The tragedy spurs him to write a novel set in the household of Lala Motichand. It follows the lives of the wealthy lala and his three sons: Self-confident Dinanath, the true heir to Motichand’s mercantile temperament, lonely Diwanchand, uninterested in business and steeped in poetry; and illegitimate Makhan Lal, a Marx-loving schoolteacher kept to the periphery of his father’s life. In an illuminating act of self-reflection, Vishwanath, the son of a cook for a rich sethji, also tells the story of the lala’s personal servant, Mange Ram and his son, Parsadi. Fatherhood, brotherhood and childhood, love, loyalty and poetry all come to the fore as sons and servants await the lala’s death. By writing about mortality and family, Vishwanath confronts the wreckage of his own life while seeking to make sense of the new India that came into being after independence. Spellbinding and penetrating, Half the Night Is Gone raises questions of religion, literature and society that speak to our fractured times.

    However, there is a running Japanese thesaurus at the bottom of each page for the more difficult English words highlighted in the text. There are many editions of Poems of Emily Dickinson, Series 1. This edition would be useful if you would like to enrich your Japanese-English vocabulary, whether for self-improvement or for preparation in advanced of college examinations. Websters edition of this classic is organized to expose the reader to a maximum number of difficult and potentially ambiguous English words. Rare or idiosyncratic words and expressions are given lower priority compared to difficult, yet commonly used English words. Rather than supply a single translation, many words are translated for a variety of meanings in Japanese, allowing readers to better grasp the ambiguity of English without using the notes as a pure translation crutch. Having the reader decipher a words meaning within context serves to improve vocabulary retention and understanding. Each page covers words not already highlighted on previous pages. This edition is helpful to Japanese-speaking students enrolled in an English Language Program (ELP), an English as a Foreign Language (EFL) program, an English as a Second Language Program (ESL), or in a TOEFL or TOEIC preparation program. Students who are actively building their vocabularies in Japanese or English may also find this useful for Advanced Placement (AP) tests. TOEFL, TOEIC, AP and Advanced Placement are trademarks of the Educational Testing Service which has neither reviewed nor endorsed this book. This book is one of a series of Websters paperbacks that allows the reader to obtain more value from the experience ofreading. Translations are from Websters Online Dictionary, derived from a meta-analysis of public sources, cited on the site.

    This unique book is a compilation of 365 intimate letterswritten by Osho [from 1962 to 1971] to his disciples and friends while hewas traveling in India on subjects as diverse as solitude, love, meditationand receptivity; as well as our fruitless efforts to make our lives secure,the stupidity of the human mind, and the ability to laugh at oneself.

    Inside the Haveli This Indian novel takes the reader behind the scenes of an ongoing deeply rooted tradition and into a way of life that for outsiders has long been veiled with mystery.

    Cherished throughout India and much of Asia for centuries, it has been faithfully preserved and passed on through poems, folk tales, music, dance, drama, sculpture, painting, even film and graphic novels. This story and its characters have captured the hearts and minds of countless generations. Revered through the ages for its moral and spiritual wisdom, it is an uplifting tale of romance and high adventure, recounting the odyssey of Rama, a great King of ancient India.

    There will be days where your ribs feel like blades. Let them cut you. There is beauty in the bleeding. There is hope in the healing. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us and Letting Go Is an Acquired Taste, releases her first full-length poetry collection. Warning: This book contains sensitive content depicting sex, violence, abuse, drugs, and addiction.

    could have predicted the delayed depth-charge of this explosive second book, motored by vividly earthly language and disguised philosophical sophistication." —Publishers Weekly, starred review"Throughout Made Flesh, one of the most powerful poetry books this year, Arnold gets at both the contradictions and timelessness of love." —Time Out New York"The readers delighted with (Arnold's) first book (Shells) will be differently enchanted with these. They contain a wealth of contemplation as well as observation and experience. Their unpunctuated free style carries the reader into the poems, piling up events and details in a breathless rush....The poems of Made Flesh are unforgettable, and it is tragic that readers will have no new books from Craig Arnold."—Magill Book ReviewsA girl wakes up to find out just how completely her lover has possessed her. A couple realizes they’ve been trapped inside an ancient myth. A traveler glances out through a train window and catches the dim reflection of another world.This is the world of Made Flesh, the long-awaited second book by Craig Arnold, a finalist for the Utah Book Award and the High Plains book award. Made Flesh delineates a new mythology of what it means to be in the body. Marrying narrative precision to lyric ecstasy, the archaic to the avant-garde, these poems celebrate the fragility of our very selves and “the joy of self-forgetting,” the acts of surrender that loves asks of us. Fierce, exuberant, and erotic, they invite the reader to share a rare and startling vision: how, if we would only permit ourselves to be drawn out of our mental privacies, out to the very surface of our skin, we might admit the beauty of being for a moment in the world, and with each other.Craig Arnold is the author of Shells, a Yale Series of Younger Poets selection chosen by W.S. Merwin. He taught at the University of Wyoming in Laramie. In late April 2009, Craig Arnold went missing on the Japanese island of Kuchinoerabu-jima, where he was working on a book about volcanoes as part of a Creative Artists' Exchange Fellowship from the Japan-United States Friendship Commission. He was forty-one years old.

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    These finely nuanced stories provide a rare glimpse into the complex and mysterious inner lives of human beings.Happy Birthday was longlisted for the prestigious Frank O'Connor Award 2014. It has also been voted the TOP title on Flipkart’s editors picks for this month: http://www.flipkart.com/books/~editor...A dedicated friend undertakes one last labour of love for a childless woman. Nadia - married into money - finds herself facing uncomfortable truths about her comfortably numb marriage. A Mumbai slum-girl dreams of speaking words valuable enough to be translated into English. An American tourist seeking nirvana sets off a sudden chain of events when his bag is stolen, and destiny plays her hand. A retired civil servant of modest means struggles to support his snooty foreign-returned daughter.Meghna Pant’s knife - sharp stories are compelling, emotionally intelligent and provide a rare glimpse into the strange workings of the human heart. They evade neat categorization andare the perfect read for all curious spirits."These are stories with a large heart and a keen eye, deeply aware of the complex, sometimes uncomfortable realities of India, its many layers. Meghna Pant knows how to create characters that will surprise and move you." – Chitra Banerjee Divakaruni "Deft, merciless and expertly-tuned parables for the new Indian century."– Jeet Thayil"Meghna Pant pierces one’s heart with the reality and depth of her stories, wrapping up her tales with unanticipated yet undeniable flourish. Exceptionally thought-provoking narratives that manage to be provocative and inspirational in the very same breath."– Ashwin Sanghi"These intimate stories juxtapose a range and register of aerial and emotional perspectives, with craft, delicacy and an intensely human sensibility."– Namita Gokhale

    Unable to live with the man she loves, Karutthamma marries Palani, who, despite the scandal about his wife's past, never stops trusting her, a trust that is reaffirmed each time he goes to sea and comes back safe since the 'sea-mother' myth among the fishermen community goes that the safe return of a fisherman depends on the fidelity of his wife. Then, one night, Karutthamma and Pareekkutty meet and their love is rekindled while Palani is at sea, baiting a shark ... The hugely successful novel was adapted into a film of the same name, and won critical acclaim and commercial success. Anita Nair's evocative translation brings this classic of Indian literature to a new generation that hasn't had the opportunity to savour this tale of love and longing.

    At 15, she moves to the home of a "liberal" uncle in Lucknow. Here, during the 1930s, as the struggle for independence sharpens, Laila is surrounded by relatives and university friends caught up in politics. But Laila is unable to commit herself to any cause: her own fight for independence is a struggle with traditional life as she falls in love with a man not chosen by her family. With its beautiful evocation of India, its political insight and unsentimental understanding of the human heart, this is a classic of Muslim life.

    Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    Together, the 4 boys set about irreverent, sometimes hilarious rebellions against their regimented fishbowl existence at a brown-sahib institution in a turbulent, changing India.

    And never more so than in this extraordinary and engaging gathering of nine essays, accompanied by a brief selection of new prose poems and poems. (One of the essays has been chosen as among the best of the year by THE BEST AMERICAN ESSAYS 1998, another by The Anchor Essay Annual.) With the grace and precision that have won her legions of admirers, Oliver talks here of turtle eggs and housebuilding, of her surprise at an unexpected whistling she hears, of the "thousand unbreakable links between each of us and everything else." She talks of her own poems and of some of her favorite poets: Poe, writing of "our inescapable destiny," Frost and his ability to convey at once that "everything is all right, and everything is not all right," the "unmistakably joyful" Hopkins, and Whitman, seeking through his poetry "the replication of a miracle." And Oliver offers us a glimpse as well of her "private and natural self—something that must in the future be taken into consideration by any who would claim to know me."

    And, with all due respect, sir, who the hell are you?'When a body mysteriously appears at the bottom of the otherwise serene hills of Sonargam in peak tourist season, Superintendent of Police, Shimla, Niki Marwah, and her crack team of investigators must act quickly to find out how Rak Mehta, the hotshot President & CEO of a super-successful publishing company, landed there.As they scour the grounds of the luxurious Lotus Resort, where Indigo's employees have checked in for their annual conference, the police team uncovers bitter rivalries, secret grudges and vicious lies – not to mention the victim's own sordid past that has made him more enemies than friends.Lipstick stains, condoms, a notebook full of rambling code; bribery, mind games, broken promises - everything points to murder. And, with the list of suspects growing, it will take all of Niki’s ingenuity and skill to catch the killer before Sonargam's idyllic landscape is disrupted once again...