Welcome to the diamond district. Ninety percent of all diamonds that enter America pass through these few blocks, but the inner workings of this mysterious world are known only to the people who inhabit it. Alicia Oltuski, daughter and granddaughter of diamond dealers, seamlessly blends family narrative with literary reportage to reveal the fascinating secrets of the diamond industry and its madcap characters, including her own eccentric father. Entertaining and illuminating, Precious Objects offers an insider's look at the history, business, and society behind one of the world's most coveted natural resources.

    A. Gill is one of the most feared writers in London, noted--according to the New York Times--for his "rapier wit." Some even consider the mere assignment of a subject to Gill a hostile act. But when the notice "AA GILL IS AWAY" runs in the Sunday Times of London, the city can rest peacefully in the knowledge that the writer is off traveling. "My editor asked me what I wanted from journalism and I said the first thing that came into my head--I'd like to interview places. To treat a place as if it were a person, to go and listen to it, ask it questions, observe it the way you would interview a politician or a pop star," Gill writes. Upon his return, readers are treated to an account of his vacations to places like famine-stricken Sudan, the pornography studios of California's San Fernando Valley, the dying Aral Sea or the seedy parts of Kaliningrad. The result is one of the most fascinating, stylish and irreverent collections of travel writing.

    The dead man was a vulgar ex-soldier; the woman--dazed but still alive--is an elegant beauty rumored to be a member of the royal family. Makine weaves an intricate tale of history, passion, madness, and ultimate tragedy.

    In his view, the only way of escape from the many forms of slavery--spiritual, economic, political--which shackle & improverish the spirit lies in the fuller realization of personality, as he defines it. Berdyaev turned to religious views & played a large part in the renaissance of religious & philosophical thought in Russian intellectual life early in the 20th century. In 1922 he & a number of other intellectuals were expelled from the USSR. His writings most often deal with the problem of freedom & human relations to the world in light of this problem.In Place of an IntroductionPart 1PersonalityMaster, slave & free manPart 2Being & freedom. The slavery of man to beingGod & freedom. The slavery of man to GodNature & freedom. The cosmic lure & the slavery of man to natureSociety & freedom. The social lure & the slavery of man to societyCivilization & freedom. The slavery of man to civilization & the lure of cultural valuesThe slavery of man to himself & the lure of individualismPart 3The lure of slavery & sovereignty. The 3fold image of the stateThe lure of war. The slavery of man to warThe lure & slavery of nationalism. Nation & peopleThe lure & slavery of aristocracy. The 2fold image of aristocracyThe lure of the bourgeois spirit. Slavery to property & moneyThe lure & slavery of revolution. The 2fold image of revolutionThe lure & slavery of collectivism. Enticement of utopia. The 3fold image of socialismThe erotic lure & slavery. Sex, personality & freedomThe aesthetic lure & slavery. Beauty, art & naturePart 4The spiritual liberation of man. Victory over fear & deathThe lure & slavery of history. The three kinds of time. The 2fold interpretation of the end of history. Active-creative eschatology

    Here, collected for the first time, are his famous lectures, which include Mansfield Park, Bleak House, and Ulysses. Edited and with a Foreword by Fredson Bowers; Introduction by John Updike; illustrations.

    They reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the twenties and thirties, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announces the end of Soviet Union. Taking advantage of the collapsing monolithic structure, the holes of the widening net, architects revisited all the chronological periods and styles, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba sanatorium), others expressed their imagination in an expressionist way (Tbilisi wedding palace). A summer camp, inspired by sketches of a prototype lunar base, lays claim to its suprematist influence (Promethee). Then comes the speaking architecture widespread in the last years of the USSR: a crematorium adorned with concrete flames (Kiev crematorium), a technological institute with a flying saucer crashed on the roof (Kiev institute), a political center watching you like a Big Brother (Kaliningrad House of Soviet). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of privacy and it also outlines the geography of the USSR, showing how local influences made their exotic twists before bringing the country to its end.

    Born in Russia, where left-handers are frowned upon, Anya learns to use her right hand, except when she draws with her imagined secret society of famous artists--then when she moves to America, everything is different.

    From Baby Blue Eyes to Silver Bells, from Abelia to Zinnia, every flower tells a story. Gardening writer Diana Wells knows them all. Here she presents one hundred well-known garden favorites and the not-so-well-known stories behind their names. Not for gardeners only, this is a book for anyone interested not just in the blossoms, but in the roots, too.

    In this mock autobiographical collection his mischievous drawings capture life's anxieties and ambitions from the mundane to the surreal. Here, at last, is The Truth about beer, doctors, shadow puppets, lunch, dolphins, boredom, and supernatural forces. Seductively strange and addictively amusing, this edgy little book welcomes the uninitiated and rewards the faithful.

    The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is Late Summer Entry, a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.