Drawing on the memories of her parents-both Holocaust survivors-and the fragmented stories of other family members lost in the war, she explores the impact of their legacy on her own life. Through her vivid prose and stunning illustrations, Eisenstein crafts a tale that is emotionally rich and visually arresting. "I Was a Child of Holocaust Survivors" harkens back to Art Spiegelman's "Maus" but breaks new ground in combining graphic novel and memoir. Mixing sadness with bittersweet humor, Eisenstein describes her experiences growing up in the wake of the World War II. But more than a book about the Holocaust and its far-reaching shadow, this moving, searingly honest testament speaks to the universality of memory and loss. Anyone who sees this book will be deeply affected by its beautiful, highly evocative writing and its brilliantly original, haunting artwork.

    Sixty years later, this novel follows the adventures of an immigrant boy and deals with Prohibition, anti-Semitism, racism, sexuality, and the alienation that followed the Great War.

    . . Alan Dershowitz speaks with great passion and personal courage."-Elie WieselAlan Dershowitz is at his outspoken, thought-provoking best in The Case Against Israel's Enemies, changing both the tone and the focus of the debate about Israel's adversaries at a time when the future existence of Israel is increasingly imperiled.

    Leon Uris's novel is set in the midst of the ghetto uprising that defied Nazi tyranny, as the Jews of Warsaw boldly met Wehrmacht tanks with homemade weapons and bare fists. Here, painted on a canvas as broad as its subject matter, is the compelling story of one of the most heroic struggles of modern times.

    RECLAIM YOUR SPIRITUAL HERITAGEThrough God?s carefully ordered system of ceremonialworship,He revealed Himself most clearly to thenation of Israel.This is especially evident in the seven?Feasts of the LORD? as detailed in Leviticus 23:Passover, Unleavened Bread, First Fruits, Pentecost,Trumpets,Atonement, and Tabernacles.These feasts arepictures of a person, the Messiah, and represent sevenphases of spiritual growth in the life of the believer.JESUS REVEALED IN THE FEASTSGod gave these festivals as foreshadowings of Jesus andHis various works of grace in the lives of all believers.The author clearly depicts the unity found in God?sunfolding purposes for His people, be they Jew orGentile, from the new birth found in Passover and theCrucifixion, all the way to entering God?s rest found in

    In Israel, the deepening occupation of the West Bank is putting Israeli democracy at risk. In the United States, the refusal of major Jewish organizations to defend democracy in the Jewish state is alienating many young liberal Jews from Zionism itself. In the next generation, the liberal Zionist dream--the dream of a state that safeguards the Jewish people and cherishes democratic ideals--may die.In The Crisis of Zionism, Peter Beinart lays out in chilling detail the looming danger to Israeli democracy and the American Jewish establishment's refusal to confront it. And he offers a fascinating, groundbreaking portrait of the two leaders at the center of the crisis: Barack Obama, America's first "Jewish president," a man steeped in the liberalism he learned from his many Jewish friends and mentors in Chicago; and Benjamin Netanyahu, the Israeli prime minister who considers liberalism the Jewish people's special curse. These two men embody fundamentally different visions not just of American and Israeli national interests but of the mission of the Jewish people itself.Beinart concludes with provocative proposals for how the relationship between American Jews and Israel must change, and with an eloquent and moving appeal for American Jews to defend the dream of a democratic Jewish state before it is too late.

    As featured on the cover of Tikkun magazine How do we articulate a religious vision that embraces evolution and human authorship of Scripture?  Drawing on the Jewish mystical traditions of Kabbalah and Hasidism, path-breaking Jewish scholar Arthur Green argues that a neomystical perspective can help us to reframe these realities, so they may yet be viewed as dwelling places of the sacred.  In doing so, he rethinks such concepts as God, the origins and meaning of existence, human nature, and revelation to construct a new Judaism for the twenty-first century.

    Dov Indig was killed on October 7, 1973, in a holding action on the Golan Heights in Israel during the Yom Kippur War. Letters to Talia, published in his memory by family and friends, contains excerpts from an extensive correspondence Dov maintained with Talia, a girl from an irreligious kibbutz in northern Israel, in 1972 and 73, the last two years of his life. At the time, Talia was a highschool student, and Dov was a student in the Hesder yeshiva Kerem B Yavneh, which combines Torah study with military service. It was Talia s father who suggested that Talia correspond with Dov, and an intense dialogue developed between them on questions of Judaism and Zionism, values and education. Their correspondence continued right up to Dov s death in the Yom Kippur War."

    In this volume, her first to appear in English, she offers a fascinating window into some of the liveliest and most colorful stories in the Talmud. Calderon rewrites talmudic tales as richly imagined fictions, drawing us into the lives of such characters as the woman who risks her life for a sister suspected of adultery; a humble schoolteacher who rescues his village from drought; and a wife who dresses as a prostitute to seduce her pious husband in their garden. Breathing new life into an ancient text, A Bride for One Night offers a surprising and provocative read, both for anyone already intimate with the Talmud or for anyone interested in one of the most influential works of Jewish literature.

    He is a Chassidic Orthodox Jew and the son of a revered rabbi in whose footsteps he's expected to follow. When he leaves his insular world to take classes at a secular college, he vows to remain unchanged...Praise for A Seat at the Table: "A poignant depiction of a deeply loving father and a no less loving son desperate to find his own very different path without shattering the connection to his family, to his father."-- Rabbi Joseph Telushkin, Author of Jewish Literacy and a Jewish Code of Ethics "Halberstam takes you deeply into the Chassidic community with a critical eye but a loving, understanding heart. This tender, compassionate coming-of-age story brims over with wisdom from the Jewish tradition. It's worth reading for the Chassidic tales alone."-- David Grubin, Documentary Filmmaker, The Jewish Americans, LBJ"Joshua Halberstam knows the soul of Chassidic Brooklyn better than anyone without payes and a black hat. He explores that world with a unique combination of skepticism and compassion. A Seat at the Table is a lovely and deeply humane book."-- Melvin Jules Bukiet, Author of Strange Fire and Neurotica"In this novel of fathers and sons, faith and doubt, Joshua Halberstam illuminates a world rich with religious tradition and Chassidic stories, and he proves himself to be a master storyteller in his own right. A Seat at the Table is unusually wise, genuine, and always affecting." -- Tova Mirvis, author of The Ladies Auxiliary and The Outside World

    Blending memoir, religious history and literary reflection Rosen explores the remarkable parallels between a page of Talmud and the homepage of a web site, and reflects on the contrasting lives and deaths of his American and European grandmothers.

    The characters, and unique sense of humor, that inhabited that progressive comic strip, however, originated in Hollander's own childhood neighborhood. We Ate Wonder Bread is the first graphic novel from this acclaimed veteran cartoonist, a coming-of-age memoir starring the gangsters, the glamorous, the bed bugs, the Catholics, the police, and many more characters who are just too eccentric to be made up. With an introduction by award-winning cartoonist Alison Bechdel (Fun Home), We Ate Wonder Bread is Nicole Hollander's often-hilarious look into the origin of her style and wit, while also a chronicle of a Chicago community, and a piece of America, that has long since disappeared.

    It is powerful, shocking, and primitive, with the kind of appeal primary sources often attain without effort.... it is a strong addition to the literature of women's experience on the frontier." --Lillian Schlissel [asking for approval to use quote]In 1894, eighteen-year-old Rachel Bella Kahn travelled from Russia to the United States for an arranged marriage to Abraham Calof, an immigrant homesteader in North Dakota. Rachel Calof's Story combines her memoir of a hard pioneering life on the prairie with scholarly essays that provide historical and cultural background and show her narrative to be both unique and a representative western tale. Her narrative is riveting and candid, laced with humor and irony.The memoir, written by Rachel Bella Calof in 1936, recounts aspects of her childhood and teenage years in a Jewish community, (shtetl) in Russia, but focuses largely on her life between 1894 and 1904, when she and her husband carved out a life as homesteaders. She recalls her horror at the hardships of pioneer life--especially the crowding of many family members into the 12 x 14' dirt-floored shanties that were their first dewllings. "Of all the privations I knew as a homesteader," says Calof, "the lack of privacy was the hardest to bear." Money, food, and fuel were scarce, and during bitter winters, three Calof households--Abraham and Rachel with their growing children, along with his parents and a brother's family--would pool resources and live together (with livestock) in one shanty.Under harsh and primitive conditions, Rachel Bella Calof bore and raised nine children. The family withstood many dangers, including hailstorms that hammered wheat to the ground and flooded their home; droughts that reduced crops to dust; blinding snowstorms of plains winters. Through it all, however, Calof drew on a humor and resolve that is everywhere apparent in her narrative. Always striving to improve her living conditions, she made lamps from dried mud, scraps of rag, and butter; plastered the cracked wood walls of her home with clay; supplemented meagre supplies with prairie forage--wild mushrooms and garlic for a special supper, dry grass for a hot fire to bake bread. Never sentimental, Caolf's memoir is a vital historical and personal record.J. Sanford Rikoon elaborates on the history of Jewish settlement in the rural heartland and the great tide of immigration from the Russian Pale of Settlement and Eastern Europe from 1880-1910. Elizabeth Jameson examines how Calof "writes from the interior spaces of private life, and from that vantage point, reconfigures more familiar versions of the American West." Jameson also discusses how the Calofs adapted Jewish practices to the new contingencies of North Dakota, maintaining customs that represented the core of their Jewish identity, reconstructing their "Jewishness" in new circumstances.

    The culmination of this work, Alter's masterly new translation and probing commentary combine to give contemporary readers the definitive edition of The Five Books. Alter's majestic translation recovers the mesmerizing effect of these ancient stories—the profound and haunting enigmas, the ambiguities of motive and image, and the distinctive cadences and lovely precision of the Hebrew text. Other modern translations either recast these features for contemporary clarity, thereby losing the character of the original, or fail to give readers a suitably fluid English as a point of contact. Alter's translation conveys the music and the meaning of the Hebrew text in a lyrical, lucid English. His accompanying commentary illuminates the text with learned insight and reflection on its literary and historical dimensions.

    Collected from people of all walks of life, they include parables and allegories about life, luck, and wisdom; tales of magic and wonder; stories about rebbes and their disciples; and tales whose only purpose is to entertain. Long after the culture that produced them has disappeared, these enchanting Yiddish folktales continue to work their magic today.Part of the Pantheon Fairy Tale and Folklore Library