He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    His whole life, he’s wanted to star in a Broadway show. (Heck, he'd settle for *seeing* a Broadway show.) But how is Nate supposed to make his dreams come true when he’s stuck in Jankburg, Pennsylvania, where no one (except his best pal Libby) appreciates a good show tune? With Libby’s help, Nate plans a daring overnight escape to New York. There's an open casting call for E.T.: The Musical, and Nate knows this could be the difference between small-town blues and big-time stardom.

    The Cid, Corneille's masterpiece set in medieval Spain, was the first great work of French classical drama; Cinna, written three years later in 1641, is a tense political drama, while The Theatrical Illusion, an earlier work, is reminiscent of Shakespeare's exuberant comedies.

    Includes background on the author's life and times, sample tests, term paper suggestions, and a reading list.

    French, half-Jewish, born in Germany, Simone Signoret is not only an actress but also a political activist, a wife, and a mother. With amazing frankness, she highlights her roles in her celebrated films; her marriage to singer and actor Yves Montand; her trip to Russia and her meeting with Nitika Khruschev; her life in New York and Hollywood; and, above all, her friendships with famous people.

    Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f

    In the short span of twenty minutes, more than six hundred people were asphyxiated, burned, or trampled to death in a panicked mob’s failed attempt to escape. In Chicago Death Trap: The Iroquois Theatre Fire of 1903, Nat Brandt provides a detailed chronicle of this horrific event to assess not only the titanic tragedy of the fire itself but also the municipal corruption and greed that kindled the flames beforehand and the political cover-ups hidden in the smoke and ash afterwards.Advertised as “absolutely fireproof,” the Iroquois was Chicago’s most modern playhouse when it opened in the fall of 1903. With the approval of the city’s building department, theater developers Harry J. Powers and William J. Davis opened the theater prematurely to take full advantage of the holiday crowds, ignoring flagrant safety violations in the process.The aftermath of the fire proved to be a study in the miscarriage of justice. Despite overwhelming evidence that the building had not been completed, that fire safety laws were ignored, and that management had deliberately sealed off exits during the performance, no one was ever convicted or otherwise held accountable for the enormous loss of life.Lavishly illustrated and featuring an introduction by Chicago historians Perry R. Duis and Cathlyn Schallhorn, Chicago Death Trap: The Iroquois Theatre Fire of 1903 is rich with vivid details about this horrific disaster, captivatingly presented in human terms without losing sight of the broader historical context.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Cinderella, Jack (of bean-stalk fame), Little Red Ridinghood, and the Baker and his Wife set out for the forest on a quest to find "happily ever after." Along the way they meet Rapunzel, a Wicked Witch, a lascivious Wolf, vengeful Giants, a couple of charming Princes, and their own destiny. With wit and wisdom, the authors have given us a parable about the loss of innocence, the joys and sorrows of adulthood, and the price paid for getting the things you really want.

    He was also the cocomposer of Disney’s Moana and is the star of the upcoming film, Mary Poppins Returns, with Emily Blunt. His creativity appeals to children and adults alike and he has already won a Tony, Emmy, Grammy, and a Pulitzer Prize for his work. Learn all about how he grew up and the things he’s accomplished so far in this Level 3 Ready-to-Read that’s perfect for beginning readers. A special section at the back of the book includes extras like the history of Puerto Rico and how to write a play. With the You Should Meet series, learning about historical figures has never been so much fun!

    The Best Man.

    Since its appearance in the thirteenth century, it has enjoyed unparalleled popularity. The play has given rise to innumerable sequels, parodies, and rewritings; it has influenced countless later plays, short stories, and novels and has played a crucial role in the development of drama criticism. This translation of the full and complete text of the earliest extant version is available in paperback for the first time. The editors' introduction will inform students of Chinese cultural and literary traditions.

    The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the page-turning account of the feud that changed theater forever.

    A must for all Rollins fans.

    In a remote Cornish station there's a legend of a phantom locomotive sweeping through the village leaving death in its wake. Smugglers use this and the villagers' superstition to their advantage but a not-as-incompetent-as-he-seems detective clears up the mystery of the spectre and attendant deaths. His seemingly silly actions result in the apprehension of the evildoers and the little village and its station are finally at peace. For sheer, creeping mystery, it's a play without a peer.