Her unconventional upbringing transforms Beryl into a bold young woman with a fierce love of all things wild and an inherent understanding of nature’s delicate balance. But even the wild child must grow up, and when everything Beryl knows and trusts dissolves, she is catapulted into a string of disastrous relationships. Beryl forges her own path as a horse trainer, and her uncommon style attracts the eye of the Happy Valley set, a decadent, bohemian community of European expats who also live and love by their own set of rules. But it’s the ruggedly charismatic Denys Finch Hatton who ultimately helps Beryl navigate the uncharted territory of her own heart. The intensity of their love reveals Beryl’s truest self and her fate: to fly.

    Spanning an extraordinary range of subjects and locations, these articles take us from a horrifying avalanche on Mt. Everest to a volcano poised to obliterate a big chunk of greater Seattle at any moment; from a wilderness teen-therapy program run by apparent sadists to an otherworldly cave in New Mexico, studied by NASA to better understand Mars; from the notebook of one Fred Beckey, who catalogued the greatest unclimbed mountaineering routes on the planet, to the last days of legendary surfer Mark Foo. Rigorously researched and vividly written, marked by an unerring instinct for storytelling and scoop, the pieces in Classic Krakauer are unified by the author’s ambivalent love affair with unruly landscapes and his relentless search for truth.

    It's about his father, an exquisitely common man whose very ordinariness is a source of grave embarrassment for the boy. It's also the story told to him by his uncle, who shared a family secret with the child in the flickering black and white images of a Sunday matinee.Years before, in the bitter years of World War II, during the Nazi occupation of France, two brothers found themselves at the mercy of a German guard following an explosive act of resistance. Thrown into a deep pit with a small group of terrified prisoners, the men are told that one of them will die by dawn to serve as an example for the others. It's up to the prisoners to propose who will be sacrificed. But in the middle of the night, the guard returns with an extraordinary proposition of his own.A novel of revelation, innocence and ignorance, of the power of language and the strength and complexity of family, In Our Strange Gardens is a fable of nuance and power, a mesmerizing addition to the literature of war.

    In it she tells the story of a miraculous ocean encounter that happened to her when she was seventeen and in training for a big swim (she had already swum the English Channel, twice, and the Catalina Channel).It was the dark of early morning; Lynne was in 55-degree water as smooth as black ice, two hundred yards offshore, outside the wave break. She was swimming her last half-mile back to the pier before heading home for breakfast when she became aware that something was swimming with her. The ocean was charged with energy as if a squall was moving in; thousands of baby anchovy darted through the water like lit sparklers, trying to evade something larger. Whatever it was, it felt large enough to be a white shark coursing beneath her body.It wasn't a shark. It became clear that it was a baby gray whale—following alongside Lynne for a mile or so. Lynne had been swimming for more than an hour; she needed to get out of the water to rest, but she realized that if she did, the young calf would follow her onto shore and die from collapsed lungs.The baby whale—eighteen feet long!—was migrating on a three-month trek to its feeding grounds in the Bering Sea, an eight-thousand-mile journey. It would have to be carried on its mother's back for much of that distance, and was dependent on its mother's milk for food—baby whales drink up to fifty gallons of milk a day. If Lynne didn't find the mother whale, the baby would suffer from dehydration and starve to death.Something so enormous—the mother whale was fifty feet long—suddenly seemed very small in the vast Pacific Ocean. How could Lynne possibly find her?This is the story—part mystery, part magical tale—of what happened . . .

    In the letters the children read of the origins of their parents' passion: how they first met in 1924 when Henry crashed his Air Mail plane into Ruth's family's cornfield; how Ruth flew alongside Henry as his navigator; about Ruth's passion for flying; and how the birth of her children kept her on the ground.

    Approaching the land that was once home, memories of her childhood merge with the recent events that have set her on this journey.Amy was shaped by the cycle of the seasons, birth and death on the farm, and her father’s mental illness, which were as much a part of her childhood as the wild, carefree existence on Orkney. But as she grew up, she longed to leave this remote life. She moved to London and found herself in a hedonistic cycle. Unable to control her drinking, alcohol gradually took over. Now thirty, she finds herself washed up back home on Orkney, standing unstable at the cliff edge, trying to come to terms with what happened to her in London.Spending early mornings swimming in the bracingly cold sea, the days tracking Orkney’s wildlife—puffins nesting on sea stacks, arctic terns swooping close enough to feel their wings—and nights searching the sky for the Merry Dancers, Amy slowly makes the journey toward recovery from addiction.The Outrun is a beautiful, inspiring book about living on the edge, about the pull between island and city, and about the ability of the sea, the land, the wind, and the moon to restore life and renew hope.A Guardian Best Nonfiction Book of 2016Sunday Times Top Ten BestsellerNew Statesman Book of the Year

    Inside you will find:× The smell of honeysuckle× Heartbreak× A French-kissing rabbit× A haunted house× Death× A vagina singing sad old songs× Young geraniums in an ancient castle× Birth× A dog who appears in dreams as a spiritual guide× Divorce× Electromagnetic energy fields× Emotional horniness× The ghost of a sea captain× And moreI hope you enjoy these little weirds.Love,Jenny Slate

     A captivating blend of historical fact and imaginative fiction, Above All Things moves seamlessly back and forth between the epic story of Mallory's legendary final expedition and a heartbreaking account of a day in the life of Ruth Mallory. Through George's perspective, and that of the newest member of the climbing team, Sandy Irvine, we get an astonishing picture of the terrible risks taken by the men on the treacherous terrain of the Himalaya. But it is through Ruth's eyes that a complex portrait of a marriage emerges, one forged on the eve of the First World War, shadowed by its losses, and haunted by the ever-present possibility that George might not come home. Drawing on years of research, this powerful and beautifully written novel is a timeless story of desire, redemption, and the lengths we are willing to go for honour, glory, and love.

    With warmth and humanity these four stories illuminate her love both for the African people, their dignity and traditions, and for the beauty and wildness of the landscape. The first three were written in the 1950s and the last, 'Echoes from the Hills', was written especially for this volume in the summer of 1960 when the author was in her seventies. In all they provide a moving final chapter to her African reminiscences.

    Not only does she not live in Provence, she doesn’t even live in a nice part of Los Angeles. This upper-lower-middle-class suburb in the sun-swept grid of the San Fernando Valley, consistently ranked one of the worst places to live in America, whose night sky is flamed by a million fast-food neon signs and whose streets are chockablock with carnicerias, taquerias, and pupuserias, will, she’s pretty sure, never be Provence.In A Year in Van Nuys, we find Sandra, an obscure writer, blocked at page 100 of her Great American Novel — the one that, when finished, will bring her fame, fortune, and the requisite country house in Provence. She’s 35 and she has eyebags like Bert Lahr, a too-rich, too-thin sister who torments her about her lack of initiative, and a $300-an-hour Malibu therapist. She writes for a failing women’s website — Amelia.com — makes a disastrous appearance on CNN, entertains a network’s idea about making a sitcom of her life, especially her eyebags, and watches new and old acquaintances alike succeed wildly at various pursuits. And this is merely the tip of the iceberg of a year in Sandra’s life. Divided by season — The Winter of Our Discontent, Spring Without Bending Your Knees, Summer Where We Winter, and Fall of Our Dearest Expectations — Sandra’s narrative charts a hilarious course through the anti-Hollywood, a morbid inferno that none other than Robert Redford called a “furnace that could destroy any creative thought that managed to creep into your brain.”The result of this journey? Not thinner thighs, smoother skin, or a kind of space-age Zen Buddhist acceptance. (Notwithstanding the fact that a wise [gay] man notes that even Madonna has an inner Van Nuys.) No, the true grail turns out to be, unbelievably enough, Maturity. Which coincides, sadly, with the official end of Youth. Which, after a brief mourning period, turns out to be an odd relief for Sandra. After all, when one is no longer burdened by Youth, or Promise, or Potential, or even worldly Interest, a writer finally finds . . . the rush is over. Sandra has all the time in the world. And on a sunny blue-sky morning, a story begins to occur to her — of a 35-year-old, with Bert Lahr eyebags, who was blocked in the course of a Great American Novel in a colorful, tattered little outpost called Van Nuys . . .From the Hardcover edition.

    "I can never be sad on the rue des Martyrs," Sciolino explains, as she celebrates the neighborhood’s rich history and vibrant lives. While many cities suffer from the leveling effects of globalization, the rue des Martyrs maintains its distinct allure. On this street, the patron saint of France was beheaded and the Jesuits took their first vows. It was here that Edgar Degas and Pierre-Auguste Renoir painted circus acrobats, Emile Zola situated a lesbian dinner club in his novel Nana, and François Truffaut filmed scenes from The 400 Blows. Sciolino reveals the charms and idiosyncrasies of this street and its longtime residents—the Tunisian greengrocer, the husband-and-wife cheesemongers, the showman who’s been running a transvestite cabaret for more than half a century, the owner of a 100-year-old bookstore, the woman who repairs eighteenth-century mercury barometers—bringing Paris alive in all of its unique majesty. The Only Street in Paris will make readers hungry for Paris, for cheese and wine, and for the kind of street life that is all too quickly disappearing.

    Eleven years and 20,000 miles were to elapse before she returned home. Now she tells the story of her extraordinary life and personal odyssey.

    She had to save herself from a man who hurt her more than he loved her.As Eden Sparks, she now lives in Liar's Island, where she spends her days running her interior design business or hiding from the world inside her secluded lake house.Each day she still looks over her shoulder, still expects him to emerge from the shadows.When he finally does, she's far from prepared.Is it time to stop running and fight for her life? Or has she already lost before fate deals her another blow?***Welcome to Liar’s Island, a stand-alone series of interconnected, novella-length domestic thrillers set in the picture-perfect community of Liars Island. Here, nothing is quite as it seems.On this island, families, and friendships are more than meets the eye...secrets, deceptions, and jealousies threaten to ruin everything these influential people have built. But it isn’t only the rich that live here...and power comes in all shapes and sizes. Everyone here is a liar...just how far would you go to get what you want?

    Brings together three hilarious pieces by America's comic genius: Without Feathers, a secret journal that addresses life's "big" questions; Getting Even, Woody as psychologist, historian, and philosopher; and Side Effects, Woody's take on UFOs and more.

    B. White Naturalist, philosopher, champion of self-reliance and moral independence, Henry David Thoreau remains not only one of our most influential writers but also one of our most contemporary. This unique and comprehensive edition gathers all of Thoreau's most significant works, including his masterpiece, Walden (reproduced in its entirety); A Week on the Concord and Merrimack Rivers; selections from Cape Cod and The Maine Woods; as well as "Walking," "Civil Disobedience," "Slavery in Massachusetts," "A Plea for Captain John Brown," and "Life Without Principle." Taken together, they reveal the astounding range, subtlety, artistry, and depth of thought of this true American original.Includes a Modern Library Reading Group Guide