In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.

    And also: 'But we'll get out.'Two brothers, Big and Small, are trapped at the bottom of a well. They have no food and little chance of rescue. Only the tempting spectre of insanity offers a way out. As Small's wits fail, Big formulates a desperate plan.With the authority of the darkest fables, and the horrifying inevitability of all-too-real life, Repila's unique allegory explores the depths of human desperation and, ultimately, our almost unending capacity for hope.

    After centuries of pogrom-like riots encouraged by the Church, the Jews - who have been an important part of Spanish life since the days of the Romans - are expelled from the country by royal edict. Many who wish to remain are intimidated by Church and Crown and become Catholics, but several hundred thousand choose to retain their religion and depart; given little time to flee, some perish even before they can escape from Spain.Yonah Toledano, the 15-year-old son of a celebrated Spanish silversmith, has seen his father and brother die during these terrible days - victims whose murders go almost unnoticed in a time of mass upheaval. Trapped in Spain by circumstances, he is determined to honor the memory of his family by remaining a Jew.On a donkey named Moise, Yonah begins a meandering journey, a young fugitive zigzagging across the vastness of Spain. Toiling at manual labor, he desperately tries to cling to his memories of a vanished culture. As a lonely shepherd on a mountaintop he hurls snatches of almost forgotten Hebrew at the stars, as an apprentice armorer he learns to fight like a Christian knight. Finally, as a man living in a time and land where danger from the Inquisition is everywhere, he deals with the questions that mark his past. How he discovers the answers, how he finds his way to a singular and strong Marrano woman, how he achieves a life with the outer persona of a respected Old Christian physician and the inner life of a secret Jew, is the fabric of this novel. The Last Jew is a glimpse of the past, an authentic tale of high adventure, and a tender and unforgettable love story. In it, Noah Gordon utilizes his greatest strengths, and the result is remarkable and moving.

    First published in English in 1986, the novel probes the long and checkered history of radical politics in Latin America.

    There, in the company of a torture survivor, a lame dog, and other unforgettable characters, Maya Vidal writes her story, which includes pursuit by a gang of assassins, the police, the FBI, and Interpol. In the process, she unveils a terrible family secret, comes to understand the meaning of love and loyalty, and initiates the greatest adventure of her life: the journey into her own soul.

    And she is very, very tall. Depressed by her height, she has grown into a quiet, introverted girl. However, at 16 she falls in love with a very tall postman and finds that her moods have an amazing effect on the weather and just about everything else.

    Ángel Santiago, a youth determined to avenge abuse he received in jail, seeks out the notorious bank robber Nicolás Vergara Grey, whose front-page exploits won him a reputation he would rather leave behind. Their plan for an ambitious and daring robbery is complicated by the galvanizing presence of Victoria Ponce, a virtuosic dancer and high-school dropout whose father was a victim of the regime. Praised for his “ability to place a personal story in the context of a national upheaval and make it warm, funny and universal” (San Francisco Chronicle), Antonio Skármeta sets this exuberant love story against the backdrop of the new Chile, free from the Pinochet dictatorship but beholden to the perils of globalization. The Dancer and the Thief, which won Spain’s prestigious Planeta Prize, is a remarkable new novel from one of South America’s finest storytellers.

    In 1918, when Pla was in Barcelona studying law, the Spanish flu broke out, the university shut down, and he went home to his parents in coastal Palafrugell. Aspiring to be a writer, not a lawyer, he resolved to hone his style by keeping a journal. In it he wrote about his family, local characters, visits to cafés; the quips, quarrels, ambitions, and amours of his friends; writers he liked and writers he didn’t; and the long contemplative walks he would take in the countryside under magnificent skies. Returning to Barcelona to complete his studies, Pla kept up his diary, scrutinizing life in the big city with the same unflagging zest and humor.Pla, one of the great Catalan writers, held on to this youthful journal for close to fifty years, reworking and adding to it, until he finally published The Gray Notebook as both the first volume and the capstone of his collected works. It is a beautiful, entrancing, delightful book—at once a distillation of the spirit of youth and the work of a lifetime.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Soon they meet another vacationing German couple, Charly and Hanna, who introduce them to a band of locals—the Wolf, the Lamb, and El Quemado—and to the darker side of life in a resort town. Late one night, Charly disappears without a trace, and Udo’s well-ordered life is thrown into upheaval; while Ingeborg and Hanna return to their lives in Germany, he refuses to leave the hotel. Soon he and El Quemado are enmeshed in a round of Third Reich, Udo’s favorite World War II strategy game, and Udo discovers that the game’s consequences may be all too real. Written in 1989 and found among Roberto Bolaño’s papers after his death, The Third Reich is a stunning exploration of memory and violence. Reading this quick, visceral novel, we see a world-class writer coming into his own—and exploring for the first time the themes that would define his masterpieces The Savage Detectives and 2666.

    Two love stories. Three voices.Lito is ten years old and is almost sure he can change the weather when he concentrates very hard. His father, Mario, anxious to create a memory that will last for his son's lifetime, takes him on a road trip in a truck called Pedro. But Lito doesn't know that this might be their last trip: Mario is gravely ill. Together, father and son embark on a journey takes them through strange geographies that seem to meld the different parts of the Spanish-speaking world. In the meantime, Lito's mother, Elena, restlessly seeks support in books, and soon undertakes an adventure of her own that will challenge her moral limits. Each narrative--of father, son, and mother--embodies one of the different ways that we talk to ourselves: through speech, through thought, and through writing. While neither of them dares to tell the complete truth to the other two, their individual voices nonetheless form a poignant conversation.Sooner or later, we all face loss. Andrés Neuman movingly narrates the ways the lives of those who survive loss are transformed; how that experience changes our ideas about time, memory, and our own bodies; and how the acts of reading, and of sex, can serve as powerful modes of resistance. Talking to Ourselves presents a tender yet unsentimental portrait of the workings of love and family; a reflection both on grief and on the consolation of words. Neuman, the author of the award-winning Traveler of the Century, displays his characteristic warmth, bittersweet humor, and wide-ranging intellect, giving us the rich, textured, and strikingly different voices and experiences of three singular characters while presenting, above all, a profound tribute to those who have ever had to care for a loved one.

    As is his habit–he has purchased hundreds of women–he asks a madam for her assistance. The fourteen-year-old girl who is procured for him is enchanting, but exhausted as she is from caring for siblings and her job sewing buttons, she can do little but sleep. Yet with this sleeping beauty at his side, it is he who awakens to a romance he has never known. Tender, knowing, and slyly comic, Memories of My Melancholy Whores is an exquisite addition to the master’s work.--back cover

    But then the children arrived.No one knew where they came from: thirty-two kids, seemingly born of the jungle, speaking an unknown language. At first they scavenged, stealing food and money and absconding to the trees. But their transgressions escalated to violence, and then the city’s own children began defecting to join them. Facing complete collapse, municipal forces embark on a hunt to find the kids before the city falls into irreparable chaos.Narrated by the social worker who led the hunt, A Luminous Republic is a suspenseful, anguished fable that “could be read as Lord of the Flies seen from the other side, but that would rob Barba of the profound originality of his world” (Juan Gabriel Vásquez).

    But when nobody has heard from him in three months, his father knows something must be very wrong.Fortunately, Inspector Manchego is on the case. Manchego gets to work unraveling the mystery of the Englishman’s disappearance, but there to block him at every turn are the five fiery and close-knit Spanish women who run Librarte and who will do anything to keep their jobs. From a kidnapping to the “discovery” of the long-lost poems of Federico García Lorca, Manchego and Atticus are taken on a madcap journey through the narrow streets of Madrid and down to the bohemian heart of Andalucía.A charming tale with linguistic mishaps, literary intrigue, a clash of cultures, and an unexpected romance, The Altogether Unexpected Disappearance of Atticus Craftsman is at once a humorous literary caper and a touching love story, making for an altogether clever and delightfully different read.

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.