NOW IN DEVELOPMENT TO BE A MAJOR MOTION PICTURE.‘I defy you to not laugh out loud at the adventures of the most unlikely hero of the apocalypse ever penned. Funny, touching and above all, hopeful’ THE END OF THE WORLD READING CLUBSOME THINGS BEGIN AT THE END OF THE WORLDBen Stone is sick to death. He’s sick of all the endless hatred since the wraths arrived. He’s sick of trying to find a refuge for him and his dog Brown to live out what’s left of their lives. But most of all he’s just sick. As Ben’s cancer spreads he’s left searching for a source of hope and warmth at the end of the world. Unfortunately for Ben it’s just started to snow...Flesh & Blood continues the story of Ben and Brown from the #1 bestseller Before and After, which is now in development to be a major motion picture.

    New features include: a new chapter on queer theory; every chapter has been revised with new introductions with appropriate new critical vocabulary, critical terms, further readings sections, and web sites; new student essays; structuralism and deconstruction have been combined into one section to make the material clearer and more streamlined; and the addition of Plotinus, Giovanni Boccaccio, Joseph Addison, Percy Pysshe Shelley, and Mikhail Bakhtin.

    (Book Readers Appreciation Group) Medallion RecipientA murder, a sociopath, an earthquake. And another dimension.It’s 2021 in Hynek, Washington State. Police Chief Michelle Bardo is investigating a bizarre murder and spate of animal mutilations rocking the waters of her resort town. A hard-luck immigrant, Al Dragunov, is searching for answers about his tortured past in war-torn Ukraine. Their paths meet after an apocalyptic earthquake drains Lake Hynek, drawing them into the bowels of the dried lakebed. Underneath is a . . . structure. A simulacrum. A site of inexplicable, irrational experiments since time immemorial.One part police procedural, one part horror tale, and one part journey into high strangeness—time travel, UFOs, and the interdimensional hypothesis.From debut author Tim Stone, "The Lakebed"—a 2019 B.R.A.G. (Book Readers Appreciation Group) Medallion Recipient—is an unpredictable, thought-provoking, and fast-paced sci-fi thriller for fans of "The Twilight Zone" and "The X-Files."

    Fax is the most reliable method of communication and the local newspaper is the main source of outside information.When a freak car accident occurs on the outside of town, no one thinks much of it. That is until deer are found sick and covered in an unusual growth, and they lose contact with the next town.Cut off and isolated from the rest of the world, Griffin is unaware of the threat growing outside the safety of their little town. One that could endanger their entire existence.

    A solitary survivor hides in a mountain above the city, living in a trailer with the door and windows duct-taped shut. Outside, the air is poisoned with a virulent disease that has killed off most humans. Those who lived have become something else. Something that hunts and kills. Survival in this new world comes down to two, simple rules: stay quiet and protect the air. It's an obsessive and regimented life, but one day a visitor comes up the mountain that threatens everything.Part I of a serialized novel. Continued in Part II: http://www.goodreads.com/book/show/12...

    Deepening and extending his earlier work on speed perception and political control, and applying it now to the global ‘real time’ of the information superhighways, he explores the growing danger of what he calls a “generalized accident,” provoked by the breakdown of our collective and individual relation to time, space and movement.But this is not merely a lucid and disturbing lament for the loss of real geographical spaces, distance, intimacy or democracy. Open Sky is also a call for revolt—against the insidious and accelerating manipulation of perception by the electronic media and repressive political power, against the tyranny of “real time,” and against the infantilism of cyberhype. Paul Virillo makes a powerful case for a new ethics of perception, and a new ecology, one which will not only strive to protect the natural world from pollution and destruction, but will also combat the devastation of urban communities by proliferating technologies of control and virtuality.

    Ecotopians embrace high technology as a a tool for preserving and living gently within the natural environment of Planet Earth.Kim Stanley Robinson has gathered here in this volume bright tales of Ecotopian futures, as well as a few cautionary ones. Writers and poets, from Gary Snyder to Ursula K. LeGuin to Ernest Callenbach himself have contributed their visions, along with Pat Murphy, Paul Park, R.A. Lafferty, Rachel Pollack, Garry Kilworth, Robert Silverberg, Gene Wolfe, Howard Waldrop, Carol Emshwiller, Frederick Turner, and Robinson Jeffers.

    They were away from the chaos, and they thought they were safe. They thought wrong.What will they do?All across the country cities are in crisis.Logan and his family look out from their Manhattan penthouse. The world is crumbling before their eyes. Unprepared, he’s got to do something. They can’t stay. But how can they leave and where will they go?Someone has a solution.It’s Logan’s domestic android.Can he believe a machine?The twists and turns may leave you dizzy, but you’ll love the adventure.Get it now.

    Darko Suvin's paradigm-setting definition of SF as "the literature of cognitive estrangement" established a robust theory of the genre that continues to spark fierce debate, as well as inspiring myriad intellectual descendants and disciples. Suvin's centuries-spanning history of the genre links SF to a long tradition of utopian and satirical literatures crying out for a better world than this one, showing how SF and the imagination of utopia are now forever intertwined.

    He insists that such a move could bring new luster to a tired field, one that in some respects is among “the most backwards disciplines in the academy.” Literary study, he argues, has been random and unsystematic. For any given period scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture.Moretti offers bar charts, maps, and time lines instead, developing the idea of “distant reading,” set forth in his path-breaking essay “Conjectures on World Literature,” into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genres—the epistolary, the gothic, and the historical novel—as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

    B. Carnochan accounts for the increasing interest in the English novel, including the contributions that Ian Watt's study made to literary studies: his introduction of sociology and philosophy to traditional criticism.

    Sultana’s Dream, first published in 1905 in a Madras English newspaper, is a witty feminist utopia—a tale of reverse purdah that posits a world in which men are confined indoors and women have taken over the public sphere, ending a war nonviolently and restoring health and beauty to the world."The Secluded Ones" is a selection of short sketches, first published in Bengali newspapers, illuminating the cruel and comic realities of life in purdah.Suggested for course use in:HistoryIndian LiteratureSouth Asian StudiesUtopian FictionWomen’s StudiesRokeya Sakhawat Hossain (1880 - 1932) was a Bengali Muslim writer and feminist activist who founded the first Muslim girls’ school in Calcutta in 1911.

    The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology.Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.

    Ong offers fascinating insights into oral genres across the globe and through time, and examines the rise of abstract philosophical and scientific thinking. He considers the impact of orality-literacy studies not only on literary criticism and theory but on our very understanding of what it is to be a human being, conscious of self and other.This is a book no reader, writer or speaker should be without.