He offered himself but did not bow down in front of the Mughal Emperor; he died a hero`s death at a very young age, when he was just 32 years old. For the past 325 years, Sambhaji was often painted in black. He had a poetic mind, he was a very intelligent person, he was concerned about his people, he was brave, he was a great thinker, but all his good qualities were over-looked; his personality was always looked upon with suspicion. Vishwas Patil, the most gifted author today, tells us more about Sambhaji Raje, as he has seen him through the references in history, as he has found him in the very valuable yet ignored documents, as he has heard him in the hilly regions of Sahyadri mountain ranges, among the creeks of the Arabian sea. Sambhaji, son of Shivaji Maharaj, a novel personality with his equally impressive, breath-taking, spectacular, stormy yet very true story.

    Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage. Despite the ominous horoscope, Sivakami’s parents hesitate only briefly, won over by the young man and his family’s reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam’s horoscope are never far from her new husband’s mind. When their first child is born, as a strategy for accurately determining his child’s astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father’s astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years.Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age.When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers’ choosing, and Vairum’s future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family.With the freedom to make decisions for her son’s future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother’s mainstay, twisting their fates in fascinating and unbearable ways.

    What is it that we as a nation are missing? At the heart of the book is the belief that the people of a nation have the power, by dint od hard work, to realize their dream of a truly good life. Lalam takes up different issues and themes that struck him on his pilgrimage around the country as he met thousands of schoolchildren, teachers, scientists saints and seers in the course of two years. The result is a book that motivates usto get back on the winning track and unleash the energy within a nation that has not allowed itself full rein. Ignited minds will fire the minds of the young to whom it is promarly addressed Khuswant Singh in Outlook.

    It establishes Hansda Sowvendra Shekhar as one of our most important contemporary writers.

    Maddy is an award-winning TV anchorwoman. Jack is the head of her network. To the world, theirs is a storybook marriage. But behind the doors of their lush Georgetown home a different story emerges.Maddy has always tried to deny Jack's subtle put-downs, control, and jealousy. She has no bruises, only the daggers of fear, humiliation, and isolation--as powerful as the gun or the fist, the wounds as deep. It seems impossible that a woman the nation idolizes lives in degradation and fear. Maddy's secrets are well kept, even from herself.Maddy's healing begins when she joins the First Lady's Commission on Violence Against Women. There, she hears eerily familiar stories from terrified wives and girlfriends. And there she comes to know Bill Alexander, a distinguished diplomat. Bill suspects that something is terribly wrong in Maddy's marriage and begs her to open her eyes.As she takes the first steps toward freedom, a remarkable series of events unfolds... a stranger from Maddy's past reappears... White House headlines bring the nation to a standstill... and a devastating tragedy forces Maddy to realize how much has been taken from her. Faced with the most difficult choice of her life, Maddy finds a strength she never knew she had and a gift that will change her life forever.With wisdom and compassion, bestselling novelist Danielle Steel reminds us that no one is exempt from the effects of abuse, in its subtlest forms. But at its core, Journey is a book about hope, about change, and about daring to be free.

    Told from multiple perspectives, set against the backdrop of the vibrant multilingual Jaipur Literature Festival, diverse stories of lost love and regret, self-doubt, and new beginnings come together in a narrative that is as varied as India itself.Partly a love letter to the greatest literary show on earth, partly a satire about the glittery set that throngs this literary venue year on year, and partly an ode to the millions of aspiring writers who wander the earth with unsubmitted manuscripts in their bags, Jaipur Journals is a light-footed romp that showcases in full form Gokhale's unsparing eye for the pretensions and the pathos of that loneliest tribe of them all: the writers.

    It is a widely read piece of Gujarati literature.The supernovel was written over a period of 15 years, with the first volume being published in 1887 and the fourth one in 1902.The focus of the novel is on two Gujarati Brahmin families. The family of Lakshminandan is settled in Bombay, and is very wealthy. Saraswatichandra, the brilliant scholar-to-be, is born to Lakshminandan and Chandralakshmi. He has a dazzling career to look forward to as he is steeped in Sanskrit and English classics, is a barrister by qualification and has tried his hand successfully at his father's business. The other family is that of Vidyachatur, the highly knowledgeable prime minister of the court of King Maniraj of kingdom of Ratnanagari. To him and his wife, Gunasundari, the lady of tremendous qualities, are born two daughters, Kumudsundari (the elder) and Kusumsundari. Saraswatichandra's mother dies, and Lakshminandan remarries. The step-mother, Guman, is a scheming woman and she treats her step-son with suspicion and dislike. Meanwhile, Saraswatichandra and Kumudsundari are engaged to be married, subsequent to which they exchange letters and fall in love without having seen each other; he, charmed with Kumud's tenderness and similar likes and she, taken in by his vast knowledge and excellent qualities.Things reach a head in Saraswatichandra's home when he realizes that even his father suspects him of having an interest only in the family wealth and he decides to renounce his home. His best friend, Chandrakant, tries his best to prevent his friend from carrying out this terrible vow. But Saraswatichandra is not amenable to argument, and he leaves, thus not only renouncing home and wealth, but also leaving young Kumud in the lurch. He proceeds by sea to Suvarnapur. By the time he reaches there, Kumud has already been married off to Pramad-dhan, the wayward son of Buddhidhan, the man who is slated to become prime minister of Suvarnapur.And thus, we come to the third family. Buddhidhan is a Bania (vaaNiyaa) and has a sharp intelligence and political sense, by which he manages to overturn the reign of Suvarnapur's ruler, Jadsinh, and his administrators, Dushtrai and Shathrai. His own Rajput friend, Bhoopsinh, becomes king and Buddhidhan, his prime minister. Saraswatichandra stays at Buddhidhan's place calling himself Navinchandra, and watches all this political activity with interest. Inevitably, he comes into contact a few times with Kumud, the daughter-in-law of the house. Love for each other ignites again, and a lowly companion of the daughter of the house takes advantage of this and incites Pramad-dhan against his wife.On the day Buddhidhan gets the prime minister's post, Saraswatichandra leaves his house due to the tensions that contact with Kumud is causing them both and leaves without a destination in mind. Meanwhile, Kumud is also on her way in a palanquin and accompanied by guards, to see her mother in Manoharpuri. Saraswatichandra's is attacked by bandits and they leave him injured in a forest. An attack on Kumud is also planned by the bandits. Kumud's grandfather, Maanchatur, manage to foil the bandits' plans, capture their leader, but then, Kumud, fearing shame and infamy, jumps into the Subhadra river. Everybody assumes her dead.Saraswatichandra, meanwhile, is rescued by a group of ascetics and taken to their ashram on the nearby mountains of Sundargiri. Here, Saraswatichandra impresses the head monk, Vishnudas, by his breadth of knowledge and eventually makes him name him as his successor to the post of head monk. Kumud also survives and her unconscious body is caught by a lady ascetic, Chandraavali. This group takes Kumud to Vishnudas' ashram and both she and Saraswatichandra come to know of each other's presence there.The ashram ascetics realize the facts of the past life of these two, and try their best to reunite them. In this attempt, they take them both to an isolated cave on the peak of Chiranjeevshrung. Here, spending four days and nights together, they undergo a mystical experience and they realise their goal of life. Ratnanagari's police and detectives find out where Saraswatichandra and Kumud are, and eventually, his entire family talk to Vishnudas about getting the two 'back into the world', and convince the two about the same. However, there is no consensus on the marriage of Kumud to Saraswatichandra. Kumud on the other hand tries to convince saras to marry Kusum (kumud's sister). The story ends with Saraswatichandra marrying Kusum.This is the plot of the novel described in the briefest possible manner, without conveying even an iota of the emotions, the tension, the idealism of some characters and the pragmatism of others, the sheer vicissitudes of life in these three families after Saraswatichandra renounced home.

    Chronicling the Indian struggle for freedom and independence from Great Britain, Tharoor directs his hilarious satire as much against Indian foibles as the bumbling of the British rulers.

    Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    My parents love me, my boyfriend adores me and I have a great job. But heres the thing-my life is in danger. Someones been following me around, watching my every move, trying to get control over my life. At first I thought it was a silly prank to gain my attention. My roomie suggested he must be a secret admirer. Is he? What he doesnt know is the police have set a trap to nab him. Soon Ill know if its simply a lovers obsession or there is more to it. BTW, I call him stranger.From the bestselling author of EX, how about a sin tonight? That kiss in the rain and a thing beyond forever comes a racy tale gravid with emotional twists, relationship quirks and mind-numbing revelations.

    Her familiar existence disrupted, her husband's reputation in question and their future as a family in jeopardy, Jaya, a failed writer, is haunted by memories of the past. Differences with her husband, frustrations in their seventeen-year-old marriage, disappointment in her two teenage children, the claustrophia of her childhood—all begin to surface. In her small suburban Bombay flat, Jaya grapples with these and other truths about herself—among them her failure at writing and her fear of anger. Shashi Deshpande gives us an exceptionally accomplished portrayal of a woman trying to erase a 'long silence' begun in childhood and rooted in herself and in the constraints of her life.

    Segregated and shunned from society, often wretchedly poor, theirs is a lot that nobody would willingly espouse. Yet thats exactly what Phiroze Elchidana, son of a revered Parsi priest, does when he falls in love with Sepideh, the daughter of an aging corpse bearer...Derived from a true story, Cyrus Mistrys extraordinary new novel is a moving account of tragic love that, at the same time, brings to vivid and unforgettable life the degradation experienced by those who inhabit the unforgiving margins of history.

    The powerful district committee of Mityala routinely dismisses the suicide and refuses compensation to his widow. Gangiri, his brother, makes it his life’s mission to bring justice to the dead by influencing the committee to validate similar farmer suicides.Keyur Kashinath of the Democratic Party - first-time member of Parliament from Mityala, and son of Vaishnav Kashinath, the party’s general secretary - is the heir to his father’s power in Delhi politics. He faces his first crisis every suicide in his constituency certified by the committee as debt-related is a blot on the party’s image, and his competence.The brilliant farmer battles his inheritance of despair, the arrogant politician fights for the power he has received as legacy. Their two worlds collide in a conflict that pushes both to the limits of morality from where there is no turning back. At stake is the truth about ‘inherited’ democratic power. And at the end, there can only be one winner. Passionate and startlingly insightful, Shoes of the Dead is a chilling parable of modern-day India.A book that will make you stroll through India’s corridors of power and politics with a perfect portrayal of how its consequences creep into the lives of the farmers forcing them to commit suicide. Get ready to read a gripping tale by Kota Neelima.

    It is also a moving portrayal of the fallibility of love.Ambition, passion
and raw courage are Atul Malhotra’s key aides to realizing his dreams as he learns the art of gambling for high stakes. What follows is a game of treachery, infidelity and murder.The book lays bare the sordid corporate-politico nexus that compels this once middle-class boy to deftly learn the ropes and negotiate a world where dirty deals and power plays can make or break lives, where one wrong choice could be fatal.A tale of yachts and hidden Swiss accounts, sordid affairs of lust, intrigue and exhilarating highs, Nilesh Rathod’s Destiny of Shattered Dreams is also the story of innocence forever lost.

    In each of her novels, Miller has written with exquisite precision about the experience of grace in daily life–the sudden, epiphanic recognition of the extraordinary amid the ordinary–as well as the sharp and unexpected motions of the human heart away from it, toward an unruly netherworld of upheaval and desire. But never before have Miller’s powers been keener or more transfixing than they are in Lost in the Forest, a novel set in the vineyards of Northern California that tells the story of a young girl who, in the wake of a tragic accident, seeks solace in a damaging love affair with a much older man.Eva, a divorced and happily remarried mother of three, runs a small bookstore in a town north of San Francisco. When her second husband, John, is killed in a car accident, her family’s fragile peace is once again overtaken by loss. Emily, the eldest, must grapple with newfound independence and responsibility. Theo, the youngest, can only begin to fathom his father’s death. But for Daisy, the middle child, John’s absence opens up a world of bewilderment, exposing her at the onset of adolescence to the chaos and instability that hover just beyond the safety of parental love. In her sorrow, Daisy embarks on a harrowing sexual odyssey, a journey that will cast her even farther out onto the harsh promontory of adulthood and lost hope.With astonishing sensuality and immediacy, Lost in the Forest moves through the most intimate realms of domestic life, from grief and sex to adolescence and marriage. It is a stunning, kaleidoscopic evocation of a family in crisis, written with delicacy and masterful care. For her lifelong fans and those just discovering Sue Miller for the first time, here is a rich and gorgeously layered tale of a family breaking apart and coming back together again: Sue Miller at her inimitable best.From the Hardcover edition.