Spanning his 50-year career and incorporating a rich and varied range of material, this second anthology is as wonderfully unmissable as the first. When Spike Milligan died in 2002, he left behind one of the most diverse legacies in British entertainment history – as well as a legion of devoted fans and admirers. His themes ranged from environmental issues to the war, from nostalgia to depression, and his prolific output covers some of the most evocative events of the twentieth century, in a style both twistedly comic and harrowingly honest.The huge success of the Spike Milligan anthology, ‘The Essential Spike Milligan’, has inspired a second raid on the original brilliant source. Milligan was arguably the most one of the prolific and mould-breaking comic writers of the twentieth century and this second anthology gives another opportunity to sample his finest writing. It includes more of the best from his war memoirs and novel Puckoon, his children's stories, poetry and drawings plus a wonderful collection from his voluminous correspondence from the 1960s onwards with such varied recipients as the House of Commons, the Director-General of the BBC, Private Eye and British Telecom. A compulsive read for all Milligan fans.

    Icky" "Jemina"

    Robert Cargill returns to the terrain of the Queen of the Dark Things to continue the story of Colby Stevens . . .A Triceratops and an Ankylosaurus join forces to survive a zombie apocalypse that may spell extinction for their kind in "Hell Creek" . . .In a grand old building atop a crack in the world, an Iraq War veteran must serve a one-year term as a punisher of the damned condemned to consume the sins of others in the hope that one day he may find peace in "In a Clean, White Room" (co-authored with Scott Derrickson) . . .In "The Town That Wasn’t Anymore," the village of Pine Hill Bluff loses its inhabitants one at a time as the angry dead return when night falls to steal the souls of the living . . .And in the title story, "We Are Where the Nightmares Go," a little girl crawls through a glowing door beneath her bed and finds herself trapped in a nightmarish wonderland—a crucible of the fragments of children’s bad dreams.These tales and four more are assembled here as testament to Cargill’s mastery of the phantasmagoric, making We Are Where the Nightmares Go and Other Stories a collection of unnerving horror and fantasy will keep you up all night and haunt your waking dreams.

    Winfyre Ridge. Away from the horrors, wars, and darkness. A place to live free and prosper. To start over. If you can get there. WOLF's WAGER Reagan Grace fled from a city laid to waste. She’s trying to get what’s left of her family to that mountain haven by any means necessary. But after a thousand-mile trek, the last thing she expected was a chance encounter with a bored alpha shifter. One who claims her by a toss of the dice. Luke “Swift” Swiftlore could smell the secrets on Reagan a mile away. Hell only knows what risk he’s taking in letting this pretty refugee in. Now he has to keep her close and see if he can get her to cop to what she is. Good thing he’s a creative badboy. BLACK BEAR's DUE Laia Llary has been looking for her cousin Tristan for months. But when she gets to Winfyre, does she find him? No. She only finds trouble. A brawl, a black eye and a bear shifter. Exactly in that order. Garrett “Rett” Deacon knows he should throw Laia out on her ass, but he owes her cousin. With no alternative, he claims her as punishment. At least now he can both train and keep an eye on her. Although it’s hard to say who hates it more. TIGER's PREY Sierra the Sphinx is the best scout money can buy. She might even be a match for Tristan “Trickster” Llary of the Northbane. Except she didn’t stick around long enough after swindling him to find out. Too bad, the Tiger Alpha was a hell of a kisser. Only Sierra might have made a mistake. She didn’t bank on Tristan coming after her. The one and only night Tristan decides to kick back, he gets robbed. Now he’s hot on Sierra’s tail for three reasons. One, to get his possessions back. Two, because Sierra doesn’t realize what kind of danger she’s in – both from him and those that would kill for what she has. Three – he can’t get her out of his head. ICE BEAR's BID Kallen “Kal” Deacon is the second-in-command at Winfyre. The Northbane shifter would give his life to keep it safe. Or to protect its most important secret. So, he’s not happy when he’s sent to scout the southern border. He’s even less happy when he comes upon a black-market auction. Kal knows he should leave it alone but one demure and bumbling beauty changes his mind. Iris has no idea what to make of the surly Ice Bear shifter dragging her back to Winfyre. While he’s terrifying and powerful, she’s not afraid. She’s drawn to him. DRAGON's OATH Alexander "Xander" Bane understands he is now the reason Winfyre exists. His presence alone keeps most threats at bay. Something he takes no pride in – as its leader, he does what has to be done and that's the end of it. Even if it means he has to be alone for the rest of his life, his shifted form must remain a secret. A secret found out by accident by Tiani Elkhadi, who spies the dragon in the woods. After nearly years of precautions, Xander has no idea what he should do. As icy as his heart has become, he can’t bring himself to kill her in cold blood. With no other choice, he claims her. Only Xander has no idea he’s playing into enemy hands. That Tiani was sent there to destroy Winfyre from the inside. To make it an example. To start a new war. NOTE: This boxset contains ALL five books of the Northbane Shifters series.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

    "Robin Hobb" and "Megan Lindholm" are both pseudonyms used by California-born Margaret Ogden, who from 1983 to 1992, published exclusively as Lindholm. This generous, 400-page hardcover original brings together short stories and novellas penned under both authorial bylines. As Hobb herself notes, "their" writing and styles differ in significant ways. (P.S. This collection includes stories previously unpublished in the United States.)

    "Gone" and "The Box" were honored with the prestigious Bram Stoker Award. Whether you are already familiar with Ketchum's unique brand of suspense or are experiencing it for the first time, here is a book no aficionado of fear can do without.Contents:1 · Introduction · in 5 · The Rifle · ss Cemetery Dance Win ’95 18 · The Box · ss Cemetery Dance Spr ’94 31 · Mail Order · ss Voices from the Night, ed. John Maclay, Maclay & Associates, 1994 45 · Luck · ss Skull Full of Spurs: A Roundup of Weird Westerns, ed. Jason Bovberg & Kirk Whitham, Dark Highway Press, 2000 56 · The Haunt · ss Cemetery Dance #34, 2001 70 · Megan’s Law · ss Subterranean Gallery, ed. Richard T. Chizmar & William K. Schafer, Subterranean Press, 1999 81 · If Memory Serves · ss Darkside, ed. John Pelan, Darkside Press, 1996 93 · Father and Son · ss, 2000 99 · The Business · ss Murder for Mother, ed. Martin H. Greenberg, Signet, 1994 109 · Mother and Daughter · ss The Spook (online) Aug, 2001 120 · When the Penny Drops · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 133 · Rabid Squirrels in Love · ss Cemetery Dance Spr ’97 143 · Sundays · ss, 2000 153 · Twins · ss * 168 · Amid the Walking Wounded · ss The UFO Files, ed. Ed Gorman & Martin H. Greenberg, DAW, 1998 183 · The Great San Diego Sleasy Bimbo Massacre · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 202 · The Holding Cell · ss Bizarre Bazaar #2 ’93 216 · The Work · ss, 1997 226 · The Best · ss, 2000 231 · Redemption · ss Night Screams, ed. Ed Gorman & Martin H. Greenberg, Roc, 1996 245 · The Exit at Toledo Blade Boulevard · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 259 · Chain Letter · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 267 · Forever · ss Imagination Fully Dilated 2, ed. Elizabeth Engstrom, IFD Publishing, 2000 281 · Gone · ss October Dreams, ed. Richard Chizmar & Robert Morrish, CD Publications, 2000 288 · Closing Time · na * 331 · The Rose · ss Deadly After Dark, ed. Jeff Gelb & Michael Garrett, Pocket, 1994 348 · The Turning · ss Vampire Detectives, ed. Martin H. Greenberg, DAW, 1995 354 · To Suit the Crime · ss Bizarre Sex & Other Crimes of Passion #1, ed. Stan Tal, Tal Publications ’92 363 · Lines: or Like Franco, Elvis Is Still Dead · ss * 372 · The Visitor · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 380 · Snakes · ss Fear Itself, ed. Jeff Gelb, Warner, 1995 400 · Firedance · ss Imagination Fully Dilated, ed. Alan M. Clark & Elizabeth Engstrom, CD Publications, 1998 413 · Afterword · aw

    These poems speak of the universal experiences of the heart and are brought to life with Chris's exquisite, intricate artwork.This perfect gift features famous poems, old and new, and a few surprises. Classic verses sit alongside the modern to create the ultimate collection. Includes poems from Neil Gaiman, Nikita Gill, Carol Ann Duffy, E. E. Cummings, Shakespeare, Leonard Cohen, Derek Walcott, Hollie McNish, Kate Tempest, John Betjeman and Roger McGough and many more.

     Worlds of achievement out of mind and remembering,           just as the poem lasts. In the concert of being present.                                                           —from “Arriving” Linda Gregg’s abiding presence in American poetry for more than thirty years is a testament to the longevity of art and the spirit. All of It Singing: New and Selected Poems for the first time collects the ongoing work of Gregg’s career in one book, including poetry from her six previous volumes and thirty remarkable new poems.

    In these poems about the death of his mother, this moving, otherworldly narrative takes us through the levels of Super Mario World, whose flowered landscapes bleed into our world, and ours, strange with loss, bleed into it. His remarkable debut is a daring exploration of memory, grief and the necessity of the unreal.

    Elegantly structured, these stories span the globe and beyond, from small-town America and sunny Caribbean islands to the Arctic Ocean and the very gates of Heaven itself. And though some of the stories are steeped in mythology, they remain grounded in universal experiences: loss of identity, leaving home, parenthood, joy, and longing.Crisscrossing the pages of Awayland are travelers and expats, shadows and ghosts. A girl watches as her homesick mother slowly dissolves into literal mist. The mayor of a small Midwestern town offers a strange prize, for stranger reasons, to the parents of any baby born on Lenin's birthday. A chef bound for Mars begins an even more treacherous journey much closer to home. And a lonely heart searches for love online--never mind that he's a Cyclops. With her signature tenderness, Ramona Ausubel applies a mapmaker's eye to landscapes both real and imagined, all the while providing a keen guide to the wild, uncharted terrain of the human heart.

    The more I have known you the more I have lov’d. In every way,—even when my jealousies have been agonies of Love; in the hottest fit I ever had, I would have died for you.” – John Keats“All my thoughts—all passions seem now merged in that one consuming desire—the mere wish to make you comprehend—to make you see that for which there is no human voice—the unutterable fervor of my love for you.” – Edgar Allan Poe“Mio dulce amor, accept a thousand kisses, but give me none, for they fire my blood.” – Napoleon Bonaparte

    With the help of the entire creative collective, Gordon-Levitt culled, edited and curated over 8,500 contributions into this finely tuned collection of original art from 67 contributors. Reminiscent of the 6-Word Memoir series, The Tiny Book of Tiny Stories: Volume 1 brings together art and voices from around the world to unite and tell stories that defy size.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.