She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges… a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body.My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

    She is fleeing an abusive relationship and desperate to protect...OREN, ten years old, a major Star Wars fan and wise beyond his years. Though Alice is wary, Oren bonds nearly instantly with...MATTIE, a social worker in her fifties who lives in an enormous run-down house in the middle of the woods. Mattie lives alone and is always available, and so she is the person the hotline always calls when they need a late-night pickup. And although according to protocol Mattie should take Alice and Oren to a local shelter, instead she brings them home for the night. She has plenty of room, she says. What she doesn't say is that Oren reminds her of her little brother, who died thirty years ago at the age of ten.But Mattie isn't the only one withholding elements of the truth. Alice is keeping her own secrets. And as the snowstorm worsens around them, each woman's past will prove itself unburied, stirring up threats both within and without.

    A novel of mind-shattering horror, and a new breed of slime-ridden, oozing slugs lurking in the waist-high grass, developing a taste for new things...for blood, for flesh...human flesh!

    She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her siblings - and with the childhood they shared.

    She’s tired of being a nobody: a plain, invisible woman who blends into the background. She deserves more—a life of money and power like the one blond-haired, blue-eyed goddess Daphne Parrish takes for granted.To everyone in the exclusive town of Bishops Harbor, Connecticut, Daphne—a socialite and philanthropist—and her real-estate mogul husband, Jackson, are a couple straight out of a fairy tale.Amber’s envy could eat her alive . . . if she didn't have a plan. Amber uses Daphne’s compassion and caring to insinuate herself into the family’s life—the first step in a meticulous scheme to undermine her. Before long, Amber is Daphne’s closest confidante, traveling to Europe with the Parrishes and their lovely young daughters, and growing closer to Jackson. But a skeleton from her past may undermine everything that Amber has worked towards, and if it is discovered, her well-laid plan may fall to pieces. With shocking turns and dark secrets that will keep you guessing until the very end, The Last Mrs. Parrish is a fresh, juicy, and utterly addictive thriller from a diabolically imaginative talent.

    . . Welcome to Safe Haven, Wisconsin. Miles from everything, with one road in and out, this peaceful town has never needed a full-time police force. Until now . . . A helicopter has crashed near Safe Haven and unleashed something horrifying. Now this merciless force is about to do what it does best. Isolate. Terrorize. Annihilate. As residents begin dying in a storm of gory violence, Safe Haven's only chance for survival will rest with an aging county sheriff, a firefighter, and a single mom. And each will have this harrowing thought: Maybe death hasn't come to their town by accident . . .

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    Haunted by the loss, Jo grew up bitter and distant, and eventually left her parents and Lake Hall, their faded aristocratic home, behind.Thirty years later, Jo returns to the house and is forced to confront her troubled relationship with her mother. But when human remains are accidentally uncovered in a lake on the estate, Jo begins to question everything she thought she knew.Then an unexpected visitor knocks on the door and Jo’s world is destroyed again. Desperate to piece together the gaping holes in her memory, Jo must uncover who her nanny really was, why she left, and if she can trust her own mother…In this compulsively readable tale of secrets, lies, and deception, Gilly Macmillan explores the darkest impulses and desires of the human heart. Diabolically clever, The Nanny reminds us that sometimes the truth hurts so much you’d rather hear the lie.

    Jack Quinlan, an American writer, is researching a book on the horrors of the Irish Famine. As the days pass, and the longer nights, the darkness of history parts ... only to reveal an even greater darkness in the present.

    Little did she know it was also the last. When a woman’s body is found in the grounds of a ruined priory, Detective Imogen Evans realises she is dealing with a serial killer—a killer whose victims appear to die in a state of bliss, eyes open, smiles forever frozen on their faces.A few miles away, single dad Ben Hofland believes his fortunes are changing at last. Forced to move back to the sleepy village where he grew up following the breakdown of his marriage, Ben finally finds work. What’s more, the bullies who have been terrorising his son, Ollie, disappear. For the first time in months, Ben feels lucky.But he is unaware that someone is watching him and Ollie. Someone who wants nothing but happiness for Ben.Happiness…and death. The Lucky Ones is the terrifying new thriller from the #1 Kindle bestselling author of Follow You Home and The Devil’s Work.

    It's not. Quentin's podcast, Closure, focuses on a series of murders in the 1970s, committed by teen couple April Cooper and Gabriel LeRoy. It seems that Quentin has reason to believe Robin's own mother may be intimately connected with the killings.Robin thinks Quentin’s claim is absolutely absurd. But is it? The more she researches the Cooper/LeRoy murders herself, the more disturbed she becomes by what she finds. Living just a few blocks from her, Robin’s beloved parents are the one absolute she’s always been able to rely upon, especially now amid rising doubts about her husband and frequent threats from internet trolls. She knows her mother better than anyone—or so she believes. But all that changes when, in an apparent home invasion, Robin's father is killed and her mother's life hangs in the balance.Told through the eyes of Robin, podcaster Quentin, and a series of letters written by fifteen-year-old April Cooper at the time of the killings, Never Look Back asks the question:How well do we really know our parents, our partners—and ourselves?

    Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

    For him, there is only the present: a new marriage to Tamara, a first chance at fatherhood to her son Elijah, and a quiet but pleasant life as an art teacher at Elijah’s elementary school in Danvers, Virginia. Then the body of a rabbit, ritualistically murdered, appears on the school grounds with a birthday card for Richard tucked beneath it. Richard doesn’t have a birthday—but Sean does . . .Sean is a five-year-old boy who has just moved to Greenfield, Virginia, with his mother. Like most mothers of the 1980s, she’s worried about bills, childcare, putting food on the table . . . and an encroaching threat to American life that can take the face of anyone: a politician, a friendly neighbor, or even a teacher. When Sean’s school sends a letter to the parents revealing that Sean’s favorite teacher is under investigation, a white lie from Sean lights a fire that engulfs the entire nation—and Sean and his mother are left holding the match.Now, thirty years later, someone is here to remind Richard that they remember what Sean did. And though Sean doesn’t exist anymore, someone needs to pay the price for his lies.

    Inexplicably, four men and one woman are having heart-stopping nightmares revolving around the dark and forbidding houses where each of them were born. When recent terrifying events occur, they are each drawn to their identical childhood homes, only to confront a sinister supernatural presence which has pursued them all their lives, and is now closer than ever to capturing their souls....

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.