In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    Each new soul arrives with a story and a last wish. If she can grant their wish, they’ll move on and leave her be. But that isn’t always possible and her head is getting crowded... Three weeks from taking a new job, Linh gets fourteen-year-old Elizabeth Bauer stuck in her head. Another voice is bad enough, but Linh is horrified to learn that the girl’s last wish is for her father to die. When Linh refuses, Elizabeth decides there’s only one way to get what she wants—to take over Linh’s body and kill her father herself. During the struggle that follows Linh is forced to decide what’s more important—her life and the lives of those around her or her oath as a physician to do no harm.

     Now featuring Volume Two, Diversion Guns of the Waste Land is an epic retelling of Arthurian Legend in an American Western setting. In late 1800s just outside the Texas town of Bretton, four men wander the American desert. Percy Murratt seeks Sheriff Ardiss Drake to learn the fate of his late father. Meanwhile, Ardiss’ deputies, Gary Wayne Orkney and Boris Bennick, are in the pursuit of the outlaw Lancaster O'Loch flees, who has seduced and stolen Ardiss’ wife, Guernica. Featuring a host of familiar characters reminiscent of Gawain, the Green Knight, Lancelot, Merlin and, of course, King Arthur, Guns of the Waste Land is a timeless adventure of chivalry, revenge and honour. Now, in Book Two: Diversion , follow Percy and co. on their epic quest as they traverse the frontier of the American Waste Land, in pursuit of their own Holy Grail… Guns of the Waste Land “impressed the hell out of me with its inventiveness and wonderfully colorful dialogue, […] you may have a genuine classic on your hands.” –T.E.D. Klein, author of Dark Gods & The Ceremonies “Leverett Butts is a real talent. His Guns of the Waste Land is an original way to use a genre. I like a guy who has a mad literary streak and walks the wobbly tightrope: so far he's gotten across. This is the first installment in a longer narrative, and I can't wait to read the next if it's as good as the first or even close.”—Richard Monaco, author of the Parsival series “Guns of the Waste Land brings us back to a genre that has mostly been out of fashion for a time, but I believe this work has the power to bring us back to why we loved westerns. The western story is the story of America. In the western, the lines between good and evil are often vague, just as they are in real humanity. The western shows us the difficulty to survive and how it changes people for better or worse. Butts has explored these ideas and many more in a book that is unique and as well written as anything you'll read this year.” –Scott Thompson, author of Young Men Shall See & Eight Days Leverett Butts teaches composition and literature at the Gainesville campus of the University of North Georgia. His poetry and fiction have appeared in Eclectic and The Georgia State University Review. He is the recipient of several fiction prizes offered by the University of West Georgia and TAG Publishing. His first collection of short fiction, Emily's Stitches: The Confessions of Thomas Calloway and Other Stories, has been nominated for the 2013 Georgia Author of the Year Award in Short Fiction. He lives in Temple, Georgia, with his wife, son, their Jack Russell terrier, and a couple of antisocial cats. Venture Press is a science fiction and fantasy imprint of Endeavour Press, the UK’s leading independent digital publisher. We are committed to the discovery and rediscovery of immensely talented authors in the SFF genre, and continue to push boundaries in search of great literature. Join us as we venture across universes and unknown landscapes – past, present and future. Sign up to our newsletter: http://bit.ly/1LUVI4n Follow us on Twitter @venture_press Facebook: http://on.fb.me/1NnFow7

    The girls are all named Guinevere - Vere, Gwen, Ginny, and Win - and it is the surprise of finding another Guinevere in their midst that first brings them together.They come to The Sisters of the Supreme Adoration convent by different paths, delivered by their families, each with her own complicated, heartbreaking story that she safeguards. Gwen is all Hollywood glamour and swagger; Ginny is a budding artiste with a sentiment to match; Win's tough bravado isn't even skin deep; and Vere is the only one who seems to be a believer, trying to hold onto her faith that her mother will one day return for her. However, the girls are more than the sum of their parts and together they form the all powerful and confident The Guineveres, bound by the extraordinary coincidence of their names and girded against the indignities of their plain, sequestered lives. The nuns who raise them teach the Guineveres that faith is about waiting: waiting for the mail, for weekly wash day, for a miracle, or for the day they turn eighteen and are allowed to leave the convent. But the Guineveres grow tired of waiting. And so when four comatose soldiers from the War looming outside arrive at the convent, the girls realize that these men may hold their ticket out.In prose shot through with beauty, Sarah Domet weaves together the Guineveres' past, present, and future, as well as the stories of the female saints they were raised on, to capture the wonder and tumult of girlhood and the magical thinking of young women as they cross over to adulthood.

    This mirror didn't show you your reflection. It showed you your soul - it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are?In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

    You son in debt to a dope dealer, your captain steal your plane or boat? Someone has put a hit on you? If you can find Reardon, he'll repair the problem...even if he has to reach beyond the law.

    But the carnival’s newest act, a peculiar young woman with latent magical powers, may hold the key to defeating it. Her time has come.Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It’s a gift for communicating with animals. To some, she’s a magical tender. To others, a she-devil. To a talent prospector, she’s a crowd-drawing oddity. And the Bacchanal Carnival is Eliza’s ticket out of the swamp trap of Baton Rouge.Among fortune-tellers, carnies, barkers, and folks even stranger than herself, Eliza finds a new home. But the Bacchanal is no ordinary carnival. An ancient demon has a home there too. She hides behind an iridescent disguise. She feeds on innocent souls. And she’s met her match in Eliza, who’s only beginning to understand the purpose of her own burgeoning powers.Only then can Eliza save her friends, find her family, and fight the sway of a primordial demon preying upon the human world. Rolling across a consuming dust bowl landscape, Eliza may have found her destiny.

    Visions that make her feel like she’s really on a ship bound for America, living in Jamestown during the Starving Time, or riding the original Ferris wheel at the World’s Fair.But these brushes with history pull her from her daily life without warning, sometimes leaving her with strange lasting effects and wounds she can’t explain. Trying to excuse away the aftereffects has booked her more time in the principal’s office than in any of her classes and a permanent place at the bottom of the social hierarchy. Alex is desperate to find out what her visions mean and get rid of them.It isn’t until she meets Porter, a stranger who knows more than should be possible about her, that she learns the truth: Her visions aren’t really visions. Alex is a Descender – capable of traveling back in time by accessing Limbo, the space between Life and Afterlife. Alex is one soul with fifty-six past lives, fifty-six histories.Fifty-six lifetimes to explore: the prospect is irresistible to Alex, especially when the same mysterious boy with soulful blue eyes keeps showing up in each of them. But the more she descends, the more it becomes apparent that someone doesn’t want Alex to travel again. Ever.And will stop at nothing to make this life her last.

    For company Henry has his long-divorced mother, Adele—a onetime dancer whose summer project was to teach him how to foxtrot; his hamster, Joe; and awkward Saturday-night outings to Friendly's with his estranged father and new stepfamily. As much as he tries, Henry knows that even with his jokes and his "Husband for a Day" coupon, he still can't make his emotionally fragile mother happy. Adele has a secret that makes it hard for her to leave their house, and seems to possess an irreparably broken heart.But all that changes on the Thursday before Labor Day, when a mysterious bleeding man named Frank approaches Henry and asks for a hand. Over the next five days, Henry will learn some of life's most valuable lessons: how to throw a baseball, the secret to perfect piecrust, the breathless pain of jealousy, the power of betrayal, and the importance of putting others—especially those we love—above ourselves. And the knowledge that real love is worth waiting for.In a manner evoking Ian McEwan's Atonement and Nick Hornby's About a Boy, acclaimed author Joyce Maynard weaves a beautiful, poignant tale of love, sex, adolescence, and devastating treachery as seen through the eyes of a young teenage boy—and the man he later becomes—looking back at an unexpected encounter that begins one single long, hot, life-altering weekend.

    His daughter is led to her death, and Agamemnon leads his army into battle, where he is rewarded with glorious victory. Three years later, he returns home and his murderous action has set the entire family - mother, brother, sister - on a path of intimate violence, as they enter a world of hushed commands and soundless journeys through the palace's dungeons and bedchambers. As his wife seeks his death, his daughter, Electra, is the silent observer to the family's game of innocence while his son, Orestes, is sent into bewildering, frightening exile where survival is far from certain. Out of their desolating loss, Electra and Orestes must find a way to right these wrongs of the past even if it means committing themselves to a terrible, barbarous act.House of Names is a story of intense longing and shocking betrayal. It is a work of great beauty, and daring, from one of our finest living writers.

    But Simon Wythern, a young man who arrives in London seeking the truth about what really happened to his parents, discovers he has a gift that could change all of this forever.A stunning literary debut by poet and violinist Anna Smaill, The Chimes is a startlingly original work that combines beautiful, inventive prose with incredible imagination.

    Lovecraft and his circle. Marina Willett, M.D., has a problem. Her husband, Charlie, has become obsessed with H.P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends--or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears. The police say it's suicide. Marina is a psychiatrist, and she doesn't believe them.A tour-de-force of storytelling, The Night Ocean follows the lives of some extraordinary people: Lovecraft, the most influential American horror writer of the 20th century, whose stories continue to win new acolytes, even as his racist views provoke new critics; Barlow, a seminal scholar of Mexican culture who killed himself after being blackmailed for his homosexuality (and who collaborated with Lovecraft on the beautiful story The Night Ocean); his student, future Beat writer William S. Burroughs; and L.C. Spinks, a kindly Canadian appliance salesman and science-fiction fan -- the only person who knows the origins of The Erotonomicon, purported to be the intimate diary of Lovecraft himself.As a heartbroken Marina follows her missing husband's trail in an attempt to learn the truth, the novel moves across the decades and along the length of the continent, from a remote Ontario town, through New York and Florida to Mexico City.The Night Ocean is about love and deception -- about the way that stories earn our trust, and betray it.

    With only the Virgin Mary to call on for guidance as her parents struggle to make it big, Hollywood fashion, she must navigate her huge new public high school, complete with Crips and Bloods and Persian gang members, and a car-based environment of 99-cent stores and obscure fast-food franchises and all-night raves. She forges friendships with Henry, who runs his mother's movie memorabilia store, and the bewitching Deva, who introduces her to the alternate cultural universe that is Topanga Canyon. And then the 1994 earthquake rocks the foundations not only of Eugenia's home but of the future she'd been imagining for herself.

    Two thousand years later, after a suspicious landslide near Lanzhou, a low-level bureaucrat searches for a missing colleague. A thirteenth century Franciscan monk, traversing the Silk Road, begins his extraordinary deathbed confession, while five hundred years earlier, a grieving Chinese poet is summoned to the Emperor's palace. In a series of delicately interlaced stories, Sam Meekings' richly poetic and gripping second novel follows the journeys of characters whose lives, separated by millennia, are all in some way touched by the mysterious Book of Crows - a mythical book in which the entire history of the world - past, present and future - is written down.

    On a night when the veil between worlds is at its thinnest, all that is real and unreal meet in a nowhere place, at a nowhere time.'