That's all it takes.She stabbed little Robbie Harris. To change a life -She's living under a new name.For ever.She's reformed. So they say . . . Joanna is going to regret the day she ever said a word.

    Or the one that matters most.A claustrophobic thriller set over twenty hours on one airplane flight, with the heart-stopping tension of The Last Flight and the wrenching emotional intensity of Room, Hostage takes us on board the inaugural nonstop flight from London to Sydney.Mina is trying to focus on her job as a flight attendant, not the problems of her five-year-old daughter back home, or the fissures in her marriage. But the plane has barely taken off when Mina receives a chilling note from an anonymous passenger, someone intent on ensuring the plane never reaches its destination. Someone who needs Mina's assistance and who knows exactly how to make her comply. It's twenty hours to landing. A lot can happen in twenty hours.

    The other, she has never seen. But everything in it is accurate. Recent photos of her and her friends, her and her husband, her and her kids. Even of her new kitchen. A photo taken inside her house.She is bemused, angry, and worried. Who was able to do this? Any why?But this, it soon turns out, is just the beginning. It is only now–almost as though someone has been watching, waiting for her to find the profile–that her problems really start…

    But when she realizes she was possibly poisoned a year earlier, she’s determined to discover who might have tried to get rid of her before she’s gone for good.Separated from her husband and with a contentious divorce in progress, Jennifer focuses her suspicions on her soon-to-be ex. Meanwhile, her daughters are each processing the news differently. Calm medical student Emily is there for whatever Jennifer needs. Moody scientist Aline, who keeps her mother at arm’s length, nonetheless agrees to help with the investigation. Even imprudent Miranda, who has recently had to move back home, is being unusually solicitous.But with her daughters doubting her campaign against their father, Jennifer can’t help but wonder if the poisoning is all in her head—or if there’s someone else who wanted her dead.

    Since then, their relationship has been like something out of a dream. But one Friday evening, Gemma returns home to find Danny is nowhere to be seen.After two days with no word from her husband, Gemma turns to the police. She is horrified with what she discovers – a serial killer is on the loose in Bristol. When she sees the photos of the victims she is even more stunned…the victims all look just like Danny.But, the detectives aren’t convinced by Gemma’s story. Why has no one apart from Gemma seen or heard from Danny in weeks? Why is there barely a trace of him in their flat? Is she telling them the truth, or are there more secrets and lies in this marriage than meets the eye?

    H. Herron. “Mama? Help me.” Laurie Ahmadi has worked as a 911 police dispatcher in her quiet Northern California town for nearly two decades. She considers the department her family; her husband, Omid, is its first Arab American chief, and their teenaged daughter, Jojo, has grown up with the force. So when Laurie catches a 911 call and, to her horror, it’s Jojo, the whole department springs into action. Jojo, drugged, disoriented, and in pain, doesn’t remember how she ended up at the home of Kevin Leeds, a pro football player famous for his on-the-field activism and his work with the CapB—“Citizens Against Police Brutality”—movement. She doesn’t know what happened to Kevin’s friend and trainer, whose beaten corpse is also discovered in the house. And she has no idea where her best friend Harper, who was with her earlier in the evening, could be. But when Jojo begins to dive into Harper’s social media to look for clues to her whereabouts, Jojo uncovers a shocking secret that turns everything she knew about Harper—and the police department—on its head. With everything they thought they could rely on in question, Laurie and Jojo begin to realize that they can’t trust anyone to find Harper except themselves . . . and time is running out.

    But Maria Weston is dead. Isn't she? 1989. When Louise first notices the new girl who has mysteriously transferred late into their senior year, Maria seems to be everything the girls Louise hangs out with aren't. Authentic. Funny. Brash. Within just a few days, Maria and Louise are on their way to becoming fast friends.2016. Louise receives a heart-stopping email: Maria Weston wants to be friends on Facebook. Long-buried memories quickly rise to the surface: those first days of their budding friendship; cruel decisions made and dark secrets kept; the night that would change all their lives forever.Louise has always known that if the truth ever came out, she could stand to lose everything. Her job. Her son. Her freedom. Maria's sudden reappearance threatens it all, and forces Louise to reconnect with everyone she'd severed ties with to escape the past. But as she tries to piece together exactly what happened that night, Louise discovers there's more to the story than she ever knew. To keep her secret, Louise must first uncover the whole truth, before what's known to Maria - or whoever's pretending to be her - is known to all.

    But the road away from Sandling Island seems littered with obstacles. Most pressing of all, her 15-year-old daughter, Charlie, has yet to return from a night out... Minute by minute, Nina's unease builds to worry and then panic. Has Charlie run away? Or has something more sinister happened to her? And why will nobody take her disappearance seriously? As a series of half-buried secrets lead Nina from sickening suspicion to deadly certainty, the question becomes less whether she and her daughter will leave the island for Christmas - and more whether they'll ever leave it again. About the author: Nicci French lives in Northern England.

    Ostracised by her colleagues, her family and her partner, she begins to wonder if she really is losing her mind.And then she meets the next victim.So compulsive you can't stop reading.So chilling you won't stop talking about it.A pitch-black and devastatingly original psychological thriller.

    It ends with a missing child. On a warm summer’s morning, thirteen-year-old school girl Constance Lawson is reported missing. A few days later, Constance’s uncle, Karl Lawson suddenly finds himself swept up in a media frenzy created by journalist Amanda Bowe implying that he is the prime suspect. Six years later … Karl’s life is in ruins. His marriage is over, his family destroyed. But the woman who took everything away from him is thriving. With a successful career, husband and a gorgeous baby boy, Amanda’s world is complete. Until the day she receives a phone call and in a heartbeat, she is plunged into every mother’s worst nightmare.

    I hope you can forgive me…’Grace hasn't been the same since the death of her best friend Charlie. She is haunted by Charlie's last words, and in a bid for answers, opens an old memory box of Charlie's. It soon becomes clear there was a lot she didn't know about her best friend.

    A doting husband, adorable daughter, and a career on the rise - she's just been given her first murder case to defend. But all is never as it seems... Just one more night. Then I'll end it. Alison drinks too much. She's neglecting her family. And she's having an affair with a colleague whose taste for pushing boundaries may be more than she can handle. I did it. I killed him. I should be locked up. Alison's client doesn't deny that she stabbed her husband - she wants to plead guilty. And yet something about her story is deeply amiss. Saving this woman may be the first step to Alison saving herself. I'm watching you. I know what you're doing. But someone knows Alison's secrets. Someone who wants to make her pay for what she's done, and who won't stop until she's lost everything....A disturbing, toxic and compelling novel that explores the power of fear and desire, jealousy and betrayal, love and hate, BLOOD ORANGE introduces a stunning new voice in psychological suspense.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    It’s not the sort of place where people are brutally murdered in their own kitchens. But it is the sort of place where everyone has a secret. And everyone is watching you.As the headmaster credited with turning around the local school, Tom Fitzwilliam is beloved by one and all—including Joey Mullen, his new neighbor, who quickly develops an intense infatuation with this thoroughly charming yet unavailable man. Joey thinks her crush is a secret, but Tom’s teenaged son Freddie—a prodigy with aspirations of becoming a spy for MI5—excels in observing people and has witnessed Joey behaving strangely around his father.One of Tom’s students, Jenna Tripp, also lives on the same street, and she’s not convinced her teacher is as squeaky clean as he seems. For one thing, he has taken a particular liking to her best friend and fellow classmate, and Jenna’s mother—whose mental health has admittedly been deteriorating in recent years—is convinced that Mr. Fitzwilliam is stalking her.Meanwhile, twenty years earlier, a schoolgirl writes in her diary, charting her doomed obsession with a handsome young English teacher named Mr. Fitzwilliam…

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.