. . . It was no ordinary murder. Though the torture and abuse that killed him were real, Andy Gage's death wasn't. Only his soul actually died, and when it died, it broke in pieces. Then the pieces became souls in their own right, coinheritors of Andy Gage's life. . . .While Andy deals with the outside world, more than a hundred other souls share an imaginary house inside Andy's head, struggling to maintain an orderly coexistence: Aaron, the father figure; Adam, the mischievous teenager; Jake, the frightened little boy; Aunt Sam, the artist; Seferis, the defender; and Gideon, who wants to get rid of Andy and the others and run things on his own.Andy's new coworker, Penny Driver, is also a multiple personality, a fact that Penny is only partially aware of. When several of Penny's other souls ask Andy for help, Andy reluctantly agrees, setting in motion a chain of events that threatens to destroy the stability of the house. Now Andy and Penny must work together to uncover a terrible secret that Andy has been keeping . . . from himself.

    In an attempt to escape her not-so-innocent past in Glasgow, Bessy Buckley—a wide-eyed and feisty young Irish girl—takes a job as a maid in a big house outside Edinburgh working for the beautiful Arabella—the "missus." Bessy lacks the necessary scullery skills for her new position, but as she finds out, it is her ability to read and write that makes her such a desirable property. Bessy is intrigued by her new employer but puzzled by her increasingly strange requests and her insistence that Bessy keep a journal of her mundane chores and most intimate thoughts. And it seems that the missus has a few secrets of her own, including her near- obsessive affection for Nora, a former maid who died in mysterious circumstances. Giving in to her curiosity, Bessy makes an infuriating discovery and, out of jealousy, concocts a childish prank that backfires and threatens to jeopardize all that she has come to hold dear. Yet even when caught up in a tangle of madness, ghosts, sex, and lies, she remains devoted to Arabella. But who is really responsible for what happened to her predecessor Nora? As her past threatens to catch up with her and raise the stakes even further, Bessy begins to realize that she has not quite landed on her feet. The Observations is a brilliantly original, endlessly intriguing story of one woman’s journey from a difficult past into an even more disturbing present, narrated by one of the most vividly imagined heroines in recent fiction. This powerful story of secrets and suspicions, hidden histories and mysterious disappearances is at once compelling and heart-warming, showing the redemptive power of loyalty and friendship. A hugely assured and darkly funny debut, The Observations is certain to establish Jane Harris as a significant new literary talent.

    I suspect it may be both.” --Toby Young, New York Times bestselling author of How to Lose Friends and Alienate PeopleAn offensive, in-your-face, brutally honest and completely hilarious look at male inner life and sexual fantasy. In the course of this hilariously honest book, our narrator suffers through a relationship with his vapid wannabe-actress girlfriend until he finds the perfect girl. But when he moves into the new relationship, he slowly learns that all women are pretty much the same, that man's true desires will never be fulfilled, and the decision between living life alone or biting the marriage bullet must be made.

    Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year's Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper's House, a London destination famous as the last stop for those ready to end their lives. In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances. Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life. What's your jumping-off point? MaureenWhy is it the biggest sin of all? All your life you're told that you'll be going to this marvelous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queue-jumping. But if someone jumps the queue at the post office, people tut. Or sometimes they say "Excuse me, I was here first." They don't say "You will be consumed by hellfire for all eternity." That would be a bit strong. MartinI'd spent the previous couple of months looking up suicides on the Internet, just out of curiosity. And nearly every single time, the coroner says the same thing: "He took his own life while the balance of his mind was disturbed." And then you read the story about the poor bastard: His wife was sleeping with his best friend, he'd lost his job, his daughter had been killed in a road accident some months before . . . Hello, Mr. Coroner? I'm sorry, but there's no disturbed mental balance here, my friend. I'd say he got it just right. JessI was at a party downstairs. It was a shit party, full of all these ancient crusties sitting on the floor drinking cider and smoking huge spliffs and listening to weirdo space-out reggae. At midnight, one of them clapped sarcastically, and a couple of others laughed, and that was it-Happy New Year to you, too. You could have turned up to that party as the happiest person in London, and you'd still have wanted to jump off the roof by five past twelve. And I wasn't the happiest person in London anyway. Obviously. JJNew Year's Eve was a night for sentimental losers. It was my own stupid fault. Of course there'd be a low-rent crowd up there. I should have picked a classier date-like March 28, when Virginia Woolf took her walk into the river, or November 25 (Nick Drake). If anybody had been on the roof on either of those nights, the chances are they would have been like-minded souls, rather than hopeless f*ck-ups who had somehow persuaded themselves that the end of a calendar year is in any way significant.

    She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. 'Jess and Jason', she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Now Rachel has a chance to become a part of the lives she's only watched from afar. Now they'll see; she's much more than just the girl on the train...

    AND HE NEVER ONCE THOUGHT HE'D BE ON HIS OWN. Harry had it all: a beautiful wife, an adorable four-year-old son, and a high-paying media job. But on the eve of his thirtieth birthday, with one irresponsible act, he threw it all away. Suddenly he finds himself an unemployed single father trying to figure out how to wash his son's hair the way Mommy did and whether green spaghetti is proper breakfast food. This brilliantly engaging novel will tug at your heart as Harry learns to become a father to his son and a son to his aging father, takes stabs at finding new love, and makes the hardest decision of his life.

    Twice a day the Persian slave trader came in and taught her to be a whore. Otherwise there was nothing. One day she found a pencil stub and scrap of paper in a forgotten corner of the room. She began to write down her life, starting with "Parents stink" (her father, who is also her boyfriend, has fallen in love with another woman and is about to leave her). With Blood and Guts in High School, Kathy Acker, whose work has been labeled everything from post-punk porn to post-punk feminism, has created a brilliantly subversive narrative built from conversation, description, conjecture, and moments snatched from history and literature.~ groveatlantic.com

    But when a shocking revelation rips apart the family of her closest friend, Sarah finds herself welcoming yet another troubled young boy into her already tumultuous life.Jordan, a quiet, reclusive elementary school classmate of Sarah's son Danny, has survived a terrible ordeal. By agreeing to become Jordan's foster mother, Sarah will be forced to question the things she has long believed. And as the delicate threads that bind their family begin to unravel, all the Ladens will have to face difficult truths about themselves and one another—and discover the power of love necessary to forgive and to heal.

    Note - This is not the novel by Franz Kafka! For the novel see The Castle

    She’s funny, biting, and passionate; she remembers everything and forgives no one. Celeste is the kind of beautiful woman who makes the world stop and stare but she is paying a price for the illusion of perfection. New to town, single mom Jane is so young that another mother mistakes her for a nanny. She comes with a mysterious past and a sadness beyond her years. These three women are at different crossroads, but they will all wind up in the same shocking place. Big Little Lies is a brilliant take on ex-husbands and second wives, mothers and daughters, schoolyard scandal, and the little lies that can turn lethal.

    After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah's friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her.

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot and covered in bruises.The girl calls herself Ursa, and she claims to have been sent from the stars to witness five miracles. With concerns about the child’s home situation, Jo reluctantly agrees to let her stay—just until she learns more about Ursa’s past.Jo enlists the help of her reclusive neighbor, Gabriel Nash, to solve the mystery of the charming child. But the more time they spend together, the more questions they have. How does a young girl not only read but understand Shakespeare? Why do good things keep happening in her presence? And why aren’t Jo and Gabe checking the missing children’s website anymore?Though the three have formed an incredible bond, they know difficult choices must be made. As the summer nears an end and Ursa gets closer to her fifth miracle, her dangerous past closes in. When it finally catches up to them, all of their painful secrets will be forced into the open, and their fates will be left to the stars.In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.

    Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as “one of America’s most spectacularly inventive writers.”

    He is nineteen years old, and his return will have dramatic consequences not just for his family, but for the whole community. A decade earlier, his father's homecoming has a very different effect. The war is over and Gilbert has been demobilized. He reverts easily to suburban life—cocktails at six-thirty, church on Sundays—but his wife and young son resist the stuffy routine. Lewis and his mother escape to the woods for picnics, just as they did in wartime days. Nobody is surprised that Gilbert's wife counters convention, but they are all shocked when, after one of their jaunts, Lewis comes back without her. Not far away, Kit Carmichael keeps watch. She has always understood more than most, not least from what she is dealt by her own father's hand. Lewis's grief and burgeoning rage are all too plain, and Kit makes a private vow to help. But in her attempts to set them both free, she fails to foresee the painful and horrifying secrets that must first be forced into the open. In this brilliant debut, Sadie Jones tells the story of a boy who refuses to accept the polite lies of a tightly knit community that rejects love in favor of appearances. Written with nail-biting suspense and cinematic pacing, The Outcast is an emotionally powerful evocation of postwar provincial English society and a remarkably uplifting testament to the redemptive powers of love and understanding.