A faithful wife for over three decades, Anna endured Edward's constant absences while traveling on business for his international real estate firm, and his extra-marital affairs.Anna takes Edward to live out his last six, possibly three, months in the house she fought so vigorously to sell. But letting go of someone who has caused so much pain does not come easily.Edward has changed.As their children return home, and say their farewells Anna confronts the challenges that Edward's impending death delivers each of them. Then there is Inman who loves Anna, and provides the one thing Edward denied their marriage—passion and intimacy.Anna must also face the hopes and dreams she abandoned as an art history major turned wife, and mother out of college. In requesting the divorce she had planned to use her proceeds from the sale of the house to move to France. She would study the great art works of Europe, perhaps work as a docent in a Paris museum.News of Edward’s terminal illness provokes Anna to understand the present rooted in the wellspring of the past, and pouring into a future without him. The House shows what happens when we adopt the belief that, All hold regret, and are seeking forgiveness. Our salvation rests in the hands of others—most particularly the ones whom we love most, and who have treated us wrongly.

    Akbar's amazing story of three generations of a Muslim family —based on his own—and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents—conversion, circumcision, the arrival of the plague of electricity—and a fascinating array of characters: the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet-teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala, interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.

    Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding social interactions, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy. But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen on the sidewalk, the three become the kinds of friends who rescue one another from the lives of isolation they have each been living. And it is Raymond’s big heart that will ultimately help Eleanor find the way to repair her own profoundly damaged one.

    . . And Ladies of the Club. Laced with nostalgia as well as timeless insight into human character, Santmyer's enchanting novel is as contemporary today as the day it was written.

    Here collected for the first time in one volume are the three bestselling works in Roger Elwood's outstanding trilogy on spiritual warfare and the struggle between good and evil.

    Believed to be cursed by those who embrace ignorance and superstition, Auda's very survival is a testament to the strength of her spirit. But this is an age of Inquisition and intolerance, when difference and defiance are punishable "sins" and new ideas are considered damnable heresy. When darkness descends upon her world, Auda, newly grown to womanhood, is forced to flee, setting off on a remarkable quest to discover love and a new sense of self . . . and to reclaim her heritage and the small glory of her father's art.

    (Nancy Pearl)

    We meet in cities where we've never been before. We meet where no one will recognize us. A "man of God" is how someone described my father to me. I don 't remember who. Not my mother. I'm young enough that I take the words to mean he has magical properties and that he is good, better than other people. With his hand under my chin, my father draws my face toward his own. He touches his lips to mine. I stiffen. I am frightened by the kiss. I know it wrong, and its wrongness is what lets me know, too, that it is a secret.

    

    This invisible red thread will never break and you will either find your way back to me somehow, or me to you.” This is the promise that Jack makes to Esha at the end of their precious week together in London. Esha has to return to India for her wedding to Dev, which has been arranged by her wealthy parents. Aware of her cultural commitments and knowing in her heart that they cannot have a future together, their separation is marked with a single promise. The turbulent years that follow are recorded in Esha’s journal, in the form of letters to Jack, which eventually find their way into his hands and which rock his world to the core. The rigid traditions and formalities of the social world of Amritsar, in which Esha is trapped, and to which Jack has no access, may well stretch their scarlet thread to breaking point. Can a single promise made seven years ago bring together two star crossed lovers in this gripping tale, spanning two cities?

    Lord “The courtroom drama and testimony are brilliantly conceived and carried out…a thoughtful, complex and timely novel, a compelling story one is loath to put aside to do one’s daily work.”—Galveston Daily News "So Help Me God is not only a page-turner but a warning as well. Through a deft, fascinating storyline Larry D. Thompson shows us what can happen here if we're not careful."—Ed Gorman“So Help Me God is an exciting legal thriller that takes the reader on a sizzling ride as a courtroom becomes the battlefield over one of the most controversial social issues of our time. Not since the Scopes Monkey Trial has a man of religion and a man of ideas clashed so dramatically and brilliantly in a courtroom.” –Junius Podrug, award winning author of Presumed Guilty“I don’t think I have ever read anything quite so compelling. Everything was woven together beautifully and could only have been done so by someone who had actually lived through similar experiences in the courtroom.”—pennyterk.com“Move over John Grisham!”—Denton A. Cooley, MD, world-renowned pioneer heart surgeon“Seldom does a first effort at courtroom fiction find itself in the class of such notables as Inherit the Wind, The Verdict, and The Rainmaker. But Larry Thompson’s So Help Me God belongs there. I predict it will become a modern day classic courtroom tale.”—Jim Perdue, Sr., nationally renowned trial lawyer and author of I Remember Atticus“I hated to finish that last page of So Help Me God…the courtroom scenes are both realistic and spell-binding.”—Hartley Hampton, past president of the Texas Trial Lawyers AssociationAbout the AuthorA veteran Texas trial lawyer, LARRY D. THOMPSON has drawn upon decades of experience in the courtroom to produce his first novel, So Help Me God. Thompson, a one-time journalism major who used his talent for writing to excel at the University of Texas School of Law, is now managing partner of the Houston trial firm he founded. Recently honored by Texas Monthly Magazine as a "Texas Super Lawyer," he is the proud father of three grown children, an active golfer, SCUBA diver, runner, and outdoor enthusiast. His biggest inspiration both in life and literature is his late brother, best-selling author Thomas Thompson.

    A fascinating reading experience.' Catherine Cho, Lead judge. 'It is very shameful that children, especially defenceless young girls, are pushed into the nunneries. Shame on the unmerciful parents who treat their own so cruelly.’ Martin Luther Germany 1505 Following the death of her mother and her father’s remarriage, five-year-old Katharina is placed in the convent at Brehna. She will never see her father again. Sixty-five miles away, at Erfurt in Thuringia, Martin Luder, a promising young law student, turns his back on a lucrative career in order to become a monk. The consequences of their meeting in Wittenberg, on Easter Sunday 1523, will reverberate down the centuries and throughout the Christian world. A compelling portrayal of Katharina von Bora, set against the turmoil of the Peasant’s War and the German Reformation ... and the controversial priest at its heart. ˃˃˃ From award-winning historical fiction author, Margaret Skea (Beryl Bainbridge Best first Time Novelist 2014; Long list Historical Novel Society New Novel Award 2016), a new novel that breathes life into the 'woman at Luther's side.' If you like your historical fiction well-researched and beautifully written, this book is for you. Reviews: ‘Margaret Skea has a brilliant eye for historical detail. She creates characters who take us by the hand so that we never stumble or wonder where we are. An engrossing read.’ A. Bacon: Between the Lines ‘A dramatic and most moving story, which transported me back to the 16th century and into Katharina’s mind. I felt what she was feeling and was both fascinated by and anxious for her right from the start. I loved it.’ Books Please 'A wonderfully vivid portrait of how a headstrong girl grows into a wry, steely and impassioned woman, carves a path for herself through tumultuous times, and changes the course of history in the process. Skea knows her history, but more importantly, she writes with imagination and humanity.' Professor Alec Ryrie, Durham University, author of Protestants. Get your copy today.

    This little carry-along pocket book for women focuses on the Bible's great truths about what lies beneath their fears and the means to overcome them-for those who worry just a little, those who suffer a gnawing, controlling fear or actual panic attacks, and every woman in between.The first in a series of small, Bible-centered volumes for women, each of which covers a particular struggle, Trust is full of biblical truths and promises that will reassure readers that if they belong to Christ, they have absolutely nothing to fear.On-the-Go Devotionals easily tuck into a purse or gym bag and make great gifts. Each lesson is self-contained, with Scripture and a paragraph or two of teaching that will steer women away from worldly coping techniques, away from themselves and their circumstances, and onto God and their security in Christ.

    Smith was 15 when her older brother, Roy, was killed in a car accident, and her memoir follows her family as they attempt to put their lives back together. Her parents try to take comfort in their strong Catholic faith but are nonetheless shattered. For her part, Smith wonders why God has abandoned her. She finds cold comfort in Catholic symbols and rituals, feeling a connection to Roy only when she enters the old fort they had built together. An engaging storyteller, Smith crafts her memoir to read like a novel, interspersing moving flashbacks of the times she spent with her brother with amusing portraits of the nuns at her parochial school, who sneak out of the infirmary to play cards and make autumnal visits to a secret swimming pool. As a child, Smith wonders why her father blesses her and Roy every morning, touching a relic to their foreheads, mouths, and hands, mentioning each individual body part. "He's got to name us, like Adam named the animals," Roy explained. "To keep track of them." The near impossibility of "keeping track," and the changing nature of faith are just two of the poignant messages in this unforgettable debut.

    A remarkable memoir which is often humorous and ultimately very moving as a young Catholic girl struggles to break away from destructive influence of her father in 1960s Ulster.