While the tales and sketches reflect many of the strengths and themes of the great novels, they are powerful works in their own right. Unified by his quintessential irony, strong visual sense, and engaging characters, they deal with the tragic and the humorous, the metaphysical and the magical. The collection displays the whole range of Hardy's art as a writer of fiction, from fantasy to uncompromising realism, and from the loving re-creation of a vanished rural world to the repressions of fin-de-siecle bourgeois life.

    When Dana Rose's ex gets married, and then starts the business Dana had dreamed of opening, Dana has her friends and her faith to rely on.

    On an island with a glass shore - relic of some even more ancient conflict - she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything.

    Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Völsungs and The New Lay of Gudrún.In the "Lay of the Völsungs" is told the ancestry of the great hero Sigurd, the slayer of Fáfnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness.In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrún. In the "Lay of Gudrún" her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge.Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work Völsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda.

    Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. A landmark anthology, The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China’s illustrious poetic tradition.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    'The Orchard Keeper' tells of John Wesley Rattner, a young boy, and Marion Sylder, an outlaw and bootlegger who, unbeknownst to either of them, has killed the boy's father.

    It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable depiction of domestic life and loving family relationships.New to this edition is an introduction by Robert L. Mack that examines the reasons for the novels enduring popularity, as well as the critical debates over whether it is a straightforward novel of sentiment or a satire on the social and economic inequalities of the period and the very literary conventions and morality it seems to embody. This edition also includes a new, up-to-date bibliography and expanded notes, and contains reprints of Arthur Friedman's authoritative Oxford English Novels text of the corrected first edition of 1766.

    It purports to be the true account of the life of the eponymous Moll, detailing her exploits from birth until old age.By 1721, Defoe had become a recognised novelist, with the success of Robinson Crusoe in 1719. His political work was tapering off at this point, due to the fall of both Whig and Tory party leaders with whom he had been associated (Robert Walpole was beginning his rise). Defoe was never fully at home with the Walpole group. Defoe's Whig views are nevertheless evident in the story of Moll. The novel's full title gives some insight into this and the outline of the plot: "The Fortunes & Misfortunes of the Famous Moll Flanders, &c. Who was Born in Newgate, & during a Life of continu'd Variety for Threescore Years, besides her Childhood, was Twelve Year a Whore, five times a Wife (whereof once to her own Brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv'd Honest, & died a Penitent. Written from her own Memorandums."

    The "Story of the Young Man with the Cream Tarts," "Story of the Physician and the Saratoga Trunk," and "The Adventure of the Hansom Cab" chronicle the exploits of Prince Florizel of Bohemia and Colonel Geraldine through some of 19th-century London's most dangerous haunts.

    A scholar, wit, lawyer and statesman, he wrote widely on politics, philosophy and science - declaring early in his career that 'I have taken all knowledge as my province'. In this, his most famous work, he considers a diverse range of subjects, such as death and marriage, ambition and atheism, in prose that is vibrant and rich in Renaissance learning. Bacon believed that rhetoric - the force of eloquence and persuasion - could lead the mind to the pure light of reason, and his own rhetorical genius is nowhere better expressed than in these vivid essays.

    Dick the greatest science fiction mind on any planet. Since his untimely death in 1982, interest in his works has continued to mount, and his reputation has been further enhanced by a growing body of critical attention. Dick won the prestigious Hugo Award for best novel of 1963 for "The Man in the High Castle, " and in the last year of his life, the film Blade Runner was made from his novel Do Androids Dream of Electric Sheep?This volume includes all of the writer's earliest short and medium-length fiction (including some previously unpublished stories) covering the years 1952-1955. These fascinating stories include "Beyond Lies the Wub, " "The Short Happy Life of the Brown Oxford, " "The Variable Man, " and twenty-two others.

    Clarke. It is the startling realism of his vision that has made classics of his novels, such as CHILDHOOD'S END and 2001: A SPACE ODYSSEY. It has also made Clarke himself one of the genre's most successful writers. The trade paperback was published to commemorate the arrival of the year 2001, one of the most notable dates in science fiction history. THE SENTINEL is a brilliant collection of Clarke's highest calibre short fiction.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.