A look at the 1960s Nude Murders in West London, a series of prostitute killings that were never solved, with contemporary insights from ex-detectives and experts.

    Britain has always been a land of gallows, and every town had its hanging post and local 'turn off man.' First these men were criminals doing the work to save their own necks, and then later they were specialists in the trade of judicial killing. From the late Victorian period, the public hangman became a professional, and in the twentieth century the mechanics of hanging were streamlined as the executioners became adept at their craft. Britain's Most Notorious Hangmen tells the stories of the men who worked with their deadly skills at Tyburn tree or at the scaffolds in the prison yards across the country. Most were steeled to do the work by drink, and many suffered deeply from their despised profession. Here the reader will find the tale of the real Jack Ketch, the cases of neck-stretchers from the drunks like Curry and Askern, to the local workers of the ropes, Throttler Smith and the celebrated Billington and Pierrepoint dynasty. Along with some of the stories of famous killers such as William Palmer and James Bloomfield Rush, here are the bunglings, failures and desperate lives of the notorious hangmen, some who could entertain the vast crowds enjoying the show, and others who always faced the task as a terrible ordeal.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    After they were jailed in 1969 for thirty years for murder, Pearson's biography The Profession of Violence enjoyed a cult following among the young and was said to be the most popular book in H.M.'s prisons, after the Bible. Ron died in 1995. Reg followed him five years later, and both of their funerals drew crowds on a scale unknown for film stars, let alone for two departed murderers. Since then, far from fading with their death, public fascination with the twins has never flagged. Their clothes and memorabilia are sold at auction like religious relics. Ron's childlike prison paintings fetch more money than those of many well-known artists. And people still refer to them like popular celebrities. Why? This is the question Pearson asked himself, and over the past three years he has been re-examining their history, unearthing much previously unknown material, and has come to some fascinating conclusions. The Immortal Murderers reveals new facts about the Krays' tortured relationship as identical twins; a relationship which helped predestine them to a life of crime; a relationship that made them utterly unlike any other major criminals. Pearson has discovered two new and unsuspected murders, along with fresh light on the killings of George Cornell and Jack 'the Hat' McVitie. There are facts about the twins' obsession with publicity, and how far this made them 'actor criminals' murdering for notoriety. Most riveting of all are the chapters which reveal how Ron Kray caused a major sexual scandal in which a prime minister, together with other leading politicians, condoned the most outrageous establishment cover-up in British politics since the war. The Immortal Murderers contains many more surprises, but the one thing that emerges is that the Kray twins were not only stranger but also far more important than anyone ever suspected. Fascination with them will forever remain; they will never lose their role as the immortal murderers.

    Their father had gone to sea the previous Friday, the boys told their neighbours, and their mother was visiting her family in Liverpool. Over the next ten days Robert and Nattie spent extravagantly, pawning their parents' valuables to fund trips to the theatre and the seaside. But as the sun beat down on the Coombes house, a strange smell began to emanate from the building. When the police were finally called to investigate, the discovery they made sent the press into a frenzy of horror and alarm, and Robert and Nattie were swept up in a criminal trial that echoed the outrageous plots of the 'penny dreadful' novels that Robert loved to read. In The Wicked Boy, Kate Summerscale has uncovered a fascinating true story of murder and morality - it is not just a meticulous examination of a shocking Victorian case, but also a compelling account of its aftermath, and of man's capacity to overcome the past.

     For more than a century, Dr. Thomas Neill Cream has been listed as a potential 'Jack the Ripper' suspect. He was a sinister character, preying on the unfortunate souls who were forced to make a living as streetwalkers in Victorian London, and ultimately led those poor women to an untimely and torturous death. These crimes eventually branded him the 'Lambeth Poisoner'. However, during the time of the heinous Ripper murders, Dr. Cream was incarcerated in Joliet Prison, Illinois. Over the decades, this fact alone has caused debate as to whether or not he deserves to be under suspicion of being the Whitechapel fiend. Was it possible that Dr. Cream bribed his way out of jail, perhaps using a doppelganger to take his place while secretly finding a passage to England with murder in mind? This fascinating book, told from the standpoint of Cream himself, explains the twisted logic behind his actions. The author has done considerable and meticulous research, tracing Cream's life from his adolescent years in Canada to his last moments on the gallows at Newgate.

     Jordan Wylie, a young man from a tough area of Blackpool where kids like him often went off the rails, chose a life in the army. He saw service in Iraq and learned to cope with the horrors he'd witnessed, then suffered an injury that blocked any chance of climbing up the military ladder. But an old army colleague suggested he join a security team on a tanker in Yemen. Ex-servicemen were offered dazzling salaries and `James Bond' lifestyles between jobs protecting the super-tankers carrying consumer goods to Europe and the US. However, for the men tempted to go, the price they paid was the claustrophobia and isolation of life on board and the ever-present possibility of death skimming towards them across the vast, lonely blue sea. Jordan was one of these men. In Citadel, he writes the first account of these dangerous years from someone 'at the front'. A young soldier from the backstreets of Blackpool, he was determined to make the most of his life, but unsure of the way forward. To his surprise, he found his answers in the perilous waters of 'Pirate Alley'.

    Not only does he build a powerful case against his suspect, Joseph Barnett, but Paley probably did more research than anyone else, with the result that his depiction of the East End of London c. 1888 is second to none, and has been singled out for its unrivalled richness and vividness. Paley has also been praised for his studious, unsensational account of the crimes, and his compassionate portraits of the Ripper’s victims. This is what some of the critics had to say. Writing in The Daily Mail (25/11/95), Val Hennessy wrote: "Bruce Paley's excellent book convinces me, for one, that Jack the Ripper has at last been nailed…Apart from convincingly identifying the Ripper, Paley's book paints an extraordinarily vivid picture of late 19th century London. It opens your eyes to the hopeless, harsh lives endured by single and deserted women, especially those with children, in the days before job opportunities and full time education." As such, Hennessey echoes the words of the esteemed writer Colin Wilson, who wrote in the foreword to Paley's book: "If I had to recommend a single book on Jack the Ripper to someone who knew nothing about the subject, I would unhesitatingly choose this one. Bruce Paley has captured the atmosphere of Whitechapel at the time of the murders - and indeed, London in the late 19th century - with a sense of living reality that no other writer on the case has achieved…[It is] the most evocative book on the period that I have ever read." Writing in the Guardian (22/11/06), Nancy Banks-Smith wrote: "[Jack the Ripper] was almost certainly Joseph Barnett, the live-in lover of the last victim, Mary Kelly, a theory convincingly argued by Bruce Paley in his book Jack the Ripper: The Simple Truth." Some years later, Adrian Morris, the editor of The Journal of the Whitechapel Society, declared Paley's book to be the best Jack the Ripper book of them all. "The immense strength of Paley's book," Morris wrote in February, 2010, "is that his suspect Barnett is perfectly placed to act as an almost unknowing device to explore the milieu of the East End with its poverty, exploitation and vice, whilst also drawing the reader into the soulless world of the victim...This Paley does brilliantly. His prose is powerful and, dare I say it beautiful. In Paley's words the Nietzschian hordes that are measured and understood as a value of history become material to act within a story that explores the full tragedy of the East End. Paley really does understand the East End A.D.1888, his words map out its DNA, his sentences tap out the arithmetic of existence. For one to understand the Whitechapel murders, one must understand the times. Nowhere can one do this better than in the chapters Paley devotes to this historical sociology. For Paley understands that while the Ripper was killing its womenfolk (albeit destitutes), the East End itself was eating its children in the jaws of poverty. Paley's excellent and wide ranging research underpins his descriptions. This is history with a poetical syncopation that adds to the subject matter in the mind of the reader. Paley describes the environs of Dorset Street and Miller's Court that takes some beating and is redolent of an informed approach that makes you feel he must have known the old place…I can only amplify [Colin Wilson's] endorsement uttered on the book's 1995 release by adding, without wishing to seem overly unctuous, that when compiling a booklist of authors that one would like to proffer to the uninitiated, soon-to-be initiated or just plain curious on the subject of the Whitechapel murders, I would advise that the list starts wit

    The beatings and subsequent murder made international news. This book was written by an investigative journalist who became extremely close to the families of the victims. WITH PHOTOS

    

    A family of five held hostage in their home. A frantic police manhunt across the snowbound Derbyshire moors. Just one survivor. The definitive account of the terrifying 1977 Pottery Cottage murders that shocked Britain. For three days, escaped prisoner Billy Hughes played macabre psychological games with Gill Moran and her family, keeping them in separate rooms of their home while secretly murdering them one by one. On several occasions Hughes ordered Gill and her husband, Richard, to leave the house for provisions, confident that they would return without betraying him in order to protect their loved ones. Blizzards hampered the desperate police search, but they learned where the dangerous convict was hiding and closed in on the cottage. A high-speed car chase on icy roads ended with a crash and the killer being shot as he swung a newly sharpened axe at his final victim. This was Britain's first instance of police officers committing 'justifiable homicide' against an escapee. The story of these terrible events is told here by Carol Ann Lee and Peter Howse, the former Chief Inspector who saved Gill Moran's life more than 40 years ago. Peter's professional role has permitted access to witness statements, crime-scene photographs and police reports. Peter Howse and Carol Ann Lee have made use of these, along with fresh interviews with many of those directly involved, to tell a fast-paced and truly shocking story with great insight and empathy.

    From humble beginnings on the streets of London's East End, Cameron White rapidly ascended the drug ladder of London's club scene before notorious local criminals forced him to move to the US.

    But they wanted the one thing that no amount of money could buy: life. They wanted to create the Perfect Crime--to kidnap and murder a 14-year-old boy for the thrill of getting away with murder.The crime was so horrifying that even legendary filmmaker Alfred Hitchcock took notice, and directed his version of the story: Rope. But the real story of the Rope is much more brutal and suspenseful than even Hitchcock could do justice to. Read the real history in this thrilling true crime book.

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    A retired probation officer and a stay-at-home mom, they were looking forward to entering the next phase of their golden years. Their plan: To sell their home--a 55-foot, $435,000 yacht--and start a new life on land...and spend as much time with their grandchildren as possible. The Hawks were thrilled when a young man named Skylar Deleon wanted to buy the boat for himself, his wife, and their two kids. Little did Thomas and Jackie know that this unemployed, former childhood actor and dishonorably discharged Marine had another devious plan in mind: To lure the couple out to sea, force them to sign away their life savings, throw them overboard, and leave them