Jim LaMarche's stunning paintings, reminiscent of his earlier work in The Rainbabies, are the perfect compliment to this favorite Grimm fairy tale.

    Unicorns and their magical powers are studied as they appear in legend and literature, including the Bibles of both East and West.

    Make the acquaintance of White Ladies and Red Caps, Church Grims and Hobgoblins, English Fairies, Leprechauns, Sirens, Hey-Hey Men, and all of their strange and mythical kin. Become wise in the ways of these magical creatures, some beautiful and benevolent, others cunning, menacing, or morose. For many years, this field guide has been as elusive as a Will-o'-the-Wisp. This is the first opportunity for fans to once again own an English-language edition of one of the most revered introductions to elf folk ever written. Featuring more than 80 new illustrations "Rationalists, materialists, be forewarned: the ancient forces governing earthly incident and momentum lie neither in our heads nor our economics, but, rather, in the revelations from A Field Guide to the Little People." --The New York Times

    Mattotti's sweeping ink illustrations capture the terror and longing found in the classic Brothers Grimm fairy tale. Gaiman crafts an original text filled with his signature wit and pathos that is sure to become a favorite of readers everywhere, young and old.

    Wodehouse. Composed almost a decade after The Lord of the Rings, and when his lifelong occupation with the 'Silmarillion' was winding down, Smith of Wootton Major was the product of ripened experience and reflection. It was published in 1967 as a small hardback, complete with charming black and white illustrations by Pauline Baynes, and would be the last work of fiction to be published in Tolkien’s own lifetime.Now, almost 40 years on, this enchanting tale of a wanderer who finds his way into the perilous realm of Faery is being republished, but in addition to a facsimile of the illustrated first edition this new version includes a manuscript of Tolkien's early draft of the story, notes on the genesis, chronology and alternate ending of the story, and a lengthy essay on the nature of Faery, all of which is previously unpublished. Contained within Smith of Wooton Major are many intriguing links to the world of Middle-earth, as well as to Tolkien’s other tales, and this 'extended edition' the reader will finally discover the full story behind this major piece of short fiction.

    Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society.The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true--as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell's magic wand--is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread.This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states.Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves--our fears and our desires.

    From Roger Zelansky's delightful tale of Death's disobedient godson to Peter Straub's blood-chilling examination of a gargantuan Cinderella and her terrible twisted "art," here are stories strange and miraculous -- remarkable modern storytelling that remold our most cherished childhood fables into things sexier, more sinister... and more appealing to grown-up tastes and sensibilities. The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    Anansi. Brer Rabbit. Trickster characters have long been a staple of folk literature, and are a natural choice for the overarching subject of acclaimed editors Ellen Datlow and Terri Windling's third mythic anthology. The Coyote Road features a remarkable range of authors, each with his or her fictional look at a trickster character. These authors include Holly Black (The Spiderwick Chronicles), Charles de Lint (The Blue Girl), Ellen Klages (The Green Glass Sea), Kelly Link (Magic for Beginners), Patricia A. McKillip (Old Magic), and Jane Yolen. Terri Windling provides a comprehensive introduction to the trickster myths of the world, and the entire book is highlighted by the remarkable decorations of Charles Vess. The Coyote Road is essential reading for anyone interested in contemporary fantastic fiction.

    M. Barrie’s Peter Pan in Kensington Gardens, here are seventeen classic stories and poems from the golden age of the English fairy tale. Some of them amuse, some enchant, some satirize and criticize, but each one–in the words of Laurence Houseman, author of the classic Rocking-Horse Land– “is an expression of the joy of living.”Accompanied by the illustrations from the original editions of these works–by such celebrated Victorian artists as Dante Gabriel Rossetti, Maxfield Parrish, and Arthur Rackham–this collection will delight readers both young and old.

    Each story focuses on the role of women--both real and fantastic--and their particular strengths, joys and sorrows. Full-color illustrations.

    Magic was a part of everyday life for Kirk and his fellow Highlanders, and this remarkable book offers rare glimpses into their enchanted realm.Left in manuscript form upon the author's death in 1692, this volume was first published in 1815 at the behest of Sir Walter Scott. In 1893, the distinguished folklorist Andrew Lang re-edited the work. Lang's introduction to Kirk's extraordinary blend of science, religion, and superstition is included in this edition. For many years, The Secret Commonwealth was hard to find — available, if at all, only in scholarly editions. Academicians as well as lovers of myths and legends will prize this authoritative but inexpensive edition.

    Enjoy the rich mythical history of Ireland from the arrival of the Tuatha De Danann on the island and their great battles with the Fomorians, right up to the modern day fairy tales of Irish storytelling. Including the Ulster Cycle, The Fenian Cycle and featuring heroes such as Cúchulainn and Fionn Mac Cumhaill and many traditional favourites such as The Children of Lir.

    With this volume, the holy trinity of fairy tales - the Brothers Grimm, Charles Perrault, and Hans Christian Andersen - becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost - until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive.Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Each grouping is introduced and annotated by Jack Zipes, the genre's reigning expert. Twenty illustrations accompany the texts. Criticism includes seven important assessments of different aspects of the fairy tale tradition, written by W. G. Waters, Benedetto Croce, Lewis Seifert, Patricia Hannon, Harry Velten, Siegfried Neumann, and Jack Zipes. Brief biographies of the storytellers and a Selected Bibliography are included.