In a dazzling narrative constellation, Beach’s characters contend with the strange and terrible and beautiful in life, and no outcome is certain. Begun as a series of Facebook status updates, 420 Characters marks a new turn in an acclaimed artist and illustrator’s career, and features original collages by the author.

    In "Horseman," a professor confronts a young plagiarist as well as her own weaknesses as the Thanksgiving holiday looms closer and closer: "And after that, who knew?" In "Intervention," a realtor facing an ominous medical prognosis finds himself in his father's shadow while he presses forward--or not. In "Voice," a semiretired academic is conned by his increasingly estranged brother into coming along on a group tour of the Venice Biennale, fleeing a mortifying incident with a traumatized student back in Massachusetts but encountering further complications in the maze of Venice. And in "Milton and Marcus," a lapsed novelist struggles with his wife's illness and tries to rekindle his screenwriting career, only to be stymied by the pratfalls of that trade when he's called to an aging, iconic star's mountaintop retreat in Wyoming.

    Whether in New Delhi or Manhattan, the characters face the universal quandaries of human experience.

    Through his lucid and captivating writing, he brings to the fore how there is always something more than what meets the eye. The Grandmaster & other short stories is a selection of fictional tales that provide a glimpse of life’s different facets and oddities. It is these experiences that make our journey interesting, colourful and ends where you least expected it to.  Explore these fast-paced tales, with a twist that will keep you turning pages till you reach the end…

    His picaresque travels are filled with beguiling and hilarious characters: nineteenth-century author Ambrose Bierce; an unknown group of famous poets; a twenty-first-century treasure hunter in the Gulf of Mexico; an ex-Nazi mechanic shepherding an old Mexican road race; a stenographer who records every passing moment; and various incarnations of the trickster devil.As bold, ambitious, and funny as it is unconventional, Nothing Happened and Then It Did is a deep and lasting pleasure.

    In America, anybody can become president. In 1920, anybody did. Harding was a strikingly handsome man, a high school graduate of impenetrable ignorance whose only two qualifications for the presidency were that he looked and sounded presidential--provided you didn't look or listen too closely. Ohio's "favorite son" at the nominating convention, he recognized his deficiencies, did not want such high office, and never expected to be nominated, no less elected. But his destiny was to become the first packaged candidate, elected largely on the strength of a carefully crafted image. Thus began 12 years of Republican rule that fostered unbridled capitalism and willful isolation, leading to the Great Depression and the rise of European dictatorships, which set the stage for World War II. Greatly complicating things was the relationship between Harding and Nan, who shared a deeper intimacy and hotter sex than anything enjoyed by more contemporary White House occupants. But woven around and through their furtive couplings is the tapestry of corruption and scandal generated by a half-dozen uniquely odious presidential cronies. But this tale is not unremittingly bleak. After having been content all of his life to just slide by, Harding reinvented himself in his last year, proving that nobility can triumph over selfishness, that listening to your heart may be more reliable than listening to your head, and that love which is pure can transcend death itself.

    Her characters—young women struggling to find happiness, love, success, security, and adventure—wait tables, run away from home, fall for married men, betray their friends, and find themselves betrayed as well.In "Hungry Self," a young waitress descends into the basement of a seemingly ordinary Chinese restaurant; in "Twenty Grand," a young wife tries to recover her lost fortune; in "Monsters," one family's paranoia leads to a sacrifice; and in "The Witches," an innocent swim on prom night proves more dangerous than anyone could have imagined. With elegant prose and a wicked sense of humor, these stories reveal Curtis's provocative and uncompromising view of life, one that makes her writing so poignant and irresistible.

    Jimmy Rabbitte hates jazz, always has. But his wife Aiofe loves it, and Jimmy loves Aiofe. So when, in attempt to convert him, she buys him two tickets for a Keith Jarrett concert he decides to take Outspan, former member of Jimmy's band The Commitments, who has come back into his life after a chance meeting in the cancer clinic. Jarrett is famous for being intolerant of any noise at all - a cough, a sneeze, a wheeze - from the audience, stopping playing and shaming the perpetrator. And Outspan's diagnosis is lung cancer, it's pretty bad, and he needs an oxygen cylinder to breathe properly.Will Outspan create havoc? Will Jimmy learn to love jazz at last?

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    All of Edgar's problems become mundane, however, when he and his lesbian Blackfoot nurse's aide best friend, Pat Fillmore, become responsible for the disappearance of their fellow worker, Beverley Fey, after an LSD party gone awry. Ballantine's own brand of delicious quirkiness and storytelling is smooth and compelling, and God Clobbers Us All is guaranteed to satisfy Ballantine fans as well as convert those lucky enough to be discovering his work for the first time.

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    This is a book about the Civil War, and one Union soldier's struggle with his inner demons as he prepares for, and fights his first battle.

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