Beginning with its first publication as a cautionary tale on the perils of seduction, written in reaction to the licentiousness of the court of Louis XIV, Orenstein traces the many lives the tale has lived since then, from its appearance in modern advertisements for cosmetics and automobiles, the inspiration it brought to poets such as Anne Sexton, and its starring role in pornographic films. In Little Red Riding Hood Uncloaked, Red appears as seductress, hapless victim, riot grrrrl, femme fatale, and even she-wolf, as Orenstein shows how through centuries of different guises, the story has served as a barometer of social and sexual mores pertaining to women. Full of fascinating history, generous wit, and intelligent analysis, Little Red Riding Hood Uncloaked proves that the story of one young girl's trip through the woods continues to be one of our most compelling modern myths.

    B. Mitford traveled widely with his parents as a youth and lived in various European countries. From 1866-70, he served as an attaché with the British legation at Edo (Tokyo) — one of the first foreign diplomats to do so. During his brief stay there, Mitford lived through a period of dramatic and tumultuous change in Japanese history. A feudal nation on his arrival, Japan had entered the era of “Westernization” before he left some three years later. During that time, however, he quickly and thoroughly mastered the Japanese language and acted as an interpreter between the young Japanese Emperor and British royalty.Mitford’s famous collection of classic tales (the first to appear in English) covers an engrossing array of subjects: grisly accounts of revenge, knightly exploits, ghost stories, fairy tales, folklore, a fascinating eyewitness account of a hara-kiri ceremony, gripping narratives of vampires and samurai, Buddhist sermons, and the plots of four Noh plays.A treasury, as well, of information on most aspects of Japanese life, with information on locales, customs, and characters, the illustrated volume delights as it entertains, chronicling acts of heroism, devotion, ruthlessness, and chivalry that illuminate the island nation's culture.“One of the first and in many ways still one of the best books on Japan.” — The Japanese Times.“An excellent introduction to Japanese literature.” — Mainichi Daily News.

    That's not unusual. Isola Wilde sees a lot of things other people don't. But when the girl appears at Isola's window, her every word a threat, Isola needs help.Her real-life friends – Grape, James and new boy Edgar – make her forget for a while. And her brother-princes – the mermaids, faeries and magical creatures seemingly lifted from the pages of the French fairytales Isola idolises – will protect her with all the fierce love they possess.It may not be enough.Isola needs to uncover the truth behind the dead girl's demise and appease her enraged spirit, before the ghost steals Isola's last breath.

    George, Narcissus, Pandora's Box, The Riddle of the Sphinx, and the Minotaur.

    Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs oftomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravelstraditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

    John wanders the mountains on foot as an itinerant folk singer of the old songs (his nickname comes from his guitar strings made of silver --- a substance that also repels some supernatural nasties --- but he's also known as a "witch-master," that is, a kind of paranormal troubleshooter whose lore and skills render him "master over" and able to defeat the sinister sorcery of witches and "ha'nts." His variety of supernatural adventures bring him to face with time travel, revenants, various monsters of regional folklore such as the "Behinder," and other macabre phenomena.Contents:1 · Foreword: Manly in the Mountains · David Drake · fw * [Manly Wade Wellman] 4 · Introduction: Just Call Me John · Karl Edward Wagner · in * [Manly Wade Wellman] 9 · O Ugly Bird! · ss F&SF Dec ’51 25 · The Desrick on Yandro · ss F&SF Jun ’52 41 · Vandy, Vandy · ss F&SF Mar ’53 59 · One Other · ss F&SF Aug ’53 77 · Call Me from the Valley · ss F&SF Mar ’54 92 · The Little Black Train · ss F&SF Aug ’54 112 · Shiver in the Pines · ss F&SF Feb ’55 134 · Walk Like a Mountain · ss F&SF Jun ’55 154 · On the Hills and Everywhere · ss F&SF Jan ’56 165 · Old Devlins Was A-Waiting · ss F&SF Feb ’57 189 · Nine Yards of Other Cloth · ss F&SF Nov ’58 212 · Wonder as I Wander · gp F&SF Mar ’62; Then I Wasn’t Alone, vi; You Know the Tale of Hoph, vi; Blue Monkey, vi; The Stars Down There, vi; Find the Place Yourself, vi; I Can’t Claim That, vi; Who Else Could I Count On, vi 219 · Farther Down the Trail · gp Who Fears the Devil, Arkham House, 1963; John’s My Name, vi; Why They’re Named That, vi; None Wiser for the Trip, vi; Nary Spell, vi 223 · Trill Coster’s Burden · ss Whispers II, ed. Stuart David Schiff, Garden City, NY: Doubleday, 1979 237 · The Spring · ss Shadows #2, ed. Charles L. Grant, Doubleday, 1979 252 · Owls Hoot in the Daytime · ss Dark Forces, ed. Kirby McCauley, Viking, 1980 268 · Can These Bones Live? · ss Sorcerer’s Apprentice #11 ’81 280 · Nobody Ever Goes There · ss Weird Tales #3, ed. Lin Carter, DAW, 1981 294 · Where Did She Wander? · ss Whispers Oct ’87

    Featuring 24 new full-color, rune-inspired paintings and dozens of black-and-white sketches by Froud, as well as more than 100 pages of the folklore and mythology surrounding each rune, this book if packed with notable legends, such as the Birch Mother, the Woman of the Marsh, the Ever-Living, the Green Girl of the Birches, and the Day-Child. * * * The Runes of Elfland is a perfect gift book for anyone who enjoys Celtic folklore and mythology, as well as for those interested in faeries and fantasy. Froud fanatics will treasure this offering, which is both art book and folklore collection. "A single word can be a world and every letter a land. A rune drawn upon the ground can have curious consequences, might invite adventure, may open ancient doors. Here are the Runes of Elfland. Here are the songs of the shining lands. Here are signs of crossing and threshold. Here are stories of fate and illumination. Chant the charm, tell the tale, and step across " Paul Goat Allen- From School Library Journal:"If runes are the keys to Faery, this book is an Open Sesame."

    It seems that a demon daughter of the legendary Lilith had made her home in the mirror and would soon completely possess the unsuspecting girl. Such tales of terror and the supernatural occupy an honored position in the Jewish folkloric tradition. Howard Schwartz has superbly translated and retold fifty of the best of these folktales, now collected into one volume for the first time. Gathered from countless sources ranging from the ancient Middle East to twelfth-century Germany and later Eastern European oral tradition, these captivating stories include Jewish variants of the Pandora and Persephone myths and of such famous folktales as The Fisherman and His Wife, The Sorcerer's Apprentice, and Bluebeard, as well as several tales from the Middle Ages that have never before been published. Focusing on crucial turning points in life--birth, marriage, and death--the tales feature wandering spirits, marriage with demons, werewolves, speaking heads, possession by dybbuks (souls of the dead who enter the bodies of the living), and every other kind of supernatural adversary. Readers will encounter a carpenter who is haunted when he makes a violin from the wood of a coffin; a wife who saves herself from the demoness her husband has inadvertently married by agreeing to share him for an hour each day; and the age-old tale of Lilith, Adam's first wife, who refused to submit to him and instead banished herself from the Garden of Eden to give birth to the demons of the world. Drawn from Rabbinic sources, medieval Jewish folklore, Hasidic texts, and oral tradition, these stories will equally entrance readers of Jewish literature and those with an affection for fantasy and the supernatural.

    This is the best known version of the original story that inspired Walt Disney’s classic and has been retold countless times and adapted for screen, stage, prose, and television.

    The land between the normal human world and Fairy is called "The Border," a place where one can easily become lost—or found. In the rements of evacuated cities from this rebirth the two worlds come together in Bordertown, where magic and technology don't always work. The town is teeming with the outcasts, runaways and dreamers of both Fairy and Earth children.NOTE: all the "Bellamy Bach" stories in the Borderland series were written by the editor/Borderland founder, Terri Windling.

    The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.