Each story follows the life of a person living on a fictitious council estate in London. The stories illustrate the realities and struggles that ordinary people go through at a time when people are feeling disenfranchised and are frustrated at not having their voices heard. Ranging from a humorous look at the gentrification of London to the realities of living with addiction the stories place the reader in the shoes of each character allowing them to feel their emotions.

    In this piece, Syx is fighting the possibility of depression due to carelessness on her end, while indulging in the most freeing period of her existence. Life has never been more complicated, yet she's never felt so alive in all of her days. Her most shameful moment of weakness happens to be the most gratifying and beneficial experience that she just can't seem to shake. Tag along as Syx continues on her journey through the city. ******THIS IS A NOVELETTE!******

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    She has lived with partner Ed for fifteen years and is proud of all they’ve achieved. They go out into the world separately: Ed with one eye on the future in the world of finance; Anita with one foot the past, a curator at Hampton Court Palace. This is the life she has chosen - choices that weren’t open to her mother’s generation - her dream job, equal partnership, freedom from the monotony of parenthood, living mortgage-free in a quirky old house she adores. The future seems knowable and secure.But then Anita finds herself standing in the middle of the road watching her home and everything inside it burn to the ground. Before she can come to terms with the magnitude of her loss, hairline cracks begin to appear in her perfect relationship. And returning to her childhood home in search of comfort, she stumbles upon the secret that her mother has kept hidden, a taboo so unspeakable it can only be written about.The reflection in the mirror may look the same. But everything has changed.Authentic and heartbreaking, Davis’s intoxicating new novel is an exploration of identity, not as a fixed point, but as something fragile, shape-shifting and transient

    He grows up in fields and woods, and he is happy, he thinks. When K is eleven, the city reclaims him. He returns to an unknown mother and a part-time father, trading the fields for flats and a community that is alien to him. Slowly, he finds friends. Eventually, he finds love. He learns how to navigate the city. But as he grows, he begins to realise that he needs more than the city can provide. He is a man made of pieces. Pieces that are slowly breaking apart.That Reminds Me is the story of one young man, from birth to adulthood, told in fragments of memory. It explores questions of identity, belonging, addiction, sexuality, violence, family and religion. It is a deeply moving and completely original work of literature from one of the brightest British writers of today.

    In his screenplays and short stories, Ethan Coen surprises and delights us with a rich brew of ideas, observations, and perceptions. In his first collection of poems he does much the same. The range of his poems is remarkable–funny, ribald, provocative, sometimes raw, and often touching and profound.In these poems Coen writes of his childhood, his hopes and dreams, his disappointments, his career in Hollywood, his physically demanding love affair with Mamie Eisenhower, and his decade-long battle with amphetamines that produced some of the lengthier poems in the collection. You will chuckle, nodding with recognition as you turn the pages, perhaps even stopping occasionally to read a poem. Handsomely and durably bound between hard covers, this is a book that will stand up to most readers’ attempts to destroy it.

    An accomplished writer returns to her childhood home of Yewville, but the homecoming stirs troubled thoughts about the person she might have been if she’d never left. A man in prison contemplates the gravity of his irreversible act. A student’s affair with a professor results in a pregnancy that alters the course of her life forever. Even the experience of reading is investigated as one that can create a profound transformation: “You could enter another time, the time of the book.”The (Other) You is an arresting and incisive vision into these alternative realities, a collection that ponders the constraints we all face given the circumstances of our birth and our temperaments, and that examines the competing pressures and expectations on women in particular. Finely attuned to the nuances of our social and psychic selves, Joyce Carol Oates demonstrates here why she remains one of our most celebrated and relevant literary figures.

    Whether tender or hard-hitting, McGriff juxtaposes natural images of deep forests, creeks, coyotes, and crows against the harsher oil-grease realities of blue-collar life, creating poems that read like folk tales about the people working in grain mills, forests, and factories."New Civilian"The new law says you can abandon your childin an emergency room,no questions asked. The young fathercarries the sleeping boythrough the hospital doors.Later, alone, parked at the boat basin,he takes a knife from his pocket,cuts an unfiltered cigarette in two,lights the longer half in his mouth.He was a medic in the war.In his basement are five bronze eaglesthat once adorned the wallsof a dictator's palace.Michael McGriff attended the University of Oregon; the University of Texas at Austin, where he was a Michener Fellow in creative writing; and Stanford University, where he was a Stegner Fellow. He is the co-founding editor and publisher of Tavern Books and lives in Salt Lake City, Utah.

    Sainsbury. Two short, punchy, action-packed episodes in each book.They murdered his parents, shot him in the head, and left him to die. They should have made sure.Twenty years after Tom Lewis watched his parents die, those responsible are being killed. One by one.Gentle, brain-damaged Tom, a giant of a man who can barely speak, can’t be responsible for their deaths. Can he?When Tom Lewis was shot, something new was created. Something unique. Something deadly. Something patient enough to plan revenge for twenty long years.Meet Bedlam Boy

    Can you imagine Draupadi in a Brothel house? How did she end there and who is responsible for that? Read this short story to meet her and know about her life.

    And  a grouping of four stories at the end follows a divorced psychiatrist in an arc that constitutes a short novel.   Included are: “His Women,”  “Great Sex,”  “Old Love Affairs,” and  “The Drinking Club,”  “Patients, “The Wrong Mexico, “ and “Earthquake Damage.”

    Set onboard a ship during an unnamed war, the title story is a harrowing account of guilt and responsibility, showing Conrad at his most accomplished as a master of psychological penetration. Accompanying this is another study of the brutal turns of fortune visited on the unwary by war: 'The Warrior's Soul' takes place during Napoleon's invasion of Russia, and traces the interweaving relationship between a beautiful woman and the two men who love her. 'Prince Roman', meanwhile, is one of Conrad's earliest stories, and the only piece in his entire oeuvre that touches on his homeland, Poland. The collection concludes with 'The Black Mate', a witty and light-hearted illustration of life aboard ship." "Spanning Joseph Conrad's entire literary career, these four stories touch on some of his major interests - war, imperialism, life at sea - showing him at his most intimate and ambitious."

    The characters who inhabit these stories -- teenagers, beauty queens, race car drivers, and even grandfathers -- fall in love, strive to make ends meet, or search for answers to their future while reconciling the past. Michael Jaime-Becerra casts a warm glow on each of them.

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    A mock elegy for the heady joys of old-time Soho, 'The Song of Lunch' displays the full range of Reid's wit, craft and human sympathy.