Written with extraordinary insight, honesty, and a master writer's creative sensibility.

    Bear witness as a generation continues its evolution, wired faster to dream higher. This is the Filipino youth at their most honest and most eloquent. Here is your password. Here are the messages that matter from the newspaper that started it all.Youngblood 3 is the young Filipino—unplugged.

    

    What does Bobby Heredias see that other people don’t?Now a stand-alone, Candido’s Apocalypse first appeared in the story collection Tropical Gothic, published in 1979.

    So the kind and character of his works: very rare, exceptional, unique, maverick, exceedingly original fiction: rara avis that's a quantum leap away and departure... At least three or four in this collection already strike one as veritable classics." - GREGORIO C. BRILLANTES

    V. M. Gonzalez has influenced an entire generation of young Philippine writers and has also acquired a devoted international readership. His books, however, are not widely available in this country. The Bread of Salt and Other Stories provides a retrospective selection of sixteen of his short stories (all originally written in English), arranged in order of their writing, from the early 1950s to the present day.This is a powerful collection, both for the unity and universality of the author's subjects and themes and for the distinctive character of his prose style. As Gonzalez remarks in his Preface: "In tone and subject matter, [these stories] might suggest coming full circle - in the learning of one's craft, in finding a language and, finally, in discovering a country of one's own."Gonzalez has traveled widely and has taught the writer's craft in various countries. Nonetheless, his primary metaphor is his colonial island homeland, and his stories are peopled with the farmers and fishermen, the schoolteachers and small-town merchants, "the underclass who constitute the majority in all societies." He portrays, in the men, women, and children of the peasantry, an ordinary and enduring people who live lives of stark dignity against a backdrop of forgotten and unknown gods. A broad humanity suggests itself: "This feeling of having emerged out of a void, or something close to it, is not uncommon, and we face our respective futures predisposed, by an innocence, to prayer and hope."Colonization, Gonzalez feels, has created in Filipinos "a truly submerged people." The stories in The Bread of Salt explore this rich vein at several levels, from the river-crossed wilderness of the kaingin farmers, stoic in the hard face of nature; to the commercial centers of the town dwellers, cut off from the mythic animism of the land; to the America of the contemporary sojourner, exiled from the old ways without the guidance of new traditions. Gonzalez writes: "It was in America that I began to recognize my involvement in the process of becoming a new person . . . of trying to shed my skin as a colonial."Gonzalez's social commentary is implicit throughout his stories. His message is humane, moral, tellingly accurate, and gently ironic; he is neither sentimental nor doctrinaire. His narratives are presented without intrusive explanation, invoking instead the reader's own powers of contemplation and discovery. His strong prose style, spare yet lyrical suggests the cadences of Philippine oral narrative traditions.Each of these sixteen tales is a small masterpiece. The language and its imagery, the characters and their aspirations, all connect powerfully with the reader and serve to illuminate the dreams of exiles and colonials, suggesting what it was like, as a Filipino, to witness the endless interacting of cultures.

    Marks the seasons of the author's life, her early writing, her work as active media practitioner, and her religio-spiritual writing.

    In this vision of the future, popular actor Aga Muhlach is the aging President, the Eraserheads are on a Reunion Tour that spans the stars, and Philippine Spacelines is offering a 50% discount on Moon Travel. We follow the musings of a young man as he journeys through the city, headed for the Grand Liwayway Station, where he plans to take the cheapest train out, since they just opened the Tagaytay Ocean Tunnel connecting to Cebu. All the while, he is composing a missive addressed to his love, who is living on a faraway Orbital Space Station.(from wikipedia.org)

    He ran away again from his foxhole in Bataan when the Japanese were closing in. and through much of his life, even when he had become comfortable, he still ran away, haunted by the poverty of his boyhood, of the treachery that he may have committed. This is Benjamin Singkol—perhaps the most interesting character ever created by F. Sionil José. After World War II, Sionil Jose enrolled at the University of Santo Tomas and came under the wing of Paz Latorena, one of the country’s foremost writers and literature teachers and the Dominican writer, Juan Labrador. He worked in journalism and developed his distinctively direct narrative style.Sionil José is best known for his epic work, the Rosales saga—five novels which encompass a hundred years of Philippine history, from 1872 when the three Filipino priests—Gomez, Burgos and Zamora—were martyred, to 1972 when Marcos declared Martial Law.

    WHAT are the dangers of getting directions from a fairy tale frog? WHERE do archangels go to kick back and relax? HOW can a garden gnome mend a broken heart? WHO is the last person you’d expect to visit you at Christmas? WHY shouldn’t you let Satan organise your funeral? Find out the answers to these and other pressing questions in this collection of short stories from the authors of the Clovenhoof series.

    Caleb is suffering from schizoaffective disorder, and Paul, who is about to start on his first office job in a long while, wants to make sure his brother takes his medication on time. Lillian, at first hesitant, accepts the job for the pay and the perks, but soon starts to wonder about the brothers she is working for. How come she can’t find any information online about the drugs Caleb is taking? And how come the national central database lists them as dead?

    Recognized by industry insiders in the Philippines as “the man perfect to write this book,” the author has been at the helm of various publications, from Manila Standard’s The Good Life, for which he was lifestyle editor for seven years, to Manila Bulletin’s Sense&Style, in which he is the current editor-in-chief. He began practically as the “other editor” of Lifestyle Asia back when it was blazing the trail for glossy magazines in the early nineties. Blurring the distinction between instruction and inspiration, WHWN boldly takes the reader along the author’s adventures and misadventures in the publishing world. With a foreword by ruthless editor and bestselling author Jullie Yap Daza and with vignettes from the country’s top editors and writers, never has any book on writing in the Philippines been such a pleasure to read that it makes you want to “write here write now.”

    How did he allow the other person to die? How did he help the other person to hang himself to death? He was terribly upset about this. The moment his eyes saw a rope in any form he used to remember everything.........

    Because of this we have no memory of ourselves: we remember only the last deluge, the last seismic upheaval. Two friends are hired by Marcos to rewrite Philippine history. Their mission: to make it appear that Marcos was destined to rule the country in perpetuity. Working from an office called Agency for the Scientific Investigation of the Absurd, they embark on a journey that will take them across a surreal panorama of Philippine politics and history, and in the process question all their morals and beliefs. This landscape includes mythological sultans, mercenaries, the Beatles, messianic Amerasian rock stars, faith healers, spies, torturers, sycophants, social climbers, sugar barons, millenarian vigilantes, generals and communists--the dizzying farrago of lovers and sinners who populate the country's incredible story. By the end of their project--and this breathtaking novel--the reader emerges from a world that is at once familiar and unbelievable. It's what real life might look like if both heaven and hell were crammed into it, and all its creatures were let loose.

    He has big plans that could set him up financially for life. And although he spends his time trying to get a coworker to bed, he still pines for an old girlfriend from his troubled childhood.