A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    G. Wells between 1893 and 1895. It was first published by Methuen & Co. in 1895 and was Wells's first book of short stories. All of the stories had first been published in various weekly and monthly periodicals.

    In this selection of essays, he ranges from reflections on his boyhood schooling and the profession of writing to his views on the Spanish Civil War and British imperialism. The pieces collected here include the relatively unfamiliar and the more celebrated, making it an ideal compilation for both new and dedicated readers of Orwell's work.

    The notebook containing the novel was rediscovered by her in adult life and sent by a friend to Frank Swinnerton, the English novelist, critic, editor and essayist. Published in 1919 by Chatto and Windus, with its original misspellings and an arch introduction by “Peter Pan” author J. M. Barrie, it was an immediate bestseller. Its child's view of high society (dukes and earls having ‘levies’ and residing in the ‘Crystall Pallace’) and its heavily romantic plot make it an engaging and enduring popular work. Source: jrank.org

    Lewis Carroll was the pen name and, it could be claimed, the alter ego of the Reverend Charles Lutwidge Dodgson, a mathematician, writer and photographer. His creations, especially "Alice's Adventures in Wonderland" and "Through the Looking Glass and What Alice Found There," have been translated into countless languages and are as loved now as they have ever been. His neologisms ("curiouser and curiouser") and turns of phrase have forever infiltrated and enriched our language and culture.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    In a story like Bartleby, the Scrivener -- one of the very few perfect representatives of the form in the English language -- he displayed an unflinching precision and insight and empathy in his depiction of the drastically alienated inner life of the title character. In Benito Cereno, he addressed the great racial dilemmas of the nineteenth century with a profound, almost surreal imaginative clarity. And in Billy, Budd, Sailor, the masterpiece of his last years, he fused the knowledge and craft gained from a lifetime's magnificent work into a pure, stark, flawlessly composed tale of innocence betrayed and destroyed. Melville is justly honored for the epic sweep of his mind, but his lyricism, his skill in rendering the minute, the particular, the local, was equally sublime.

    Updike, when asked to described his method of reading aloud, said "I try to picture the things describes, and to speak the words distinctly, and to let the emotion come through on its own."The method works beautifully.

    

    Wodehouse's most gloriously funny stories, this is the tale of bumbling Lord Emsworth, whose quiet life reading "The Care Of The Pig" and pottering among the flowers at Blandings Castle is shattered by an outbreak of lawlessness involving his niece Jane (the third prettiest girl in Shropshire), an airgun - and the trouser seat of the abominable Baxter.

    Unsettled by a sense of intense evil within the house, she soon becomes obsessed with the belief that malevolent forces are stalking the children in her care. Obsession of a more worldly variety lies at the heart of The Aspern Papers, the tale of a literary historian determined to get his hands on some letters written by a great poet-and prepared to use trickery and deception to achieve his aims. Both works show James's mastery of the short story and his genius for creating haunting atmosphere and unbearable tension.Anthony Curtis's wide-ranging introduction traces the development of the two stories from initial inspiration to finished work and examines their critical reception.

    More than a hundred years later, this tale of the mild-mannered Dr. Jekyll and the drug that unleashes his evil, inner persona—the loathsome, twisted Mr. Hyde—has lost none of its ability to shock. Its realistic police-style narrative chillingly relates Jekyll's desperation as Hyde gains control of his soul—and gives voice to our own fears of the violence and evil within us. Written before Freud's naming of the ego and the id, Stevenson's enduring classic demonstrates a remarkable understanding of the personality's inner conflicts—and remains the irresistibly terrifying stuff of our worst nightmares.

    Lodging with a minister on the outskirts of London, Paul Manning is initially dismayed to discover that the uncle he must visit in the country is also a churchman. Yet far from the oppressively religious household he envisages, Manning is delighted to meet his genial relations—not least, his cousin Phyllis. But when Phyllis falls for the charms of his more sophisticated colleague, Manning's family ties render him powerless to prevent the inevitable heartbreak that ensues. Collaborator and friend of Charles Dickens and Wilkie Collins, Elizabeth Gaskell (1810–1865) is a leading figure in Victorian literature.

    Chorley, James Russell Lowell, and Henry James The collection of recent criticism displays a considerable range of approaches, including essays by Q. D. Leavis, John P. McWilliams, Jr., Frederick C. Crews, Michael J. Colacurcio, Jorge Luis Borges, Sharon Cameron, Robert B. Heilman, Nina Baym, Leo Marx, and John W. Wright A Chronology of Hawthorne's life and a Selected Bibliography are included.

    The stories have a point: they remind us that courage and clear-thinking in the midst of great danger go hand in hand and are the keys to survival. Not only is cowardice disgraceful, it is frequently lethal. Includes: Triumph of the Boon; The Boy Stood on the Burning Deck; Dr Blanke's First Command; Counterpunch; USS Cornucopia; December 6th; Rendezvous.