The last remnants of humanity are fighting for survival, terrorised by the carnivorous plants and the grotesque insect life.Contents:· Hothouse · Brian W. Aldiss · nv F&SF Feb ’61 · Nomansland · Brian W. Aldiss · nv F&SF Apr ’61 · Undergrowth · Brian W. Aldiss · na F&SF Jul ’61 · Timberline · Brian W. Aldiss · nv F&SF Sep ’61 · Evergreen · Brian W. Aldiss · na F&SF Dec ’61

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, rumors of war arrive. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success, but when Mission Control falls inexplicably silent, Sully and her crew mates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives?

    It has been 60 years since the great Red Death wiped out mankind, and the handful of survivors from all walks of life have established their own civilization and their own hierarchy in a savage world. Art, science, and all learning has been lost, and the young descendants of the healthy know nothing of the world that was—nothing but myths and make-believe. The old man is the only one who can convey the wonders of that bygone age, and the horrors of the plague that brought about its end. What future lies in store for the remnants of mankind can only be surmised—their ignorance, barbarity, and ruthlessness the only hopes they have?'

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    It’s coming back to do it again and again… When the alien Gitai invade, Keiji Kiriya is just one of many raw recruits shoved into a suit of battle armor and sent out to kill. Keiji dies on the battlefield, only to find himself reborn each morning to fight and die again and again. On the 158th iteration though, he sees something different, something out of place: the female soldier known as the Bitch of War. Is the Bitch the key to Keiji’s escape, or to his final death?

    But from the first, eight-year-old Stevie's life there is an unending parade of misery and disaster.Cruelly ostracized at his school, Stevie retreats further and further into himself — and into a strange computer game and a group of imaginary friends.But there is something eerie about his loyal, invisible new playmates: each shares the name of a child who has recently vanished from the sleepy Southern town. And terror grows for Step and DeAnne as the truth slowly unfolds. For their son has found something savagely evil ... and it's coming for Stevie next.

    Save the present. Stop the future. Alastair Reynolds unfolds a time-traveling climate fiction adventure in Permafrost.2080: at a remote site on the edge of the Arctic Circle, a group of scientists, engineers and physicians gather to gamble humanity’s future on one last-ditch experiment. Their goal: to make a tiny alteration to the past, averting a global catastrophe while at the same time leaving recorded history intact. To make the experiment work, they just need one last recruit: an ageing schoolteacher whose late mother was the foremost expert on the mathematics of paradox.2028: a young woman goes into surgery for routine brain surgery. In the days following her operation, she begins to hear another voice in her head... an unwanted presence which seems to have a will, and a purpose, all of its own – one that will disrupt her life entirely. The only choice left to her is a simple one.Does she resist... or become a collaborator?

    When an attack kills the adults on a colony ship, the on-board A.I. VALERIE must help the ship’s children survive the perils of space. Can Valerie rise to the task?

    The human race has been wiped out by the 6DM virus (Six Days Maximum - the longest you've got before your body destroys itself). The end of the world as we know it.Yet someone is still alive. Alone in a new world of burning cities, rotting corpses and ravenous rats, one woman has survived. A woman who has spent her whole life compromising what she wants and hiding how she feels to meet other people's expectations. From her career to her relationships, to what she wears and where she lives, she's made a lifetime of decisions to fit what other people want her to be. But with no one else left, who will she become now that she's completely alone?

    NOW NATURE, APPARENTLY, HAS DECIDED TO FIGHT BACK. Police officer Dora Henry is investigating the bizarre murders of three geneticists. Meanwhile, strange things are happening everywhere she turns. Weeds are becoming trees; trees are becoming forests. Overnight, a city is being transformed into a wild and verdant place. And, strangest of all, Dora can somehow communicate with the rampaging flora. A potential civilization-ending catastrophe is in the making. The nearer Dora gets to a murderer--and to the truth--the more seemingly disparate events begin to entwine. And the answers she seeks today to the salvation of humankind may lie in afar distant future. . .one which is suddenly much closer than anyone imagines. An exhilarating and enchanting novel that deftly combines fantastic invention with insight and a social conscience, from one of the most lyrical and important voices in contemporary speculative fiction.

    G. Wells was greeted in 1896 by howls of protest from reviewers, who found it horrifying and blasphemous. They wanted to know more about the wondrous possibilities of science shown in his first book, The Time Machine, not its potential for misuse and terror. In The Island of Dr. Moreau, a shipwrecked gentleman named Edward Prendick, stranded on a Pacific island lorded over by the notorious Dr. Moreau, confronts dark secrets, strange creatures, and a reason to run for his life.While this riveting tale was intended to be a commentary on evolution, divine creation, and the tension between human nature and culture, modern readers familiar with genetic engineering will marvel at Wells’s prediction of the ethical issues raised by producing “smarter” human beings or bringing back extinct species. These levels of interpretation add a richness to Prendick’s adventures on Dr. Moreau’s island of lost souls without distracting from what is still a rip-roaring good read.

    Hundreds of thousands have lost the ability to sleep. Enter the Slumber Corps, an organization that urges healthy dreamers to donate sleep to an insomniac. Under the wealthy and enigmatic Storch brothers the Corps' reach has grown, with outposts in every major US city. Trish Edgewater, whose sister Dori was one of the first victims of the lethal insomnia, has spent the past seven years recruiting for the Corps. But Trish’s faith in the organization and in her own motives begins to falter when she is confronted by “Baby A,” the first universal sleep donor, and the mysterious "Donor Y."Sleep Donation explores a world facing the end of sleep as we know it, where “Night Worlds” offer black market remedies to the desperate and sleep deprived, and where even the act of making a gift is not as simple as it appears.

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.

    His wife and daughters were at home, stranded on the roof as zombies waited below. He would have to fight through hordes of undead, merciless other survivors, and a series of death defying stunts to get home. However, even if he makes it there, how can he be sure they're safe?Deadlocked puts you into David's head as he struggles to get home. Then a final confrontation occurs that will guarantee his family's survival, but at what cost?