She has apprenticed with her father since childhood, and there is no lock too elaborate for her to crack. After scandal destroys her reputation, Mallory has returned to her father's home and lives almost as a recluse, ignoring the whispers and gossip of their neighbors. But Sir Francis Walsingham, Queen Elizabeth's spymaster and a frequent client of Mallory's father, draws her into his world of danger and deception. For the locksmith's daughter is not only good at cracking locks, she also has a talent for codes, spycraft, and intrigue. With Mallory by Sir Francis’s side, no scheme in England or abroad is safe from discovery.But Mallory's loyalty wavers when she witnesses the brutal and bloody public execution of three Jesuit priests and realizes the human cost of her espionage. And later, when she discovers the identity of a Catholic spy and a conspiracy that threatens the kingdom, she is forced to choose between her country and her heart.Once Sir Francis's greatest asset, Mallory is fast becoming his worst threat—and there is only one way the Queen’s master spy deals with his enemies…

     The first in an exciting new Mayfair 100 series of nostalgic crime sagas. Set against the backdrop of WW1, Mayfair 100 is the telephone number for a small specially-formed crimebusting team based in a house in Mayfair. London, 1915. Just 10 months into the First World War, the City is flooded with women taking over the work vacated by men in the Armed Services. Chief Inspector Peter Beech, a young man invalided out of the war in one of the first battles, is faced with investigating the murder of an aristocrat and the man’s wife, a key witness and suspect, will only speak to a woman about the unpleasant details of the case. After persuading the Chief Commissioner to allow him to set up a clandestine team to deal with such situations, Beech puts together a small motley crew of well-educated women and professional policemen. As Beech, Victoria, Caroline, Rigsby and Tollman investigate the murder, they delve into the seedier parts of WWI London, taking them from criminal gangs to brothels and underground drug rings supplying heroin to the upper classes. Will the Mayfair 100 team solve the murder? And if they do, will they be allowed to continue working as a team? ABOUT THE AUTHOR Lynn Brittney, a writer for almost 30 years, had her first novel shortlisted for the Waterstone’s Book Prize; Brandford Boase Award and Doncaster Book Prize.

    Perfect for any reader of Sarah Waters or Antonia Hodgson. 'With this intricately woven tale of trust, self-trust and deceit, Anna Mazzola brings a gritty realism to Victorian London. Beautifully written and cleverly plotted, this is a stunning debut, ranked amongst the best' MANDA SCOTT After Sarah petitions for mercy, Edmund Fleetwood is appointed to investigate and consider whether justice has been done. Idealistic, but struggling with his own demons, Edmund is determined to seek out the truth. Yet Sarah refuses to help him, neither lying nor adding anything to the evidence gathered in court. Edmund knows she's hiding something, but needs to discover just why she's maintaining her silence. For how can it be that someone would willingly go to their own death?

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    The police are left with few leads and no witnesses. Except one. Rory spotted the man believed to be the prime suspect. But she is the only one who saw him - the only one who can see him. And now Rory has become his next target...unless she can tap her previously unknown abilities to turn the tables.

    In his fourth novel, The Unburied, Palliser turns to the late Victorian era to give us an equally authoritative reconstruction of the past and a tightly compressed narrative filled with treachery, drama, and interconnected mysteries.The novel opens with a brief preface in which Philip Barthram, editor of the manuscript we're about to read, travels to Geneva for an enigmatic encounter with an old, dying woman. At the end of this encounter -- which makes numerous references to events and people we know nothing about -- the narrative shifts abruptly, taking us into "The Courtine Account," a memoir written by Cambridge historian Edward Courtine. The memoir recounts Courtine's 1881 visit to the cathedral town of Thurchester, site of the mysteries that will gradually dominate the novel.Ostensibly, Courtine has come to Thurchester to visit his former college roommate, Austin Fickling. Courtine and Austin parted bitterly 20 years before and hope to effect a belated reconciliation. Courtine also hopes to unearth a manuscript -- rumored to reside in the Thurchester library -- that will shed new light on his academic specialty, the reign of King Alfred, medieval ruler of Wessex. As he attempts to follow both his personal and professional agendas, Edward finds himself embroiled in a pair of unresolved mysteries. One concerns the 200-year-old murders of William Burgoyne and Launcelot Freeth, whose violent deaths continue to generate controversy and speculation. The other concerns the brutal killing of a local banker, a killing that takes place -- or appears to take place -- just minutes after Courtine and Austin have visited the banker's home. As the novel progresses, the details of the two crimes echo each other with an eerie frequency. With unobtrusive skill, Palliser leads us through a cumulatively fascinating labyrinth composed of fact, rumor, legend, and supposition. Within this labyrinth, objective "truth" proves to be an illusive, perhaps unattainable goal. But Courtine, a historian who believes in the power of the imagination, continues to pursue that goal. In the course of his pursuit, which is never wholly successful, he finds himself forced to reassess the central elements of his life: his embattled relationship with Austin Fickling, the painful failure of his marriage, two decades before, and the unperceived weaknesses of his own character.Admirers of Charles Dickens, Wilkie Collins, John Fowles, and Umberto Eco should take this novel to their hearts. The Unburied is exciting, audacious, mysterious, moving, and intellectually challenging, all at once. Like The Quincunx, it speaks clearly and directly to the modern sensibility and leaves a lingering aftertaste behind.--Bill SheehanBill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has recently been published by Subterranean Press (www.subterraneanpress.com).

    In a time when the old approaches to science coexist with the new, one elite community attempts to understand the world by collecting its wonders. Sir Barnaby Mayne, the most formidable of these collectors, has devoted his life to filling his cabinets. While the curious-minded vie for invitations to study the rare stones, bones, books, and artifacts he has amassed, some visitors come with a darker purpose.For Cecily Kay, it is a passion for plants that brings her to the Mayne house. The only puzzle she expects to encounter is how to locate the specimens she needs within Sir Barnaby’s crowded cabinets. But when her host is stabbed to death, Cecily finds the confession of the supposed killer unconvincing. She pays attention to details—years of practice have taught her that the smallest particulars can distinguish a harmless herb from a deadly one—and in the case of Sir Barnaby’s murder, there are too many inconsistencies for her to ignore.To discover the truth, Cecily must enter the world of the collectors, a realm where intellect is distorted by obsession and greed. As her pursuit of answers brings her closer to a killer, she risks being given a final resting place amid the bones that wait, silent and still, in 'THE CABINETS OF BARNABY MAYNE'.

    But when a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house The Dakota, leads to a job offer, her world is suddenly awash in possibility—no mean feat for a servant in 1884. The opportunity to move to America, where a person can rise above one’s station. The opportunity to be the female manager of The Dakota, which promises to be the greatest apartment house in the world. And the opportunity to see more of Theo, who understands Sara like no one else...and is living in The Dakota with his wife and three young children.

    a world where Charles Babbage and Ada Lovelace perfected the Difference engine. Where steam and tesla-powered computers are everywhere. Where automatons powered by human souls venture out into the sprawling London streets. Where the Ministry, a secretive government agency, seeks to control everything in the name of the Queen.It is in this claustrophobic, paranoid city that seventeen-year-old Sebastian Tweed and his conman father struggle to eke out a living.But all is not well...A murderous, masked gang has moved into London, spreading terror through the criminal ranks as they take over the underworld. as the gang carves up more and more of the city, a single name comes to be uttered in fearful whispers.Professor Moriarty.When Tweed’s father is kidnapped by Moriarty, he is forced to team up with information broker Octavia Nightingale to track him down. But he soon realizes that his father’s disappearance is just a tiny piece of a political conspiracy that could destroy the British Empire and plunge the world into a horrific war.

    But few people in late-Victorian England will entrust their legal affairs to a woman, and Vaughan is desperate to prove herself.Once at Morton, Vaughan discovers that someone is determined to drive her away. An intruder tries to enter her bedroom at night, gunshots are fired outside her window, and an eerie crying echoes from the uninhabited second floor. Even Netherton, the nearest village, seems odd: the picturesque houses and perfect-looking families are haunted by dark secrets connected to Morton Abbey itself.To complete her work and solve the mystery at the heart of Morton, Vaughan needs the help of Joe Dixon, the handsome gardener, and Nicholas Spencer, her employer’s irascible invalid brother. But with her questions diverted, her progress thwarted, and her sleep disrupted by the crying, will Vaughan escape Morton Abbey with her sanity intact or be cursed by the secrets within?

    A virtuoso violinist is brutally killed in his home. Black magic symbols cover the walls. The dead man's maid swears she heard three musicians playing before the murder.But with no way in or out of the locked practice room, the puzzle makes no sense...Fearing a national panic over a copycat Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss - Detective 'Nine-Nails' McGray - actually believes in such nonsense.McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next...

    Their father had gone to sea the previous Friday, the boys told their neighbours, and their mother was visiting her family in Liverpool. Over the next ten days Robert and Nattie spent extravagantly, pawning their parents' valuables to fund trips to the theatre and the seaside. But as the sun beat down on the Coombes house, a strange smell began to emanate from the building. When the police were finally called to investigate, the discovery they made sent the press into a frenzy of horror and alarm, and Robert and Nattie were swept up in a criminal trial that echoed the outrageous plots of the 'penny dreadful' novels that Robert loved to read. In The Wicked Boy, Kate Summerscale has uncovered a fascinating true story of murder and morality - it is not just a meticulous examination of a shocking Victorian case, but also a compelling account of its aftermath, and of man's capacity to overcome the past.

    She’s much more interested in researching ladybugs than marriage, fashionable dresses, or dances. So when her father sends her to London for a season, she’s determined not to form any attachments. Instead, she plans to secretly publish their research.Spencer Northam is not the average young gentleman of leisure he appears. He is actually a spy for the War Office, and is more focused on acing his first mission than meeting eligible ladies. Fortunately, Juliana feels the same, and they agree to pretend to fall for each other. Spencer can finally focus, until he is tasked with observing Juliana’s traveling companions . . . and Juliana herself.

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    . . .Bianca Goddard employs her knowledge of herbs and medicinal plants to concoct remedies for the disease-riddled poor in London’s squalid Southwark slum. But when her friend Jolyn comes to her complaining of severe stomach pains, Bianca’s prescription seems to kill her on the spot. Recovering from her shock, Bianca suspects Jolyn may have been poisoned before coming to her—but the local constable is not so easily convinced.To clear her name and keep her neck free of the gallows, Bianca must apply her knowledge of the healing arts to deduce exactly how her friend was murdered and by whom—before she herself falls victim to a similar fate.