Bates makes good use of his intimate knowledge of the world of pilots (anyone who has read his 'Stories of Flying Officer X' will appreciate just how deep was that knowledge); and his understanding of the complexities of human relationships. The novel was televised by the BBC in September 1979. This novel first appeared in a Penguin edition in 1967.

    Down on Earth, a couple in Maharashtra is expecting their seventh child and is performing a special yajna to fulfil their desires. By a strange quirk of fate, these two distinctly different lives are soon to be intertwined. Fifteen-year-old Meenakshi is no ordinary girl. Blessed with celestial attributes, she has beauty that would rival a goddess’, a unique communion with nature and a supernatural being living inside her. Even so, Meenakshi lives amongst men and eventually, the evil eye falls upon her. That’s when the Yakshini inside her awakens. As the Yakshini takes control, Meenakshi is catapulted into a world of passion and violence that even threatens her husband life. Neil D’Silva’s Yakshini is a toe-curling, spine-tingling tale where mythology comes deliciously alive on the page. With its fantastic creatures and unforgettable characters, the book highlights the tussle between the supernatural and the human, sure to enchant all readers.

    Setting out to gain insight into the lives of Iranians and Afghans today, Nicholas Jubber is surprised to uncover the legacy of a vibrant pre-Islamic Persian culture that has endured even in times of the most fanatic religious fundamentalism. Everywhere—from underground dance parties to religious shrines to opium dens—he finds powerful and unbreakable connections to a time when both Iran and Afghanistan were part of the same mighty empire, when the flame of Persian culture lit up the world. Whether through his encounters with poets and cab drivers or run-ins with “pleasure daughters” and mujahideen, again and again Jubber is drawn back to the eleventh-century Persian epic, the Shahnameh (“Book of Kings”). The poem becomes not only his window into the region’s past, but also his link to its tumultuous present, and through it Jubber gains access to an Iran and Afghanistan seldom revealed or depicted: inside-out worlds in which he has tea with a warlord, is taught how to walk like an Afghan, and even discovers, on a night full of bootleg alcohol and dancing, what it means to drink arak off an Ayatollah’s beard.

    Against a medieval tapestry of color and pageantry, Jennifer Roberson has woven a rich, sweeping tale of a woman whose courage and passion could forever alter the destiny of that mist-shrouded land of lore we know in our hearts and see in our dreams...

    

    A genius of social satire delivered with a very dry wit, Powell builds his comedies on the foibles of British high society between the wars, delving into subjects as various as psychoanalysis, the film industry, publishing, and (of course) sex. More explorations of relationships and vanity than plot-driven narratives, these slim novels reveal the early stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in Powell’s epic A Dance to the Music of Time.  From a View to a Death takes us to a dilapidated country estate where an ambitious artist of questionable talent, a family of landed aristocrats wondering where the money has gone, and a secretly cross-dressing squire all commingle among the ruins.   Written from a vantage point both high and necessarily narrow, Powell’s early novels nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and what makes people behave as they do. Filled with eccentric characters and piercing insights, Powell’s work is achingly hilarious, human, and true.

    Simic is a master of the absurd and unexpected.

    It is clear, from his writings, that his mind was amazingly modern, humane and sensitive, especially for the seventh-century India in which he lived. Bana had a healthy irreverence towards many of the established orthodoxies of his time and his strength lies in his skill as a storyteller and as a creator of characters vibrant with life and individuality.Kadambari is a lyrical prose romance that narrates the love story of Kadambari, a Gandharva princess, and Chandrapida, a prince who is eventually revealed to be the moon god. Acclaimed as a great literary work, it is replete with eloquent descriptions of palaces, forests, mountains, gardens, sunrises and sunsets and love in separation and fulfillment. Featuring an intriguing parrot-narrator, the story progresses as a delightful romantic thriller played out in the magical realms between this world and the other, in which the earthly and the divine blend in idyllic splendour.

    Hounded relentlessly by the beings who drove his kind into exile, he must become the leader the world needs and unite the warring nations of Pallamar under one banner if he and his allies are to survive. His only chance of success rests with the other Titans, finally returned after five hundred years of hiding - and with Clare, an extraordinary soldier from an annihilated city far to the west. The growing bond between them is a strange and unexpected one, but it may be all that stands between them and the encroaching darkness.

    Malik is a fantasy novella about a disenchanted young Pakistani professor who grew up and lives in the United States, but is haunted by the magical, mystical tales his grandfather told him of a princess and a Jinn who lived in Lahore when the grandfather was a boy.

    When his boss's business partner Grisby offers thousands of dollars to help fake his own death, Laurence senses that trouble's afoot and when Grisby turns up dead one night, that trouble seems to be in the form of his boss's beautiful wife Elsa. Heading for Death Row for a murder he didn't commit, all Laurence can do is try to piece together the strange events of that hot summer night. Yet with friends indistinguishable from enemies, who can he trust?

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    He is amazed to be told of seven journeys to foreign lands, every one ending in shipwreck. Sindbad the Sailor has grown rich from his travels, but his path to fortune has been anything but easy.

    Above all, there are the latest doings of Oliver Andersen and the large family that he and his wife contrive to raise despite growing suspicions that his mysterious accident at sea has deprived him of more than a leg.In Oliver, Hamsun has created one of the great comic characters of literature: a sly, boastful, flaccid rogue who trades shamelessly and indomitably on his misfortune. In his moral squalor he is the symbol of a corrupt and self-seeking society. Unattractive though he is, he never entirely loses the reader's sympathy, and his relations with his delightful ‘son’ Abel are most movingly depicted. THE WOMEN AT THE PUMP brims with a prodigality of invention, sardonic humor, and an originality of style and technique representing Hamsun's later work at its best. First published in Norway in 1920 - the year Hamsun was awarded the Nobel Prize for Literature.

    Martin's A Game of Thrones and Brandon Sanderson's The Way of Kings, The Fatemarked Epic promises immaculate world building, an ancient prophecy, a mysterious source of magic, a diverse cast of characters, war, political intrigue, and romance.Four Fatemarked short stories capturing the origins of some of the most secretive and loved characters in the epic fantasy series, bringing the world of David Estes' creation to life in a whole new way. A deadly eastern tradition revealed, the tale of the War of Roses, a brewing rebellion in Phanes, and the truth behind a fatemarked knight's shadowy past. Includes the origin stories of Gareth Ironclad, Verner Gäric (grandson of Heinrich Gäric, who first discovered the Four Kingdoms), the leader of the Black Tears, Sonika Vaid, and Sir Dietrich, the swordmarked.