The show’s vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights. That’s where Usnavi, Nina, and their neighbors chase their dreams and ask a universal question: Where do I belong? In the Heights: Finding Home reunites Miranda with Jeremy McCarter, co-author of Hamilton: The Revolution, and Quiara Alegría Hudes, the Pulitzer Prize–winning librettist of the Broadway musical and screenwriter of the film. They do more than trace the making of an unlikely Broadway smash and a major motion picture: They give readers an intimate look at the decades-long creative life of In the Heights. Like Hamilton: The Revolution, the book offers untold stories, perceptive essays, and the lyrics to Miranda’s songs—complete with his funny, heartfelt annotations. It also features newly commissioned portraits and never-before-seen photos from backstage, the movie set, and productions around the world. This is the story of characters who search for a home—and the artists who created one.

    In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat's nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte.Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friend - ship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize-winning classic.

    I was already in awe of his performance; now I’m in awe of his humanity and attention to detail and willingness to share the hard work and magic that goes into it.’ Lin-Manuel Miranda, from his Foreword‘Stand. Breathe. Look. Try to empty my mind. Somehow, for some reason, I have been brought to this place to tell this story, now. So tell it. That’s all.’When Lin-Manuel Miranda’s groundbreaking musical Hamilton opened in London’s West End in December 2017, it was as huge a hit as it had been in its original production off- and on Broadway. Lauded by critics and audiences alike, the show would go on to win a record-equalling seven Olivier Awards – including Best Actor in a Musical for Giles Terera, for his portrayal of Aaron Burr.For Terera, though, his journey as Burr had begun more than a year earlier, with his first audition in New York, and continuing through extensive research and preparation, intense rehearsals, previews and finally opening night itself. Throughout this time he kept a journal, recording his experiences of the production and his process of creating his award-winning performance. This book, Hamilton and Me, is that journal.It offers an honest, intimate and thrilling look at everything involved in opening a once-in-a-generation production – the triumphs, breakthroughs and doubts, the camaraderie of the rehearsal room and the moments of quiet backstage contemplation – as well as a fascinating, in-depth exploration of now-iconic songs and moments from the musical, as seen from the inside. It is also deeply personal, as Terera reflects on experiences from his own life that he drew on to help shape his acclaimed portrayal.Illustrated with dozens of colour photographs, many of which are shared here for the first time, and featuring an exclusive Foreword by Lin-Manuel Miranda, this book is an essential read for all fans of Hamilton – offering fresh, first-hand insights into the music and characters they love and know so well – as well as for aspiring and current performers, students, and anyone who wants to discover what it really felt like to be in the room where it happened.

    Broadway was forever changed and we, who stand on the shoulders of our brilliant ancestors, are charged with the very often elusive task of carrying that torch into our present.--Billy Porter, Tony, Grammy, and Emmy Award-winning actorIf Hamilton, Rent, or West Side Story captured your heart, you'll love this in-depth look into the rise of the 1921 Broadway hit, Shuffle Along, the first all-Black musical to succeed on Broadway. No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters--and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels.Footnotes is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century's most beloved Black performers. Born in the shadow of slavery and establishing their careers at a time of increasing demands for racial justice and representation for people of color, they broke down innumerable barriers between Black and white communities at a crucial point in our history.Author and pop culture expert Caseen Gaines leads readers through the glitz and glamour of New York City during the Roaring Twenties to reveal the revolutionary impact one show had on generations of Americans, and how its legacy continues to resonate today.Praise for Footnotes: A major contribution to culture.--Brian Jay Jones, New York Times bestselling author of Jim Henson: The BiographyWith meticulous research and smooth storytelling, Caseen Gaines significantly deepens our understanding of one of the key cultural events that launched the Harlem Renaissance.--A Lelia Bundles, New York Times bestselling author of On Her Own Ground: The Life and Times of Madam C.J. WalkerAbsorbing...--The Wall Street Journal

    This unique and timely book shines a light on the play's continued impact in the 21st century and makes a case for the healing powers of Wilder's text to a world confronting multiple crises. Through extensive interviews with more than 100 artists about their own experience of the play and its impact on them professionally and personally – and including background on the play's early years and its pervasiveness in American culture – Another Day's Begun shows why this particular work remains so important, essential, and beloved.Every production of Our Town has a story to tell beyond Wilder's own. One year after the tragedy of 9/11, Paul Newman, in his final stage appearance, played the Stage Manager in Our Town on Broadway. Director David Cromer's 2008 Chicago interpretation would play in five more cities, ultimately becoming New York's longest-running Our Town ever. In 2013, incarcerated men at Sing Sing Correctional Facility brought Grover's Corners inside a maximum security prison. After the 2017 arena bombing in Manchester UK, the Royal Exchange Theatre chose Our Town as its offering to the stricken community.80 years after it was written, more than 110 years after its actions take place, Our Town continues to assert itself as an essential play about how we must embrace and appreciate the value of life itself. Another Day's Begun explains how this American classic has the power to inspire, heal and endure in the modern day, onstage and beyond.

    

    The one-man show paints a vivid portrait of Pittsburgh and its characters, defining an era through Wilson's distinctive poetic lens.

    In A Wonderful Guy, a follow up to Nothing Like a Dame: Conversations with the Great Women of Musical Theater, theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with nineteen of Broadway's most prolific and fascinating leading men. Full of detailed stories and reflections, his conversations with such luminaries as Joel Grey, Ben Vareen, Norm Lewis, Gavin Creel, Cheyenne Jackson, Jonathan Groff and a host of others dig deep into each actor's career; together, these chapters tell the story of what it means to be a leading man on Broadway over the past fifty years.Alan Cumming described Nothing Like a Dame, as an encyclopedia of modern musical theatre via a series of tender meetings between a diehard fan and his idols. Because of Eddie Shapiro's utter guilelessness, these women open up and reveal more than they ever have before, and we get to be the third guest at each encounter. A Wonderful Guy brings more fly-on-the-wall opportunities for fans to savour, students to study, and even the unindoctrinated to understand the life of the performing artist.

    

    When Suzanne enters Ohio State University in 1949, little does she know what the supposed safe haven of academia holds in store. Years later, Suzanne is invited to return to the University to talk about the violence in her writing. A dark mystery unravels. The play is an intriguing, unusual and chilling look at the destructiveness of racism in the U.S.

    When her brothers are slain fighting for the throne of Thebes, Antigone finds herself pitted against her uncle, the newly crowned King Creon. In defiance of the king, Antigone buries her brother's body, a choice she may pay for dearly.In this new adaptation, we see Sophocles' play reignited by bestselling poet and writer Hollie McNish. Hollie's considered retelling brings Sophocles' original text to a modern-day audience, illuminating the remarkable resemblances between ancient Greek thought and the society we grapple with today.'[Hollie McNish] writes with honesty, conviction, humour and love . . . She's always been one of my favourites' Kae Tempest

    

    Packed with profiles of musical icons and fun infographics that summarize the plot, characters, and songs, Musicals: The Definitive Visual Guide is the perfect way to embrace your inner theatre geek.With a foreword by Elaine Paige, this updated edition gives greater coverage on the smash-hit Hamilton and includes mention of new and popular stage and movie musicals. It's a must-have or the ultimate gift for musical theatre fans.Complete the Series: If you enjoyed this illustrated celebration of musicals, look out for more titles in this series from DK. Uncover the most mesmerizing moments in ballet history in Ballet: The Definitive Illustrated Story.

    Ever since she was a little girl, Hilda tried to make contact with that "other place" by listening very carefully, not with her ears but with the space just behind and a little above her eyes. She was never all that sure that the things she could hear were real, until she met Linda, a professional psychic, who can talk to the dead. That's what Hilda wants to do, and so she befriends Linda. But as their friendship deepens, Linda unveils some uncomfortable truths.The Thin Place is a horror story about what's really going on in the space just behind and a little above your eyes.

    Especially now that so many younger readers are casting suspicious glances at Shakespeare, Of Human Kindness shows with mind-changing clarity why his work has never been more relevant to our common problems."—Terry Teachout, drama critic, Wall Street Journal “A warm and committed book, firmly rooted in long experience of the classroom.”—Emma Smith, Times Literary Supplement While discussing Shakespeare’s plays in her university classroom, Paula Marantz Cohen discovered that they unlocked a surprising sense of compassion in both herself and her students. In this short and illuminating book, she shows how Shakespeare’s genius lay in his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways. Cohen takes her readers through a selection of Shakespeare’s most famous plays, including Hamlet,Othello,King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat “the other.” Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic responses to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature’s power to champion what is best in us.

    Full of wit, verbal brilliance and big ideas, his plays appeal to critics and audiences alike and are among the most studied works of the last century.Our collection contains the masterpiece, Arcadia, which won him an Olivier Award for Best Play and transferred to radio with the cast of the award-winning National Theatre production. It is followed by two of his most famous and best-loved dramas: the hilarious spoof whodunnit The Real Inspector Hound and the play that made Stoppard's name, Rosencrantz and Guildenstern Are Dead. Also included is the bittersweet drama Dalliance, based on Arthur Schnitzler's play Liebelei.The troubled history of Stoppard's home country, Czechoslovakia, is explored in two thought-provoking plays. Rock 'n' Roll, about love, loyalty, compromise and music, was specially adapted for radio by Stoppard himself, with a new final scene and a soundtrack featuring artists such as, U2, Pink Floyd, Syd Barrett, Bob Dylan, The Beach Boys and The Velvet Underground. Its themes of resistance to totalitarianism are echoed in Professional Foul, dramatised by Stoppard from his award-winning BBC TV play and set in communist Prague.Stoppard also wrote numerous original radio plays, eight of which are featured here including; The Prix Italia-winning Albert's Bridge, In the Native State (later adapted as the stage play Indian Ink) and Darkside, based on the themes of Pink Floyd's classic album The Dark Side of the Moon.Among the multitude of stars in these dazzling dramas are Hugh Grant, Rufus Sewell, Bill Nighy, Felicity Kendal, Harriet Walter, Amaka Okafor, Emma Fielding, Bill Paterson, John Hurt, Bertie Carvel, Toby Jones, Penelope Keith, John Le Mesurier, Penny Downie, Anna Massey, Ron Cook, Ronny Jhutti, Mathew Baynton, Peggy Ashcroft and Timothy West.

    Entries cover Sondheim's numerous collaborators--from composers and directors to designers and orchestras--key songs--such as his Academy Award winner "Sooner or Later" (Dick Tracy)--and major works--including Assassins, Company, Follies, Sweeney Todd, and West Side Story. The encyclopedia also contains information about Sondheim's mentoring by Oscar Hammerstein II and his early collaboration with Leonard Bernstein, and profiles the actors who originated roles and sang Sondheim's songs for the first time, including Ethel Merman, Angela Lansbury, Mandy Patinkin, and Bernadette Peters.Featuring a detailed biographical entry for Sondheim, a chronology of his career, a listing of his many awards, and discussions of his opinions on movies, opera, and more, this comprehensive resource will attract musical theater enthusiasts again and again.