When she returns in 1945, she finds a country and a family she neither understands nor likes, and vice versa.

    Charley's favorite part is when Lizzie is alone at night, homeless, and walking along looking longingly into the lighted windows of the cozy homes she's passing. A middle child trapped between a clever older brother and a sickly little brother, Charley dreams of being alone and outcast, set apart.When she's sent to stay with a favorite aunt, Charley's thrilled - until she reads a note not meant for her eyes, and realizes that aunt Louie hadn't wanted her to come. Betrayed, Charley gets off the train early and sneaks into town instead of going to Louie's house. Finding an old chicken house, Charley seizes on her chance to become Lizzie Scrotten. She decides to call herself Rowan, after the beautiful tree. And for a season, the protected middle-class child becomes a free-spirited child of poverty - albeit a somewhat romantic, Boxcar Childrenesque poverty.It was dawn when she woke properly. The sky was lightening and the air was full of the twitter of birds. She sprang up and scrambled through the hedge, which was hung with great glistening spiders' webs.Sleeping in her chicken house and drinking from a garden hose in a nearby yard, Charley keeps a watchful eye on her aunt's house and plays different roles with different people she encounters - a gypsy with a local child, a mute with a shopkeeper, a cripple with a minister - for a variety of reasons both practical and playful. Her most meaningful encounter, though, is with a young man who is also running away, and the conversation they have about it. When a crisis comes, though, Charley discovers that she can't be Lizzie any longer. A cheerful, interesting read that draws its power from the mundane-turned-fascinating details of Charley's hobo life, and her quick, deep store of tales to spin for the strangers in her aunt's village.

    Jody discovers she has magic powers, and turns a mop into a person.

    Locked away in separate rooms as punishment by their ruthless grandmother, the Linnets feel at once that their new life is unbearable—and decide to make their escape—out of the house, out of the garden and into the village. Commandeering a pony and trap, the children and their dog are led away as the pony makes his way nonchalantly home. The pony’s destination happens to be a house that belongs to their gruff but loveable uncle Ambrose. The kindly uncle Ambrose agrees to take them under his wing, he educates them and encourages them to explore Dartmoor, letting the children have free rein in his sprawling manor house and surrounding countryside.Befriending the collection of house guests, including an owl, a giant cat, and a gardener, Ezra, who converses with bees, and getting to know the miscellaneous inhabitants of the village, the four siblings discover a life in which magic and reality are curiously intermingled and evil and tragedy lurk never far away. Then stumble upon the eccentric Lady Alicia Valerian, who seems to have lost her family. And then the real fun begins! The Linnets start their search for the missing Valerians. But the village is under a spell of the witch Emma Cobley. Can the children lift the spell and restore happiness to the villagers? Or will they be thwarted by evil Emma Cobley and her magic cat?This charming story beautifully depicts early twentieth century English country life while conjuring an air of magical adventure. It is full of vivid characters, battles between good and evil and wonderful spell-binding moments.

    There was a baby in it."So ten-year-old Maria, orphaned mistress of Malplaquet, discovers the secret of her deteriorating estate: on a deserted island at its far corner, in the temple long ago nicknamed Mistress Masham's Repose, live an entire community of people—"The People," as they call themselves—all only inches tall. With the help of her only friend—the absurdly erudite Professor—Maria soon learns that this settlement is no less than the kingdom of Lilliput (first seen in Gulliver's Travels) in exile. Safely hidden for centuries, the Lilliputians are at first endangered by Maria's well-meaning but clumsy attempts to make their lives easier, but their situation grows truly ominous when they are discovered by Maria's greedy guardians, who look at The People and see only a bundle of money.

    Combining his trademark humor with an acute eye for the ridiculous, Mark admits his part in bands like The Berlin Airlift, the life-changing punk revolution in Bob Sleigh and The Crestas, and even a flirtation with thirty-something pub rock. Interwoven with the musical disasters is the appealing rites-of-passage story of a middle-class grammar school boy who finally leaves Bolton for university. Splattered with memorable episodes and Viz-like characters, Showbusiness retraces the steps that should have led Mark to headlining Wembley Arena, but which took him to Radio 1 instead.

    The Ogre is large and stern and not at all interested in children, although this doesn't prevent him from adding his own two awful sons, Douglas and Malcolm, to the family mix. Now the five children and two adults are squashed under the same roof, which can lead to only one thing – war!Then the Ogre brings home the Chemistry Sets – one for Malcolm and one for Johnny. Not that Johnny is impressed by this very obvious bribe. At least, not until they accidentally discover the flying lotion. Then the real fun begins…

    A beloved time travel story that has endured for generations.

    Musical. STINKFOOT is an absurdist musical written by former Bonzo Dog Band frontman Vivian Stanshall (1943-1995) and his wife Ki Longfellow-Stanshall for their Old Profanity Showboat in Bristol. The musical was performed in December 1985 but has not been published before. The Sea Urchin edition will contain the script of the musical, lyrics and artwork by Vivian Stanshall, photos of the Bristol performances and an introduction by Ki Longfellow-Stanshall.

    The first of these came out in 1946: the ever famous "How to be an Alien." Later he enlarges the picture with "How to be inimitable" and "How to be Decadent." All three books were illustrated by the master of the cartoonists' art, the late Nicolas Bentley. Here they are, all in one volume, which will make life much easier for today's would-be Brits than it was for those who pervaded them. It is said that a few of the latter actually failed to become indistinguishable from the genuine British article because they found it too tiresome to seek out three separate books: a misfortune that need never again occur to anyone.

    On the journey Flora has a strange dream. She wakes up without her laptop or her phone, wearing a hideous uniform with ridiculous bloomers underneath. Slowly, she realizes she has gone back in time! But why?

    Since her father's stroke, Jean has been trying to run her parents' small farm almost single-handedly and is in desperate need of help. Karl, a German prisoner of war captured when the Allies invade France in 1944, turns out to be just what she needs. He is polite, hardworking and homesick, but is he more than that? Fraternisation between the prisoners and the local population is forbidden, but as the weeks and months pass, Jean and Karl become closer - much to the dismay of Jean's family and Karl's compatriots. Can their love have a future when it seems every hand is against them?

    "A corpse in a blood-soaked room; a locked door and a locked window; a masked man; a beautiful girl trussed inside a wardrobe; and now a pretender to the throne! This is superb!"The little Sussex town of Amnestie had not known a death so bloody since the fifteenth century. And certainly none more baffling--to all except Mr Verity. From the moment he appears this bearded giant--ruthless inquirer, devastating wit and enthusiastic collector of the best sculpture--has matters firmly (if fantastically) under control. Things are certainly complicated, but this is hardly enough to deter Mr Verity. As he himself observes: "when the number of suspects is continually increasing, and the number of corpses remains constant, you get a sort of inflation. The value of your individual suspect becomes hopelessly depreciated. That, for the real detective, is a state of paradise."

    It is also the story of the entanglements and rivalries of the two families who separately employ Alice and Tom.

    In the company are Alexandra, the daughter of Russian dancers who have defected; bubbly Kay; deceitful, beautiful Pamela; limber Linda; and Madame Preston. Leah is the most gifted dancer of the group, but she has trouble believing it and almost lets petty jealousies thwart her.