the significance of the album within the cultural context of the 90s as well as its long-term impact on the music world as we know it, this beautifully rendered book is a must-have keepsake for anyone who has been touched by this production or Morissette's music.

    On September 11, 2001, 38 planes and 6,579 passengers were forced to land in the provincial town of Gander, Newfoundland. The local residents opened their arms to the displaced visitors, offering food, shelter, and friendship. In the days that followed, cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships. Come From Away: Welcome to the Rock is the ultimate companion piece to Irene Sankoff and David Hein's smash-hit musical based on that extraordinary experience. Featuring the complete book and lyrics for the first time in print, a foreword by Canadian Prime Minister Justin Trudeau, and exclusive photos of the company and physical production, this essential companion also includes original interviews with passengers, Gander residents, and the actors who portray them. The narrative by theater historian Laurence Maslon details the events of that memorable and challenging week and also traces the musical's development from the ten-year reunion of residents and airline passengers in Gander, where the idea for the musical was born , to the global phenomenon it is today. Come From Away: Welcome to the Rock gives an unprecedented look behind the curtain and demonstrates why the story has touched so many so deeply: Because we come from everywhere, we all come from away.

    In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat's nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte.Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friend - ship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize-winning classic.

    As the composer, lyricist, actors and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the "Slasher" unmasked-but not before the audience has been treated to a sidesplitting good time and a generous serving of the author's biting, satiric and refreshingly irreverent wit.

    Vocal selections from the popular Broadway musical, including: 25th Annual Putnam County Spelling Bee * My Friend, the Dictionary * Pandemonium * I'm Not That Smart * Magic Foot * Prayer of the Comfort Counselor * My Unfortunate Erection * Woe Is Me * I Speak Six Languages * The I Love You Song.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    The Grand Budapest Hotel recounts the adventures of Gustave H (Ralph Fiennes), a legendary concierge at a famous European hotel between the wars, and Zero Moustafa (Tony Revolori), the lobby boy who becomes his most trusted friend. Acting as a kind of father figure, M. Gustave leads the resourceful Zero on a journey that involves the theft and recovery of a priceless Renaissance painting; the battle for an enormous family fortune; a desperate chase on motorcycles, trains, sledges and skis; and the sweetest confection of a love affair all against the backdrop of a suddenly and dramatically changing Continent. Inspired by the writings of Stefan Zweig, The Grand Budapest Hotel recreates a bygone era through its arresting visuals and sparkling dialogue. The charm and vibrant colors of the film gradually darken with a sense of melancholy as the forces of history conspire against our hero and his vanishing way of life. Written and directed by Wes Anderson, whose films include The Royal Tenenbaums, Moonrise Kingdom, and Fantastic Mr. Fox . The film also stars Jude Law, Tilda Swinton, Edward Norton, Jeff Goldblum, Harvey Keitel, Adrian Brody, Saoirse Ronan, Lea Seydoux, Bill Murray and Owen Wilson.

    There are 10 reading parts.

    "One of the great works of the American musical theatre. It is darling, touching, beautiful, warm, funny and inspiring. It is a work of art." -John Chapman, Daily News

    

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    The Pirates of Penzance, premiered in 1879, confirmed the comic genius of librettist W.S. Gilbert and composer Arthur Sullivan, following on the heels of their wildly successful H.M.S. Pinafore . Pirates invade the rocky coast of Cornwall in this topsy-turvy tale of love and duty, highlighted by the famous strains of Poor Wandering One, I Am the Very Model of a Modern Major-General, Oh, Is There Not One Maiden Breast and With Cat-Like Tread, Upon Our Prey We Steal. This vocal score includes the complete music and all dialogue, a plot synopsis, articles on the famous partnership and the history of The Pirates of Penzance, a filmography and a discography.