This placid body of water has brought prosperity to an isolated community, and with it, two strangers who intermingle with the insular local folk, strangers probing into crimes against nature from generations past that cannot remain submerged beneath the waters’ surface.Under the Lake marks the eagerly awaited return to the South of Stuart's Edgar Award winning novel, Chiefs. John Howell, once a top investigative journalist, comes to this backcountry town on the run from a once promising personal and professional life that has somehow gone sour. What he finds is a mystery so deep, so complex, so bizarre, that he cannot concentrate on the book he has come here to write.The story begins with his entanglement in a subtle, but relentless battle waged by the autocratic town father and the local sheriff against an outcast family, ravaged by its origins. Howell is further drawn in by his involvement with two women – an ambitious young reporter on the prowl for corruption, and a shy backwoods beauty, forsaken by the world because of her family’s ill kept secret. Then, without warning, visits from an otherworldly young girl haunt Howell as his rustic cabin becomes a spectral theater offering strange and frightening images of a hideous event of long ago.

    No one knows what happened to the younger brother, Josh, until twenty years later, when the older brother, Oren, now an ex-investigator for the Army CID, returns to Coventry for the first time in many years. His first morning back, he hears a thump on the front porch. Lying in front of the door is a human jawbone, the teeth still intact. And it is not the first such object, his father tells him. Other remains have been left there as well. Josh is coming home . . . bone by bone. Using all his investigative skills, Oren sets out to solve the mystery of his brother's murder, but Coventry is a town full of secrets and secret-keepers: the housekeeper with the fugitive past, the deputy with the old grudge, the reclusive ex-cop from L.A., the woman with the title of town monster, and, not least of all, Oren himself. But the greatest secret of all belonged to his brother, and it is only by unraveling it that Oren can begin to discover the truth that has haunted them all for twenty years.

    One choice. Someone must die.From #1 New York Times bestselling author Dean Koontz comes this pulse-pounding thriller that starts with a terrifying decision we all might face one day: Help—or run. Timothy Carrier is an ordinary guy. He enjoys a beer after work at his friend’s tavern, the eccentric customers and amusing conversations. But tonight is no ordinary night. The jittery man sitting beside him has mistaken Tim for someone else—and passes him an envelope stuffed with cash and the photo of a pretty woman. “Ten thousand now. You get the rest when she’s gone.”Tim Carrier always thought he knew the difference between right and wrong, good and evil. But tonight everything he thought he knew—even about himself—will be challenged. For Tim Carrier is at the center of a mystery of extraordinary proportions, the one man who can save an innocent life and stop a killer as relentless as evil incarnate. But first he must discover resources within himself of which he never dreamed, capacities that will transform his idea of who he is and what it takes to be . . .

    The hunt is on for...ATLANTISMarine archaeologist Jack Howard has stumbled upon the keys to an ancient puzzle. With a crack team of scientific experts and ex–Special Forces commandos, he is heading for what he believes could be the greatest archaeological find of all time——the site of fabled Atlantis——while a ruthless adversary watches his every move and prepares to strike.But neither of them could have imagined what awaits them in the murky depths. Not only a shocking truth about a lost world, but an explosive secret that could have devastating consequences today. Jack is determined to stop the legacy of Atlantis from falling into the wrong hands, whatever the cost. But first he must do battle to prevent a global catastrophe.

    It's also where twenty-one-year-old Sophie Collier vanished eighteen years ago.Francesca has spent the last twenty years haunted by the disappearance of her best friend. But when she receives a phone call from Sophie's brother saying that a body has been found, she knows she can't keep hiding from what happened. With her own secrets to keep, Francesca doesn't relish the idea of digging up the past or returning to Oldcliffe. But it is time to go back to where she grew up, and it looks like she isn't the only one there hiding truths.

     The call came from Sir Henri Lipton, a man who was supposed to be dead—and who she sincerely had hoped was burning in hell because he had ruined her career before his violent “demise.”  He told her only one tantalizing thing about the piece of art: “Let’s just say it’s a couple thousand years old and was buried with Christ.”  The fact the offer came from a man wanted on three continents for art looting was fair warning that there would be a catch. But with credit collectors and an avaricious landlord pounding at her door, Madison listened when the devil whispered magic words in her ear: $20,000– cash – upfront.  There was a catch, of course.  A number of them.  Sir Henri was up to his neck in conspiracies and needed someone to deflect the danger onto—not to mention frame for the most audacious art theft in history.  Dubai, a city that has been called Las Vegas on steroids, would just be the first stop for Madison on a quest that takes her to an ancient Mesopotamian city, the dark streets of exotic Istanbul, Venice at Carnival time, and a cathedral where the most sacred object of Christendom is stored.  Along the way, she finds romance in the arms of a Russian agent who she doesn’t trust—and can’t resist.

    Another year, and he'll be out of the department completely. That's the plan, at least, until his niece's body is found in the guest home of one of his city's most wealthy citizens. The coroner calls it an overdose, but the case doesn't add up. Against orders, Ash begins a danger-filled investigation to find his niece's murderer, but the longer he searches, the more entangled he becomes in a case that hits increasingly close to home. If he doesn't solve it fast, his niece won't be the only family member he has to bury.

    Denzil and Anni TaylorYoung backpackers Gemma and Hayley arrive at a remote mango farm, out of money and desperate for work. The farm's owner, Tate Llewellyn, welcomes them in with open arms. An enigmatic, wealthy chemist, Tate spends his days running his hobby farm and cultivating rare orchids in his greenhouse.The weeks go on, a blur of fruit-picking with the other international backpackers, parties, campfires and wading beneath waterfalls in the nearby hot springs. Tate calls the girls his orchids...his pretty orchids... Until the night the girls find themselves on a dark highway, bruised and bloodied.How did paradise turn so ugly?Senior Detective Bronwen McKay and psychologist Megan Arlotti question the terrified girls. But Hayley and Gemma are telling two very different stories of what happened to them over the past three months.Which story is the truth and what are the girls covering up?

    From the gritty streets of Los Angeles to its most protected enclaves of prestige and power to the ruthless glamour of Hollywood, a killer stalks his prey. A killer so merciless no one in his way is safe—not even the innocent.At the end of a long day battling street traffic, bike messenger Jace Damon has one last drop to make. But en route to delivering a package for one of L.A.'s sleaziest defense attorneys, he's nearly run down by a car, chased through back alleys, and shot at. Only the instincts acquired while growing up on the streets of L.A. allow him to escape with his life—and with the package someone wants badly enough to kill for. Jace returns to Lenny Lowell's office only to find the cops there, the lawyer dead, and Jace himself considered the prime suspect in the savage murder. Suddenly he's on the run from both the cops and a killer, and the key to saving himself and his ten-year-old brother is the envelope he still has—which holds a message no one wants delivered: the truth.In a city fueled by money, celebrity, and sensationalism, the murder of a bottom-feeding mouthpiece like Lenny Lowell won't make the headlines. So when detectives from the LAPD's elite robbery/homicide division show up, homicide detective Kev Parker wants to know why. Parker is on the downhill slide of a once-promising career, and he doesn't want to be reminded that he used to be one of the hotshots, working cases that made instant celebrities of everyone involved. Like the case of fading retty-boy actor Rob Cole, accused of the brutal murder of his wife, Tricia Crowne-Cole, daughter of one of the most powerful men in the city, L.A.'s latest "crime of the century."Robbery/Homicide has no reason to be looking at a dead small-time scumbag lawyer or chasing a bike messenger...unless there's something in it for them. Maybe Lenny Lowell had a connection to something big enough to be killed for. Parker begins a search for answers that will lead him to a killer—or the end of his career. Because if there's one lesson he's learned over the years, it's that in a town built on fantasy and fame, delivering the truth can be deadly.

    This is the story of Olav: an extremely talented “fixer” for one of Oslo’s most powerful crime bosses. But Olav is also an unusually complicated fixer. He has a capacity for love that is as far-reaching as is his gift for murder. He is our straightforward, calm-in-the-face-of-crisis narrator with a storyteller’s hypnotic knack for fantasy. He has an “innate talent for subordination” but running through his veins is a “virus” born of the power over life and death. And while his latest job puts him at the pinnacle of his trade, it may be mutating into his greatest mistake. . . .

    Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return. With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present. Beware a calm surface—you never know what lies beneath.

    The two disciplines collide in The Church of Dead Girls, a lyrical novel that inspired Stephen King to comment, "If ever there was a tale for a moonless night, a high wind and a creaking floor, this is it ... I don't expect to read a more frightening novel this year." Aurelius is a drowsy bedroom community in upstate New York that is rocked by a vicious, seemingly random killing. A woman is found murdered in her bed, her left hand missing. Just when the grisly details begin to fade, a young girl vanishes. The only clue: a bag with the girl's washed and folded clothes and a mannequin's left hand. Soon two more girls disappear, and when clues remain elusive, conjecture and rumour take over. The town awakens to a nightmare of suspicion and vigilantism. As the killer spirals in to kill again, the town spins out of control, and The Church of Dead Girls heads to a jolting conclusion. It'll give you goosebumps even if you read it at the beach.

    It’s a trip that Gabriel would rather not make, given the bitter winter weather—and the icy conditions that have always existed between him and Lolly. Arriving at Lolly’s home, Gabriel spots strangers through the windows—one of them packing a weapon—and kicks into combat mode. But once Lolly is rescued, the heat—and the hunt—are on. Snowbound, unarmed, and literally under the gun, Gabriel and Lolly must depend on each other to endure the merciless forces of nature and evade the ruthless enemy out in the blackness of the silent night—and out for their blood.

    Now, at nineteen, Paul must bear witness against his friend to avoid prison. Louisa's own dark secrets led her to flee a desperate infatuation gone wrong many years before. Now she spends her days steeped in history, renovating the grounds of a crumbling Elizabethan garden. But her fragile peace is shattered when she meets Paul; he's the spitting image of the one person she never thought she'd see again.These two, scarred and solitary, begin a secret affair. Louisa starts to believe she can again find the happiness she had given up on. But neither of them can outrun his violent past.A story of secrets and guilt set among the ruins of a sixteenth- century English garden, The Dark Rose explores the extremes of obsessive love and loyalty, devotion and desperation. Like Kelly's critically acclaimed debut novel, The Poison Tree, this fantastically creepy, atmospheric novel thrills until the final shocking moments.

    23 has a secret. In this bedsit-riddled south London wreck, lorded over by a lecherous landlord, something waits to be discovered. Yet all six residents have something to hide.Collette and Cher are on the run; Thomas is a reluctant loner; while a gorgeous Iranian asylum seeker and a 'quiet man' nobody sees try to stay hidden. And watching over them all is Vesta - or so she thinks. In the dead of night, a terrible accident pushes the neighbours into an uneasy alliance. But one of them is a killer, expertly hiding their pastime, all the while closing in on their next victim...As a cloying heatwave suffocates the city, events build to an electrifying climax in this dark, original and irresistibly compelling thriller.