For this and other reasons I chose to translate Toward the Creative Nothing by Renzo Novatore and publish several of his shorter pieces. Written shortly after World War I, as a revolution was occurring in Russia and uprisings were happening in Germany and Italy, this poetic text responds to the upheaval of its time with a call for a revolution that could truly move the human race beyond the spiritual impoverishment, the equality in baseness that democracy and socialism offered. Bourgeois society seemed to have reached its dusk, and Novatore saw the hope for a new dawn only in such a revolution-one that went beyond the mere economic demands of the socialists and communists--a revolution moved by great ideas and great passions that would break with the low values of bourgeois democratic civilization.

    He's rich, handsome, powerful and has a heart of gold. But don't let his kindness fool you. He's the street king of New York and rules The Empire State with no holds barred. His reign, both lengthy and fierce, is one to reckon with and everyone knows it. With the type of power and respect he has, there's nothing or no one challenging enough to knock him off his game nor his throne. That is until he meets the likes of the gorgeous Dr. Vaughn. Both witty, and domineering, she whisked her way into his life unexpectedly and proved to be his biggest challenge yet. He wants her and will stop at nothing to get her, but there's one problem. He has a family, and his Queen isn’t ready to relinquish her crown just yet. Reese, aka Dr. Vaughn, both beautiful and brainy, has a booming medical career that affords her a luxurious lifestyle. The Doc has just about everything going for herself except for one thing. She doesn't have a man to call her own...not that she's looking. After having her heart broken on numerous occasions, she vowed to never love again. But then she crossed paths with her next door neighbor and he changes her life forever. Young has too much money for his age and is about as handsome as they come. His good looks and endless cash flow makes him the most eligible bachelor in New York. All the ladies love him, yet he can't seem to find the one. Being the go-to, under the watchful eye of his big brother, God, finding time for love has always been a difficult task. Then he meets the baddest chick walking, Alexa. She gives him a run for his money. But you know what they say...you can't run forever. Alexa has played the fool to her long term boyfriend in Texas for years. Once she finally walks away, she has $200 dollars in her bank account and no plan on how she's gonna get by. Along her journey back home to New York, she meets a man who turns her world upside down. Nas hails all the way from Texas and just like the Lone Star State, everything about him is big, especially his ego. His main goal for migrating up north is to find his long lost brothers. However, with less than a hundred grand to his name, he's determined to takeover the street of New York no matter who's toes he steps on in the process. But what if taking over means eliminating the brothers he never knew? In this gripping tale of street love, drugs, lies and murder; many will not make it out alive, some will find love in a hopeless place while others get caught in the crossfire. Dive into the life of women who deserve more, and find out what it’s like to date the plug next door.

    Skai was the youngest of five children. Her mother passed when she was just six years old, leaving her in the care of her brother Randy. To keep the kids out the system, Randy took custody of all the children. The only problem was that he hated Skai. Skai found herself being abused mentally, physically, and emotionally by her oldest brother. She grew up hating herself. She had no education, no job, and no one in the world that cared for her. She felt like she was all alone. That was until she met Izzy. Izzy is a retired street dude turned legit. While working on a job, he came across Skai. He had a soft spot for this girl. He knew that she was troubled, but he was unaware as to how deep her troubles were. When her brother resurfaces, things take a turn for the worse. To save her from her past, Izzy found himself turning back to the streets with his guys Xavier, Jay, and Smoke in his corner. What he didn't know was that her present was just has haunting as her past. He thought he had the situation under control, until….

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

     What was Paris to Hemingway, and he to Paris? And how much of his city survives for us to visit and explore? In Hemingway's Paris: A User's Guide, prize-winning author John Baxter (The Most Beautiful Walk in the World) evokes the French capital as it was between 1921 and 1926, when Hemingway lived there, and provides a unique insider's guide to the city he knew and loved. John Baxter was born in Australia, but has lived in Paris for 25 years, most of that time in the building which Sylvia Beach made her home while running the famous Shakespeare and Company bookshop. As well as writing extensively about the city and its history, he leads literary walks around sites associated with James Joyce, Gertrude Stein, F Scott Fitzgerald and Ernest Hemingway. More details on www.johnbaxterparis.com.

    

    Within a year of his death, two posthumous collections were published. At the time of this death, as Leon Stokesbury asserts in his introduction, “Stanford was the best poet in America under the age of thirty-five.”The Light the Dead See collects the best work from those nine volumes and six previously unpublished poems. In the earlier poems, Stanford creates a world where he could keep childhood alive, deny time and mutability, and place a version of himself at the center of great myth and drama.Later, the denial of time and mutability gives way to an obsessive and familiar confrontation with death. Although Stanford paid an enormous price for his growing familiarity with Death as a presence, the direct address to that presence is a source of much of the striking originality and stunning power in the poetry.

    From the classic sixteenth-century love sonnets of Louise Labé and Maurice Sceve to the piercing lyricism of the Romantics and the dreamlike compositions of the Surrealists, French Love Poems is the perfect, seductive gift for anyone who makes your heart flutter.This collection includes poems by Guillaume Apollinaire, Charles Baudelaire, Claude Cahun, René Char, Marceline Desbordes-Valmore, Paul Éluard, Louise Labé, Stéphane Mallarmé, Anna de Noailles, Joyce Mansour, Arthur Rimbaud, Paul Verlaine, and many others; as well as translations by Mary Ann Caws, Robert Duncan, Lawrence Ferlinghetti, Denise Levertov, Ezra Pound, Kenneth Rexroth, Frederick Seidel, Richard Sieburth, and William Carlos Williams.

    A comprehensive collection by one of the most intensely musical and visionary poets writing today.

    It's a poetry book, from the perspective of a journal entry in the National Archives. The National Archives live in a building in Seattle behind barbed wire, directly next door to the Center for Spiritual Living. This is no accident. Gentleman Practice is a disarming de-haunting of accidents. There are no stunt doubles performing the honesty in this book. Head raised and victorious, he has crafted a translation of the human spirit on a small, practical patch, with a very fine tooth indeed. And, while many poetry books read like a thick epic series of sections, Gentleman Practice will no doubt rest in your hands like a well-oiled novel.

    . . . Berryman becomes Everyman attempting, falling shortof, and often achieving greatness." Young's selection, the first newselection of Berryman's poems in over 30 years, encompasses the formalaccomplishments of his early work, epitomized in the masterful Homage toMistress Bradstreet, the explosive and mesmerizing diction of Dream Songs,and his wrenching religious poems. Kevin Young's poetry and essays haveappeared in The New Yorker, The New York Times Book Review, Paris Review,and elsewhere, and have been featured on NPR's "All Things Considered."

    Collins’ emotional complexity and uncommon range make this debut both thrillingly imaginative and ethical in its uncompromising attention to detail. In her Foreword, contest judge Louise Glück observes, “I know no poet whose sense of fraud, the inflated emptiness that substitutes for feeling, is more acute.” Glück calls Collins’ volume “savage, desolate, brutally ironic . . . a book of astonishing originality and intensity, unprecedented, unrepeatable.”

    Calling poets away from civilization, back towards the wilderness, Lasky brazenly urges artists away from conceptual programs, resurrecting imagination and faith-in-the-uncertain as saviors from mediocrity.

    The volume also contains a group of modern narratives, including the famous, and much-anthologized, Moonlight Sonata. Ritsos, rightly, regarded the The Fourth Dimension as his finest achievement. It is now presented to English- speaking readers for the first time in its entirety.From PhiloctetesAll the speeches of great men, about the dead and about heroes. Astonishing, awesome words, pursued us even in our sleep, slipping beneath closed doors, from the banqueting hallwhere glasses and voices sparkled, and the veilof an unseen dancer rippled silentlylike a diaphanous, whirling wallbetween life and death. This throbbingour childhood nights, lightening the shadows of shieldsetched on white walls by slow moonlight.

    While Hall’s devoted readers will recognize many of his long-standing preoccupations—baseball, the family farm, love, sex, and friendship—what will strike them as new is the fierce, pitiless poignancy he reveals as his own life’s end comes into view. The Back Chamber is far from being death-haunted but rather is lively, irreverent, sexy, hilarious, ironic, and sly—full of the life-affirming energy that has made Donald Hall one of America’s most popular and enduring poets.