His versions of stories such as The Hare and the Tortoise and The Wolf and the Lamb are witty and sophisticated, satirizing human nature in miniature dramas in which the outcome is always unpredictable. The behavior of both animals and humans is usually centered on deception and cooperation (or the lack of it), as they cheat and fight each other, arguing about life and death, property and food, in an astonishing variety of narrative styles. The fables have long been popular with all ages, though their ironic take on contemporary society in French aristocratic circles is best appreciated by adults. This new translation by Christopher Betts matches the original in inventiveness and subtlety. It includes half of the fables first published in twelve books between 1668 and 1693, across the full range of subjects and themes. The fables are illustrated with a selection of Gustave Dore's majestic engravings, and an introduction offers insights into La Fontaine's life and literary artistry.

    It begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants from an age when the children of Cain and the progeny of fallen angels walked the earth, to the founding of Britain, England, Wales and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape and the yearning to belong, inhabited with characters now half-remembered: Brutus, Albina, Scota, Arthur and Bladud among them.Told with narrative flair, embellished in stunning artworks and glossed with a rich and erudite commentary. We visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy, spanning the length of Britain from the archipelago of Orkney to as far south as Cornwall; mountains and lakes such as Snowdon and Loch Etive and rivers including the Ness, the Soar and the story-silted Thames in a vivid, beautiful tale of our land steeped in myth. It Illuminates a collective memory that still informs the identity and political ambition of these places.In Storyland, Jeffs reimagines these myths of homeland, exile and migration, kinship, loyalty, betrayal, love and loss in a landscape brimming with wonder.

    An indefatigable researcher, Summers explores the presence of vampires in Greek and Roman lore, in England and Ireland during Anglo-Saxon times, in Hungary, Czechoslovakia, Russia, Romania, and Bulgaria, even in modern Greece. More than just a collection of library lore, however, this detailed examination of the history of vampirism in Europe also includes anecdotes and firsthand accounts gathered by the author from peasants in places where belief in vampires was still common.A fascinating, sometimes terrifying book, The Vampire in Lore and Legend is a "mine of out-of-the-way information full of unspeakable tales," writes The New York Times; and according to Outlook, "a fascinating inquiry into the vampire legend . . . a storehouse of curious and interesting lore." Of great interest to any enthusiast of the supernatural and the occult, this book will appeal as well to the legions of general readers captivated by this ancient myth.

    Travelling to the American West five times during the 1830s, Catlin was the first white man to depict Plains Indians in their native territory. The author spent eight years traveling among the Indians of the Northwest and the prairies, noting their customs and recording his observations with pen and brush. Catlin published his observation in a multi-volume set of books on the Indian tribes he witnessed. In "My Life Among the Indians" the parts of Catlin's volumes on the North American Indians which will be of most interest to the public have been condensed and brought together in chronological order. It is a splendid book to read and to own, being made up from two large volumes of letters written by George Catlin, the well-known painter of Indian subjects. There are sixteen illustrations from the artist's original drawings. Mr. Catlin traveled extensively in the Indian country, making a fine collection of Indian specimens which he afterwards exhibited in this country and in foreign lands. Many of these specimens, together with his paintings, which were so true to life among the Indians, are still preserved in Washington. It was Catlin who, in 1832, made the suggestion that the government should set aside a great National Park in the Yellowstone region. "Mr. Catlin's scheme, as it then took shape in his mind, and was carried out without deviation, was the formation of an Indian gallery, for which he would use his skill as a painter in securing portraits among the different tribes he would personally visit; in reproducing pictorially their customs, hunt games, and manner of living; in collecting their robes, headdresses, pipes, weapons, musical instruments, and articles of daily life; and in studying their social life, government, and religious views, that he might arrive at their own view of their relation to the world in which they lived. This world he also wished to investigate geographically and topographically. In brief, he wished to see the Indian in his native state, and, if possible, to discover his past. His future he knew. The Indian would disappear before advancing civilization. "Mr. Catlin's personal equipment for his task was a lithe, alert frame, about five feet eight inches tall, made sturdy and enduring by the outdoor life of his boyhood, a knowledge of woodcraft, a trained eye with the rifle, fine horsemanship, simple habits, a mechanical, even an inventive mind, and great steadfastness of purpose." CONTENTS Sketch Of Catlin's Life I. The Missouri River In The Thirties II. A Studio Among The Guns III. Indian Aristocrats: The Crows And Blackfeet IV. Painting An Indian Dandy V. Canoeing With Bogard And Batiste VI. Mandans: The People Of The Pheasants VII. Social Life Among The Mandans VIII. The Artist Becomes A Medicine-man IX. A Mandan Feast X. The Mandan Women XI. Mandan Dances And Games XII. O-kee-pa: A Religious Ceremony XIII. Dances Of The O-kee-pa XIV. The Making Of Braves XV. Mandan Legend Of The Deluge XVI. Corn Dance Of The Minatarees XVII. The Attack On The Canoe XVIII. The Death Of Little Bear: A Sioux Tragedy XIX. The Dances And Music Of The Sioux XX. A Dog Feast XXI. The Buffalo Chase XXII. A Prairie Fire XXIII. Songs And Dances Of The Iowas XXIV. Painting Black Hawk And His Warriors XXV. With The Army At Fort Gibson XXVI. Lassoing Wild Horses XXVII. Visiting The Camanches XXVIII. The Stolen Boy XXIX.

    (Titan: An Alternate History, Delta, Hobson's Gate, Jewish Comix Anthology) and edited by Hope Nicholson (Brok Windsor, Lost Heroes, Nelvana of the Northern Lights), MOONSHOT brings together dozens of creators from across North America to contribute comic book stories showcasing the rich heritage and identity of indigenous storytelling.From traditional stories to exciting new visions of the future, this collection presents some of the finest comic book and graphic novel work in North America. The traditional stories presented in the book are with the permission from the elders in their respective communities, making this a truly genuine, never-before-seen publication. MOONSHOT is an incredible collection that is sure to amaze, intrigue and entertain!Here are some of the talented writers and artists who have contributed to MOONSHOT:Claude St-Aubin (R.E.B.E.L.S., Green Lantern, Captain Canuck), Jeffery Veregge (G.I. Joe, Judge Dredd), Stephen Gladue (MOONSHOT cover artist), Haiwei Hou (Two Brothers), Nicholas Burns (Arctic Comics, Curse of Chucky, Super Shamou), Jon Proudstar (Tribal Force), George Freeman (Captain Canuck, Aquaman, Batman), Elizabeth LaPensee (Survivance, The Nature of Snakes, Fala), Buffy Sainte-Marie (Fire & Fleet & Candlelight, Coincidence & Likely Stories), Richard Van Camp (Path of the Warrior, Kiss Me Deadly), David Robertson (The Evolution of Alice, Stone), David Cutler (The Northern Guard), Menton J. Matthews III (Monocyte, Memory Collectors, Three Feathers), Jay Odjick (Kagagi: The Raven), Ian Ross (Heart of a Distant Tribe, Bereav'd of Light, An Illustrated History of the Anishinabe), Lovern Kindzierski (X-Men, Wolverine, Incredible Hulk, Thor, Spiderman), Arigon Starr (Super Indian, Indigenous Narratives Collective), Michael Sheyahshe (Dark Owl, Native Americans in Comic Books), Fred Pashe (SpiritWolf) and more!

    Includes The Monkey and the Crocodile, The Merchant of Seri, The Turtle Who Wouldn't Stop Talking, The Foolish Timid Rabbit, The Banyan Deer, and others. Suitable for ages 7 and up.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Wealthy cannibals who dine on the discarded limbs of peculiars. A fork-tongued princess. The origins of the first ymbryne. These are but a few of the truly brilliant stories in Tales of the Peculiar—known to hide information about the peculiar world—first introduced by Ransom Riggs in his Miss Peregrine’s Peculiar Children series.Riggs now invites you to share his secrets of peculiar history, with a collection of original stories, as collected and annotated by Millard Nullings, ward of Miss Peregrine and scholar of all things peculiar.

    Each of the four fairy tale has been translated and retold to reflect the original dark magic of the earliest versions of these works. Full color.Hansel & GretelSnow WhiteCinderellaSleeping Beauty

    Sleeping Beauty and Cinderella do not live happily ever after. And the fairies are saucy, angry, and capricious. Fairy Tales for the Disillusioned collects thirty-six tales, many newly translated, by writers associated with the decadent literary movement, which flourished in France in the late nineteenth century. Written by such creative luminaries as Charles Baudelaire, Anatole France, and Guillaume Apollinaire, these enchanting yet troubling stories reflect the concerns and fascinations of a time of great political, social, and cultural change. Recasting well-known favorites from classic French fairy tales, as well as Arthurian legends and English and German tales, the updated interpretations in this collection allow for more perverse settings and disillusioned perspectives--a trademark style and ethos of the decadent tradition.In these stories, characters puncture the optimism of the naive, talismans don't work, and the most deserving don't always get the best rewards. The fairies are commonly victims of modern cynicism and technological advancement, but just as often are dangerous creatures corrupted by contemporary society. The collection underlines such decadent themes as the decline of civilization, the degeneration of magic and the unreal, gender confusion, and the incursion of the industrial. The volume editors provide an informative introduction, biographical notes for each author, and explanatory notes throughout.Subverting the conventions of the traditional fairy tale, these old tales made new will entertain and startle even the most disenchanted readers.

    The brothers Marx and Grimm together could not have done better".--New York Times Book Review. Watercolor illustrations.

    When people told themselves their past with stories, explained their present with stories, foretold the future with stories...the best place by the fire was kept for...The Storyteller Archaia and The Jim Henson Company are proud to present all-new tales of fantastic wonder and extraordinary myth, as told from the tongue of The Storyteller and his loyal canine companion.

    This rich and intriguing collection of fantasy stories features classic figures--the Devil, trolls and werewolves, sorcerers and dragons--that have long been a part of the human psyche. The authors of these marvelous tales draw upon a deep well of images, characters, and landscapes with great imagination and subtlety. Featuring writers as diverse as John Buchan and Mervyn Peake, Angela Carter and Terry Pratchett, this is an anthology for the newcomer and dedicated fan alike.

    Just as fairy-tale magic can transform a loved one into a swan, the contributors to this book have transformed traditional fairy tales and legends into stories that are completely original, yet still tantalizingly familiar.The stories include a Rapunzel whose most confining prison is her loneliness; a contemporary rendering of the Green Man myth; two different versions of Red Riding Hood; a tale that grew out of a Celtic folk song; Sleeping Beauty's experience of her enchantment; two works inspired by the Arabian Nights; and more.FAIRY TALES TOLD BYBruce CovilleGregory FrostNeil GaimanNina Kiriki HoffmanKathe KojaTanith LeeLois MetzgerChristopher RoweWill ShetterlyMidori SnyderKatherine VazJane YolenPat York