On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.

    Like the fingers on a hand--first headstrong Olga; then Tatiana, the tallest; Maria the most hopeful for a ring; and Anastasia, the smallest. These are the daughters of Tsar Nicholas II, grand duchesses living a life steeped in tradition and privilege. They are each on the brink of starting their own lives, at the mercy of royal matchmakers. The summer of 1914 is that precious last wink of time when they can still be sisters together--sisters that link arms and laugh, sisters that share their dreams and worries and flirt with the officers of their imperial yacht. But in a gunshot the future changes for these sisters and for Russia.As World War I ignites across Europe, political unrest sweeps Russia. First dissent, then disorder, mutiny, and revolution. For Olga, Tatiana, Maria and Anastasia, the end of their girlhood together is colliding with the end of more than they ever imagined.At the same time hopeful and hopeless, naive and wise, the voices of these sisters become a chorus singing the final song of Imperial Russia. Impeccably researched and utterly fascinating, this novel by acclaimed author Sarah Miller recounts the final days of Imperial Russia with lyricism, criticism and true compassion.

    Primeiro volume de uma trilogia (aqui editada em cinco volumes)

    We follow the family through the Great War and the Russian Revolution, as the young Hélène grows from a dreamy, unhappy child into an angry young woman.Through hot summers in a fictionalised Kiev (Némirovsky's own birthplace) and the cruel winters of St Petersburg, the would-be writer Hélène blossoms, despite her mother's neglect, into a clear-eyed observer of the life around her. The Wine of Solitude is a powerful tale, telling less of the end of innocence, than of disillusionment; the story of an upbringing that produces a young woman as hard as a diamond, prepared to wreak a shattering revenge on her mother.

    The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed, and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile"!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a sombre farce.

    debut in this enthralling collection of fiction. Women's lives are the central preoccupation of Natalya Baranskaya: A scientist frantically juggles her professional life with her duties as wife and mother; a woman writer who regrets never marrying is finally glad of it; a delinquent girl is brought before the people's court for her "anti-social" behavior. With candor and satirical wit, Baranskaya captures perfectly everyday realities of family and society.

    Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath.Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha's anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart.Marian Schwartz's new English translation of Envy brilliantly captures the energy of Olesha's masterpiece.A NEW YORK REVIEW BOOKS ORIGINAL

    Set in Victorian London, the novel feels similar to Dickens in many ways, but written with a very dry humour and none of the sentimentality. The plot mostly involves the extremely dodgy business dealings of the characters Peachum and Macheath, along with some equally dubious bankers and financiers - in fact it feels surprisingly relevant to current times! A satirical yet rather subtle attack on capitalist society, Brecht's vision here is of a world in which the poor and weak are continually exploited in the most casual fashion by the powerful and unscrupulous who always come out on top. It's very good writing but may be a little slow-going for some.

    Leskov deftly layers social satire and subtle criticism atop myth and fable, resulting in a richly entertaining collection.

    This universally acclaimed memoir gives us an extraordinary picture of Russia during the tumultuous first two decades of the twentieth century. Here are startlingly vivid vignettes of country life, poignant remembrances of the disintegration of the writer’s family, and anecdotes from his student days. Here too are devastating eyewitness reports of the horrors of pogroms, searing visions of towns ravaged by disease, hunger, and violence, and what will stand as the definitive account of the chaos and passion of a nation in the throes of revolution.

    Written in the tradition of Tolstoy's War and Peace, Grossman's Life and Fate, and Solzhenitsyn's The Gulag Archipelago, Yuri Slezkine's gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin's purges. A vivid account of the personal and public lives of Bolshevik true believers, the book begins with their conversion to Communism and ends with their children's loss of faith and the fall of the Soviet Union.Completed in 1931, the House of Government, later known as the House on the Embankment, was located across the Moscow River from the Kremlin. The largest residential building in Europe, it combined 550 furnished apartments with public spaces that included everything from a movie theater and a library to a tennis court and a shooting range. Slezkine tells the chilling story of how the building's residents lived in their apartments and ruled the Soviet state until some eight hundred of them were evicted from the House and led, one by one, to prison or their deaths.Drawing on letters, diaries, and interviews, and featuring hundreds of rare photographs, The House of Government weaves together biography, literary criticism, architectural history, and fascinating new theories of revolutions, millennial prophecies, and reigns of terror. The result is an unforgettable human saga of a building that, like the Soviet Union itself, became a haunted house, forever disturbed by the ghosts of the disappeared.

    At a remote English public school in Devon the debilitated veteran, himself barely out of his teens, decides temporarily to try his hand at teaching while striving to awaken from the nightmare of World War I -- the national catastrophe that sweeps England out of the comfortable certainties of the Victorian Age into the moral perplexities and harsh economic realities of more modern times.

    Written in 1906, it is a fore-runner to Doyle's earlier novel The White Company, and describes the early life of that book's hero Sir Nigel Loring in the service of King Edward III at the start of the Hundred Years' War.Dame History is so austere a lady that if one has been so ill-advised as to take a liberty with her one should hasten to make amends by repentance and confession. Events have been transposed to the extent of some few months in this narrative in order to preserve the continuity and evenness of the story. . . . -- Arthur Conan Doyle"Undershaw," November 30, 1905

    

    William Boyd's novel Any Human Heart is his disjointed autobiography, a massive tome chronicling "my personal rollercoaster"--or rather, "not so much a rollercoaster", but a yo-yo, "a jerking spinning toy in the hands of a maladroit child." From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer. Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism, and abject poverty.Mountstuart's sorry tale is also the story of a British way of life in inexorable decline, as his journey takes in the Bloomsbury set, the General Strike, the Spanish Civil War, 1930s Americans in Paris, wartime espionage, New York avant garde art, even the Baader-Meinhof gang--all with a stellar supporting cast. The most sustained and best moment comes mid-book, as Mountstuart gets caught up in one of Britain's murkier wartime secrets, in the company of the here truly despicable Duke and Duchess of Windsor. Elsewhere Boyd occasionally misplaces his tongue too obviously in his cheek--the Wall Street Crash is trailed with truly crashing inelegance--but overall Any Human Heart is a witty, inventive and ultimately moving novel. Boyd succeeds in conjuring not only a compelling 20th century but also, in the hapless Logan Mountstuart, an anti-hero who achieves something approaching passive greatness. --Alan Stewart, Amazon.co.uk