Stardance: Shara Drummond was a gifted dancer and a brilliant choreographer, but could not pursue her dream of dancing on Earth, so she went to space, creating a new art form in three dimensions. And when the aliens arrived, there was only one way to prove that the human race deserved not just to survive, but to reach the stars. The only hope was Shara, with her stardance. Starseed: Years later, another dancer of genius faced the end of her career when her body failed her, and Rain McLeod followed Shara into space. If she joined with a symbiotic lifeform that would let her live without artificial protection in the vacuum of space, she would take a quantum leap in human evolution. Starmind: Rand Porter has been offered the job of a lifetime, as a shaper of visual effects and music for the world's most famous zero-gravity dance company in High Orbit. But his beloved novelist wife Rhea Paixao has her roots sunk deep in the Earth, in her beloved Cape Cod. And as they wrestle with their private dilemma, bizarre things-small miracles-are beginning to occur everywhere on Earth and throughout the entire Solar System. The human race-and its evolutionary successors, the space-dwelling Stardancers-find themselves approaching the terrifying cusp of their shared destiny, an appointment made for them a million years ago, a make-or-break point beyond which nothing, anywhere, can ever be the same again.

    Never again on Planet Earth would one group of humans "defend" themselves against another group equally convinced that all their actions were "defensive." Never again on Planet Earth.But cycles repeat themselves endlessly; Earth is only the beginning of the human story. Next comes planet against planet, and then the stars themselves. Through it all the impersonal forces of historical necessity will tend to force that story into the pathways of tyranny, stasis, and war. And in the end they must prevail. But ever will humankind win free once more...

    Sheltered all her life in a corporate satellite in Earth's outer orbit, Jamisia must face the truth about her origins and her role in the power struggle between the Guerans who dominate intergalactic transportation and the rest of Earth's far-flung and genetically mutated colonies who are trying to break the Guera Guild's monopoly.

    This brilliant collection, often cited as the first of its kind, explores fundamental questions about ourselves and our treatment of the universe (and other beings) around us and ultimately what it means to be human.Contents: * Cordwainer Smith: The Shaper of Myths (1975) • essay by John J. Pierce [as by J. J. Pierce] * The Instrumentality of Mankind (timeline) (1975) • essay by John J. Pierce * Scanners Live in Vain [The Instrumentality of Mankind] (1950) / novelette by Cordwainer Smith: meet Martel, a human altered to be part machine-a scanner-to be able withstand the trauma space travel has on the body. Despite the stigma placed on him and his kind, he is able to regrasp his humanity to save another; Fantasy Book #6 ’50 * The Lady Who Sailed The Soul [The Instrumentality of Mankind] (1960) / novelette by Cordwainer Smith, Genevieve Linebarger; Galaxy Apr ’60 * The Game of Rat and Dragon [The Instrumentality of Mankind] (1955) / short story by Cordwainer Smith; Galaxy Oct ’55 * The Burning of the Brain [The Instrumentality of Mankind] (1958) / short story by Cordwainer Smith; If Oct ’58 * Golden the Ship Was - Oh! Oh! Oh! [The Instrumentality of Mankind] (1959) / short story by Cordwainer Smith, Genevieve Linebarger; Amazing Apr ’59 * The Crime and the Glory of Commander Suzdal [The Instrumentality of Mankind] (1964) / short story by Cordwainer Smith; Amazing May ’64 * The Dead Lady of Clown Town [The Instrumentality of Mankind] (1964) / novella by Cordwainer Smith: get to know the underpeople-animals genetically altered to exist in human form, to better serve their human owners-and meet D'Joan, a dog-woman who will make readers question who is more human: the animals who simply want to be recognized as having the same right to life, or the people who created them to be inferior; Galaxy Aug ’64 * Under Old Earth [The Instrumentality of Mankind] (1966) / novelette by Cordwainer Smith; Galaxy Feb ’66 * Mother Hitton's Littul Kittons [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * Alpha Ralpha Boulevard [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * The Ballad of Lost C'mell [The Instrumentality of Mankind] (1962) / novelette by Cordwainer Smith: the notion of love being the most important equalizer there is, is put into action when an underperson, C'mell, falls in love with Lord Jestocost. Who is to say her love for him is not as valid as any true-born human? She might be of cat descent, but she is all woman!; Galaxy Oct ’62 * A Planet Named Shayol [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith: it is an underperson of bull descent, and beings so mutilated and deformed from their original human condition to be now considered demons of a hellish land, who retain and display the most humanity when Mankind commits the most inhumane action of all; Galaxy Oct ’61aka: Paul M. A. Linebarger, Paul Myron Anthony Linebarger, Paul Linebarger, Felix C. Forrest, Carmichael Smith, Kordvejner Smit..

    Cultures collide in real life and virtual reality. The city is literally a weed, its growth left unchecked. Life is cheap, and data is cheaper.When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik—a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation—a shifting, flowing stream of consciousness—are just the beginning of irrevocable change.At Central Station, humans and machines continue to adapt, thrive...and even evolve.

    Subterranean Press is proud to publish The Sagan Diary, a long novelette that for the first time looks at the worlds of the Hugo-nominated Old Man's War and its sequel The Ghost Brigades from the point of view of Lieutenant Jane Sagan, who in a series of diary entries gives her views on some of the events included in the series... and sheds new light into some previously unexplored corners. If you thought you knew Jane Sagan before, prepare to be surprised.

    The invention of the Hotline -- a constant stream of data from a star in the constellation Ophiuchus -- facilitates survival and enables the development of amazing new technologies. Then, after 400 years, humanity's unknown helpers send a bill for their services...and suddenly everything is threatened once again.The Ophiuchi Hotline was John Varley's first novel, and it received nominations for both the Hugo and Nebula awards; he later won both for his book Persistence of Vision.

    Few authors have matched the versatility and stylishness of Walter Jon Williams. His genre-defining novels have received wide critical acclaim and captured the rapt attention of fans worldwide. He has been nominated for every major SF award. The Green Leopard Plague and Other Stories contains nine bleeding-edge tales showcasing Williams’ flexibility, power-chord storytelling, and engagingly human and post-human characters. From Walter Jon Williams, author of more than twenty novels, including This Is Not a Game, Implied Spaces, and the definitive cyberpunk novel Hardwired, comes The Green Leopard Plague and Other Stories, a stunning collection of short fiction including the Nebula Award-winning stories “Daddy’s World” and “The Green Leopard Plague,” and featuring an introduction by Charles Stross, plus in-depth story notes.

    Named after the migrant workers of America's Dust Bowl, these novels convey Blish's "history of the future," a brilliant and bleak look at a world where cities roam the Galaxy looking for work and a sustainable way of life.In the first novel, They Shall Have Stars, man has thoroughly explored the Solar System, yet the dream of going even further seems to have died in all but one man. His battle to realize his dream results in two momentous discoveries anti-gravity and the secret of immortality. In A Life for the Stars, it is centuries later and anti-gravity generations have enabled whole cities to lift off the surface of the earth to become galactic wanderers. In Earthman, Come Home, the nomadic cities revert to barbarism and marauding rogue cities begin to pose a threat to all civilized worlds. In the final novel, The Triumph of Time, history repeats itself as the cities once again journey back in to space making a terrifying discovery which could destroy the entire Universe. A serious and haunting vision of our world and its limits, Cities in Flight marks the return to print of one of science fiction's most inimitable writers.A Selection of the Science Fiction Book Club

    "Doc" Smith's visionary Lensmen series of stories began in 1934 in the pages of Amazing Stories, and when it finished in 1948 it was universally recognized as the greatest space opera yet written. In telling the tale of a cosmos-spanning battle between good and evil, the Lensmen saga encompassed two entire galaxies in collision, each home to a primordial race of nearly limitless power. On one side were the Arisians, uplifting agents of wisdom who had taken it upon themselves to mentor the younger races and steer them towards the enlightenment they called Civilization. On the other were the Eddorians, embodiments of crushing efficiency and unthinking obedience who had woven together a vast web of tyrannies called the Boskone, through which they plotted the enslavement of all life. As their greatest weapon in the fight against the Boskone, the Arisians created the Lenses -- almost-living complexities of crystal that released and amplified their wearers' latent psychic powers. Those chosen for this honor were called Lensmen, and as the leaders of the Galactic Patrol they formed Civilization's spearhead against the Boskone. Within the Žlite ranks of the Lensmen was an even more rarified Žlite -- the four Second Stage Lensmen, one from each of the races which the Arisians had chosen as the most capable defenders of their galaxy. It is one of these Second Stage Lensmen -- the Velantian named Worsel -- that David A. Kyle chose to headline his first authorized sequel to Smith's Lensmen canon: The Dragon Lensman. As The Dragon Lensman opens, the Boskonian conspiracy seems to have been vanquished with its defeat at the great Battle of Klovia, and the victorious Galactic Patrol is busy re-orienting itself to face the new challenges of policing a galaxy instead of defending it against a ruthless invader. Among those adjusting to the new reality is Second Stage Lensman Worsel, the legendary warrior/scientist famed for his intelligence and dedication to the fight against ignorance and evil. Like all of his species, Worsel resembles the mythological dragons of old Tellus (Earth), with a sinewy, ten-meter-long body covered in scales and boasting great wings and terrifying claws and teeth. But Worsel's real strength is his mind and its unmatched psychic abilities, concentrated and focused by the Lens shining among his many eye-stalks. And it is the intuition bred of that power that now draws Worsel to the Velantians' incredible archive, the 18-mile-wide artificial moon known as the Planetoid of Knowledge, where he feels certain something important is waiting for him. He is right -- but what awaits him on POK is more than he bargained for, and before long Worsel and his fellow Lensmen are racing against time to confront a threat that almost no one had thought possible: machines becoming self-aware and battling against organic Civilization, their calcuating computer brains invisible to any kind of psychic detection! To counter this new menace, the Dragon Lensman finds himself hurtling through space to rendez-vous with the one Lensman who understands robots well enough to strategize against an inorganic uprising -- the mysterious Twenty-Four of Six, whose knowledge of machines turns out to be deeper and more hard-won than even Worsel could guess. Soon it becomes clear that Civilization will need every bit of that knowledge, and more besides, to face the enemies that are now revealing themselves. For behind the overt power there lurks a vastly more dangerous covert one, and to defeat it Worsel will not only have to challenge the worst fears of his race, but also discover the secret of the young Lensman with whom he must entrust his life -- a secret that will shake the very foundations of the Galactic Patrol!

    With eight short stories and novellas--including three original to this collection--Galactic North imparts the centuries-spanning events that have produced the dark and turbulent world of Revelation Space.

    Contents:Frame story that follows Miles' time on Earth in Brothers in ArmsThe Mountains of Mourning (1989)Labyrinth (1989)The Borders of Infinity (1987)

    They called him Charlie. He had big eyes, abundant body hair and fairly long nostrils. His skeletal body was found clad in a bright red spacesuit, hidden in a rocky grave. They didn't know who he was, how he got there, or what had killed him. All they knew was that his corpse was 50,000 years old; and that meant that this man had somehow lived long before he ever could have existed!

    Martin and Gardner Dozois, with the full cooperation of Jack Vance, his family, and his agents, suggest a Jack Vance tribute anthology called Songs of the Dying Earth, to encourage the best of today's fantasy writers to return to the unique and evocative milieu of The Dying Earth, from which they and so many others have drawn so much inspiration, to create their own brand-new adventures in the world of Jack Vance s greatest novel.Half a century ago, Jack Vance created the world of the Dying Earth, and fantasy has never been the same. Now, for the first time ever, Jack has agreed to open this bizarre and darkly beautiful world to other fantasists, to play in as their very own. To say that other fantasy writers are excited by this prospect is a gross understatement; one has told us that he'd crawl through broken glass for the chance to write for the anthology, another that he'd gladly give up his right arm for the privilege that's the kind of regard in which Jack Vance and The Dying Earth are held by generations of his peers.

    Fans and critics call their world cyberpunk. Here is the definitive "cyberpunk" short fiction collection.Contents:The Gernsback Continuum (1981) by William GibsonSnake-Eyes (1986) by Tom MaddoxRock On (1984) by Pat CadiganTales of Houdini (1981) by Rudy Rucker400 Boys (1983) by Marc LaidlawSolstice (1985) by James Patrick KellyPetra (1982) by Greg BearTill Human Voices Wake Us (1984) by Lewis ShinerFreezone (1985) by John ShirleyStone Lives (1985) by Paul Di FilippoRed Star, Winter Orbit (1983) by William Gibson and Bruce SterlingMozart in Mirrorshades (1984) by Bruce Sterling and Lewis Shiner