There, a boy called Peekay is born. His childhood is marked by humiliation and abandonment, yet he vows to survive and conceives heroic dreams, which are nothing compared to what life actually has in store for him. He embarks on an epic journey through a land of tribal superstition and modern prejudice where he will learn the power of words, the power to transform lives and the power of one.

    Owen doesn't believe in accidents; he believes he is God's instrument. What happens to Owen after that 1953 foul is both extraordinary and terrifying. At moments a comic, self-deluded victim, but in the end the principal, tragic actor in a divine plan, Owen Meany is the most heartbreaking hero John Irving has yet created.

    At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a "man's job" of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide—bereft of the partnership of work and love that had so utterly fulfilled her—into depression and dependency.We see Jill, staggered by the loss of her father, catapulted to what seemed another planet—the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons—Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self.Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place—or to a dream—can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.

    A powerful autobiography written in the grand Russian tradition telling the story of how Nina Markovna endured life under Stalin and the tumult of World War II, being tossed back and forth between the opposing German and Soviet armies.

    Separated by divorce from his father and brother, Toby and his mother are constantly on the move, yet they develop an extraordinarily close, almost telepathic relationship. As Toby fights for identity and self-respect against the unrelenting hostility of a new stepfather, his experiences are at once poignant and comical, and Wolff does a masterful job of re-creating the frustrations and cruelties of adolescence. His various schemes - running away to Alaska, forging checks, and stealing cars - lead eventually to an act of outrageous self-invention that releases him into a new world of possibility.

    Then Jane McCrae comes into their lives like a hurricane. When Cary falls in love with her, the boy's twosome becomes a tightly knit group of three, and they make plans for their summer after high school graduation. When Cary must remain in Killdeer, Adam and Jane head off to the Outer Banks alone, where they fall under the spell of the Lost Colony Hotel and its mysterious and charming proprietors. In a summer full of bright promise and heartache, Adam's feelings for Jane force him to make a difficult choice. . .

    To keep his mind and body occupied, he trains intensely for the Ironman Triathalon. But outside of practice, his life seems to be falling apart. Then Dillon finds a confidante in Jennifer, a star high school basketball player who's hiding her own set of destructive secrets. Together they must find the courage to confront their demons -- before its too late. This ALA Best Book for Young Adults is now available with a stunning new look. Two star athletes find the courage to confront painful memories in this gritty, realistic tale of friendship and healing.

    (Nancy Pearl)

    In Kill the Story, the pair expose a blackmail/shoplifting operation in one of the sororities at Amanda's trendy private high school. In Play Dead, Amanda and her friends become part of a professional theater company in order to solve an attempted murder.

    But he needs the money; how else is he going to get away from his boozing mom and her endless parade of classy guys? Then one night his mother's drinking gets out of control and Carl's plan to get himself a decent life takes a nosedive. Sent to live with distant relatives far away from the life he has always known, Carl is faced with a decision: run away and stick with The Plan, or come up with a new one . . . fast. "A strong central character . . . a well-placed, believable plot."--School Library Journal, starred review. "Carl's . . . turnabout is convincing enough to sustain the story's power."--Booklist, starred review.

    Helen's death at eighteen from cancer shatters the lives of her parents and siblings, especially younger sister Jessie who tries to cope with her feelings of pain and confusion by reading pages from Helen's diary.