If a man is not eager for adventure at the age of twenty-two, the enticement of romantic possibilities will never come to him.

    Chesterton. Chesterton's poetry ranges from the bibulous "The Rolling English Road" through the action-packed epic "Lepanto", and to the bitter social comment of "Eligy in a country Churchyard".

    It sweeps from China to America to England, and in a half-century of colorful action it ranges from the Boxer Rebellion of 1900 to the critical struggles of 1950. The author brings warmth of feeling and the light of understanding to many and varied Characters, including Franklin D. Roosevelt, Sun Yat-sen, and Chiang Kai-shek

    Here he reveals his delight in re-creating (or making up) colorful stories from the Orient, the Islamic world, and the Wild West, as well as his horrified fascination with knife fights, political and personal betrayal, and bloodthirsty revenge. Sparkling with the sheer exuberant pleasure of story-telling, this wonderful collection marked the emergence of an utterly distinctive literary voice.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Ranging from the picaresque to the satirical, the Exemplary Stories defy the conventions of heroic chivalric literature through a combination of comic irony, moral ambiguity, realism, and sheer mirth. This new translation captures the full vigour of Cervantes's wit and make available two rarely printed gems, "The Illustrious Kitchen Maid" and "The Power of Blood."

    She was self-taught and obtained a degree of celebrity after the publication of several of her diaries written in the 1950s. Her book, Quarto de Despejo (The Garbage Room) sold over 90,000 copies in six months, was translated into five languages, and sold over 300,000 copies in English hardcover alone, as Child of the Dark. Her autobiography, drafted just prior to her death, covers her early life in the 1920s and 1930s. Originally published in French as Journal de Bitita and appearing now for the first time in the English language, Bitita's Diary is the most important document testifying to the hardships of lower-class black Brazilian women ever written. Offering extensive details about race and race relations, religion in rural Brazil (both Roman Catholicism and spiritism), life in small towns and cities of the interior, sexual intimidation, and the hardships of sharecropping, Carolina provides an insightful and moving glimpse of the Brazilian Revolution of 1930 from the vantage point of a poor person caught up in its promise.

    These are, Kerrigan writes, "ferocious writers, truculent, badly spoken, foul mouthed." However provocative and disturbing, they are also flat-out dazzling as writers, whose sentences, as rigorous as riotous, lodge like knives in the reader's mind. Cela called himself a proponent of "uglyism," of "nothingism." But he has the knack, the critic Am�erico Castro reminds us, of deploying those "nothings and lacks" to construct beauty. The Hive is set over the course of a few days in the Madrid of 1943, not long after the end of the Spanish Civil War and when the regime of General Francisco Franco was at its most oppressive. The book includes more than three hundred characters whose comings and goings it tracks to hypnotic effect. Scabrous, scandalous, and profane, this virtuosic group portrait of a wounded and sick society was first published in Buenos Aires in 1950 because in Spain it could not be published at all. This new translation by James Womack is the first in English to present Cela's masterpiece in uncensored form"--

    The novel presents a series of flashes — scenes, moods, dreams, and weather — as the narrator wanders through Barranco (then an exclusive seaside resort outside Lima). In one stunning passage after another, he skips from reveries of first loves, South Pole explorations, and ocean tides to precise and unashamed notations of class and of race: from an Indian woman "with her hard, shiny, damp head of hair — a mud carving" to a gringo gobbling "synthetic milk, canned meat, hard liquor."As the translator notes, The Cardboard House is as "subversive now as when it was written: Adán's uncompromising poetic vision and the trueness and poetry of his voice constitute a heroic act against cultural colonialism."

    It immediately lodged itself in the imagination as a metaphor for "the ultimate", the point beyond which one could not go. In this book, Chatwin and Theroux join forces to explores the instances in which the "final capes of exile" have affected the literary imagination, and to track down some of the extraordinary travellers, past and present, from W.H. Hudson, to Captain Joshua Slocum and Butch Cassidy. Paul Theroux has won the Whitbread Literary Award. This book had its origins in an entertainment the writers gave for The Royal Geographical Society, at a time when Theroux was following Chatwin's "In Patagonia" with "The Old Patagonian Express".

    It deals with themes regarded as incontestable by religion, in the light of the immortality of the soul, unifying Christian thought and scientific discoveries. It offers us a unique opportunity to know and study themes of universal interest, discussed in a logical, rational and revealing way. It analyses, with coherence, the origin of the planet Earth, and avoids mysterious or magical interpretations about the creation of the world. It also analyses the question of miracles, explaining the true nature of the supernatural facts of the Gospels. Finally, it talks about a new generation, whose rising will be the landmark of a new Era for Humanity, based on the practice of justice, peace and friendship.

    It is an abundant offering of his signature mocking humor, subverting received conventions, and pretensions in both poetry and everyday life, public and private, ingeniously and wittily rendered into English in an antitranslation (the word is Parra's) by Liz Werner. Of the fifty-eight pieces in Antipoems, the first twenty-three are taken from Parra's 1985 collection, Hojas de Parra ("Vine Leaves" or "Leaves of Parra"), two others appeared in his Paginas en Blanco ("Blank Pages," 2001), while the rest come straight out of his notebooks and have never been published before, either in Spanish or English. The book itself is divided into two parts, "Antipoems" (im)proper and a selection of Parra's most recent incarnation of the antipoem, the hand-drawn images of his "Visual Artefactos."As his anti-translator Liz Werner explains in her Introduction, Parra's scientific training infuses his work. "Viewed through the lens of antimatter," she writes, "antipoetry mirrors poetry, not as its adversary but as its perfect complement."

    In 1955, eight crew members of the destroyer Caldas, were swept into the Caribbean Sea. The sole survivor, Luis Alejandro Belasco, told the true version of the events to Marquez, causing great scandal at the time.

    This collection includes: How Wang-fo was Saved, Marko's Smile, The Milk of Death, The Last Love of Princess Genji, The Man Who Loved the Nereids, Our Lady of the Swallows, Aphrodissia; the Widow, Kali Beheaded, The End of Marko Kraljevic, The Sadness of Cornelius Berg, and a Postscript by the Author.

    "Unusual Occupations," the second chapter, describes the obsessions and predilections of the narrator's family, including the lodging of a tiger-just one tiger- "for the sole purpose of seeing the mechanism at work in all its complexity." Finally, the "Cronopios and Famas" section delightfully characterizes, in the words of Carlos Fuentes, "those enemies of pomposity, academic rigor mortis and cardboard celebrity-a band of literary Marx Brothers."

    The period of his creative friendship with William Wordsworth inspired some of Coleridge’s best-known poems, from the nightmarish vision of the "Rime of the Ancient Mariner" and the opium-inspired "Kubla Khan" to the sombre passion of "Dejection: An Ode" and the medieval ballad "Christabel." His meditative ‘conversation’ poems, such as "Frost at Midnight" and "This Lime-Tree Bower Mr Prison," reflect on remembrance and solitude, while late works, such as "Youth and Age" and "Constancy to an Ideal Object," are haunting meditations on mortality and lost love. This volume contains the final texts of all the poems published during Coleridge’s lifetime and a substantial selection from those still in manuscript at his death, arranged in chronological order of composition to show his development as a poet. Also included are an introduction, table of dates, further reading, extensive notes, and indexes of titles and first lines.