That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.

    By turns sassy and serious, the poems can seem to sprint in two directions at once, managing to make the reader laugh at the same time they are struck by the emotional strength of the work. "Charming, inviting, beguiling and delightful poems in the language of someone who seems alive speaking refreshing riddles to herself." SHEILA HETI"Uptalk is a book of transcribed whale songs. Some scientists gave a whale a microphone and she took it home and stayed up all night under the covers talking to herself about faces and word-parts. I am delighted that Kimmy took it upon herself to transcribe this unique document of marine biology, and my heart goes out to the brilliant, charming whale author, wherever she may be." SARA WOODS

    But his resilient voice and consistent perspective is neither blaming nor didactic, and ultimately enlightening. From the shadowed corners into which we dare not look clearly, Hicok makes us witness and hero of The Legend of Light.

    

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    No Art is an exhilarating argument both with America and with poetry itself, in which online slang is juxtaposed with academic idiom, philosophy collides with advertising, and the language of medicine and the military is overlaid with echoes of Whitman and Keats. Here, clichés are cracked open and made new, made strange, and formal experiments disclose new possibilities of thought and feeling. No Art confirms Ben Lerner as one of the most searching and ambitious poets working today.

    Channeling "the primal vision of Hart Crane" (Harold Bloom), Adam Fitzgerald helped welcome the modernist aethetic into the twenty-first century. Part Technicolor, part nitrous oxide, Fitzgerald's chimerical poems confront "a surging ocean of sound and language" (Maureen McLane). In these forty-eight poems, he conducts a madcap symphony of language, memory, and fantasy with the "exhilarating assurance of nonstop invention" (Timothy Donnelly).

    

    Join Lydia, Levi, and Bethany as they discover their purpose, find love, and try to keep the Land hidden.The Land Uncharted (Uncharted, #1)Lydia Colburn is a young physician dedicated to serving her village in the Land, an undetectable island in the South Atlantic Ocean. When Lt. Connor Bradshaw’s parachute carries him from the war engulfing the 2025 world to Lydia's hidden land, his mission could expose her simple society. As Connor searches for a way to return to his squadron, his fascination with life in the Land makes him protective of Lydia and her peaceful homeland, and Lydia’s attraction to Connor stirs desires she never anticipated. But will they be able to keep the Land hidden?Uncharted Redemption (Uncharted, #2)Breaking from the Land’s tradition, Levi Colburn begins to build his own house outside the village—across the road from Mandy Foster to be exact. Though he hopes to marry Mandy someday, she rejected him once and has been unattainable to every man in the village ever since. When rebels tear through Good Springs and abduct Mandy, it’s up to Levi to find her.Driven to avoid the hour of hollow discontent that routinely plagues her at sundown, Mandy Foster has made choices she regrets. If anyone found out her secret, tradition dictates she would be shunned. She’s learned how to guard her heart, until she accepts the tender care of the one man who truly loves her. But if she admits her love for Levi, her secret could be exposed.Uncharted Inheritance (Uncharted, #3)Bethany Colburn is finally allowed to court and Everett Foster is ready to confess his love for her. As the outside world closes in on the Land, a new man arrives in the village of Good Springs. He brings charm Bethany has never encountered and illness the Land has never known. While the medicinal power of the gray leaf tree is put to the test and the Colburn family’s strength is stretched thin, Bethany must choose between the love of her life and the intriguing new man. But nothing will matter if the Land is invaded.

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

    Heartbreaking and humorous, Atlantis is a journey about picking up the pieces from the ruins of a life they said would be good for you.

    could have predicted the delayed depth-charge of this explosive second book, motored by vividly earthly language and disguised philosophical sophistication." —Publishers Weekly, starred review"Throughout Made Flesh, one of the most powerful poetry books this year, Arnold gets at both the contradictions and timelessness of love." —Time Out New York"The readers delighted with (Arnold's) first book (Shells) will be differently enchanted with these. They contain a wealth of contemplation as well as observation and experience. Their unpunctuated free style carries the reader into the poems, piling up events and details in a breathless rush....The poems of Made Flesh are unforgettable, and it is tragic that readers will have no new books from Craig Arnold."—Magill Book ReviewsA girl wakes up to find out just how completely her lover has possessed her. A couple realizes they’ve been trapped inside an ancient myth. A traveler glances out through a train window and catches the dim reflection of another world.This is the world of Made Flesh, the long-awaited second book by Craig Arnold, a finalist for the Utah Book Award and the High Plains book award. Made Flesh delineates a new mythology of what it means to be in the body. Marrying narrative precision to lyric ecstasy, the archaic to the avant-garde, these poems celebrate the fragility of our very selves and “the joy of self-forgetting,” the acts of surrender that loves asks of us. Fierce, exuberant, and erotic, they invite the reader to share a rare and startling vision: how, if we would only permit ourselves to be drawn out of our mental privacies, out to the very surface of our skin, we might admit the beauty of being for a moment in the world, and with each other.Craig Arnold is the author of Shells, a Yale Series of Younger Poets selection chosen by W.S. Merwin. He taught at the University of Wyoming in Laramie. In late April 2009, Craig Arnold went missing on the Japanese island of Kuchinoerabu-jima, where he was working on a book about volcanoes as part of a Creative Artists' Exchange Fellowship from the Japan-United States Friendship Commission. He was forty-one years old.

    Observing the crisis of human appetite through the lenses of psychology and science fiction, she's disquieted at a world "ruled by a bi-polar father-god, unconscious, suicidal."The personal meets the collective in these poems: insane rants transform into contemporary oracular speech; a child who once hoarded candy grows into an adult who consumes a planet. Mutation, social media, eco-collapse, a dream of a survivable End Times: no less than the future of the body is at stake, bodies corporeal and political, ecological and spiritual. Was that the soul, wishingwe would invent the bodyout of existence,so many of us nowenthralled by doom...Dana Levin has published three books of poetry, Wedding Day (Copper Canyon), Sky Burial (Copper Canyon), and her first book, In the Surgical Theatre, won the APR/Honickman Award. A teacher of poetry for over twenty years, Levin splits her time between Santa Fe, New Mexico, and Maryville University in St. Louis, where she serves as Distinguished Writer in Residence.

    Starting there, this extended poem—part art criticism, part history—considers the phenomenon of glass, revealing the strength and fragility of our age in the minimalist style that has won Cole Swensen such acclaim.

     Twins Belwynn and Soren can communicate telepathically. They must lead a team of mercenaries, priests and exiles on a mission that becomes far darker and more important than they had bargained for. Perfect for fans of multi-character epics like Lord of the Rings & A Game of Thrones. Praise for this series from readers: ★★★★★ “If you’re a fan of great characters and plenty of action set in a well-developed fantasy world then this is your series.” ★★★★★ “With interesting, well-fleshed out characters and a genuinely enthralling plot, this one really stood out for me.” ★★★★★ “Usually the author's writing links out a little for the next book or two, but not this guy, it stays right up there. You really need to get the rest of this series, you deserve it.” Comprising books 1-3 of The Weapon Takers Saga, this box set follows an epic quest for the seven weapons of Madria. Soren, an ambitious wizard Belwynn, his twin sister, who shares a telepathic link with him Rabigar, an exile of the Krykker race Elana, a mysterious priestess Moneva, a killer with a dark past And a host of mercenaries, sorcerers, knights, dukes, kings and strange new races. Who will lay claim to the weapons? Who can be trusted? And as war comes to Dalriya, who will take a stand against the dark forces that have been unleashed on the land? Readers have compared this series to The Wheel of Time, Lord of the Rings, The Belgariad & A Game of Thrones. “This quest to retrieve a stolen religious relic ticked so many of the boxes that got me into fantasy in the first place: an epic quest, a cast of diverse characters, swords and sorcery, otherworldly landscapes, strange creatures. Couple all this with a world which has a detailed history replete with political rifts, feuds and machinations, there is a lot going on. I especially liked the mix of characters, each bring their own skills and personalities to the party” CF Welburn, Author of The Ashen Levels