Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

    Dottie Manderson stumbles upon the body of a dying man in a deserted night-time street. As she waits for help to arrive, she holds the man’s hand and tries to get him to tell her what happened. But with his last breaths he sings to her some lines from a popular stage show. But why, Dottie wonders? Why would he sing to her instead of sending a final message to his loved ones? Why didn’t he name his attacker? Dottie needs to know the answers to these questions and so, even though a particular, very annoying, young policeman is investigating the case officially, she feels compelled to carry out her own investigation into the mysterious death. Introducing a new 1930s female sleuth in a traditional, cozy mystery series set in London between the two world wars, from Caron Allan, the writer of Criss Cross, Cross Check and Check Mate, a diary-based murder not-so-mysterious trilogy set in contemporary Britain. Extract from Night and Day: a Dottie Manderson mystery: If she hurried, she shouldn’t get too wet. She had been hopelessly optimistic when she told the cabby the rain had stopped. It hadn’t. Dottie drew her fur coat more tightly around her and held onto her hat, now not much more than a bit of limp lace and ribbon. But almost her first step took her an inch deep into a puddle and she couldn’t help but give a little yelp at how cold the water was, and the shock of it. ‘Blast it,’ she grumbled, and leaning against a nearby gate-post, she shook the worst of the water from her silver sandals. Almost new, too, she thought ruefully, and almost certainly ruined. At least her dress hadn’t seemed to suffer too badly. She hitched the skirt of it up a little higher and continued her short but eventful journey. A sound came to her ears. A soft shushing sort of sound but almost melodic. She paused a moment. Listened. Her eyes, growing accustomed to the darkness, made out a shape on the pavement not ten yards ahead. Her heart gave an odd lurch, as if a cold hand gripped it. ‘Idiot,’ she muttered, and forced herself to keep going. She really shouldn’t read gothic novels late at night, it made her jumpy. No doubt all she would find were the pages of a newspaper all spread about by the wind, and made to look odd by the streetlamp behind her creating shadows. The sound came again. A little louder, a little more insistent. It sounded almost like… There was someone—a man—lying on the pavement. She felt a little shimmer of fear. Could it be a drunk? Perhaps she ought to step into the road, walk round him very carefully, keeping her distance… The head moved very slightly. His face was a pale oval in the dim lamplight. And she saw that the lips moved too. It was him making that odd noise. So it was a drunk, after all. He was singing to himself in a soft sibilant whisper. Her ear caught the rough melody of it, and even then, just as she saw the blood on his shirt-front, one part of her mind was saying, I know that song. She forgot her fears and ran to his side. ‘What happened? Are you all right?’ she asked, then berated herself for asking such a stupid question. Because it was all too obvious he was not all right. She knelt beside him and put out a hand to take his groping one. He was quite young, though older than her own nineteen years of age. But no more than perhaps his early thirties. Fairish hair, slightly receding, and dark from the rain. One of those moustaches that were all the rage at the moment. Blue eyes, very blue like a child’s, wide and astonished-looking. From his smart evening dress, he was clearly well-to-do, although she didn’t recognise him. But the blood—oh the blood.

    A plan that should have brought the lovers together and had them married within a month. It was a simple matter of masquerading as the duke’s gardener, compromising the lady, and then having the duke rush them off to Gretna Green.Alas, he underestimates the duke’s intelligence and the tangled situation on the estate—never had he imagined that compromising a lady could be so difficult.His endeavours lead to a comedy of errors, charades, and knotty love affairs. Yet he forges ahead in spite of pesky house guests, a flea bitten mattress, his lovesick best friend, and a blackmailer.Just when things seem to be going well, someone is murdered (very inconvenient), and he happens to be one of the suspects (extremely inconvenient).His simple plan for winning the wager suddenly becomes … a tad complicated.

    He calls on Captain Harry Cathcart, the impoverished younger son of a baron, to do some intelligence work on the would-be fiancee, Sir Geoffrey Blandon.After his success in uncovering Geoffrey's dishonorable motives, Harry fashions a career out of "fixing" things for wealthy aristocrats. So when the Marquess of Hedley finds one of his guests dead at a lavish house party, he knows just the man to call.But when Harry is caught between his client's desire for discretion and his suspicion that murder may indeed have been committed, he enlists the help of Superintendent Kerridge of the Scotland Yard and Lady Rose, also a guest at Lord Hedley's.Set in the Edwardian world of parties, servants, and scandal, Snobbery with Violence is a delightful combination of murderous intrigue and high society.

    Everyone else goes to Arrowood.The Afghan War is over and a deal with the Irish appears to have brought an end to sectarian violence, but Britain's position in the world is uncertain and the gap between rich and poor is widening. London is a place where the wealthy party while the underclass are tempted into lives of crime, drugs and prostitution. A serial killer stalks the streets. Politicians are embroiled in financial and sexual scandals. The year is 1895.The police don't have the resources to deal with everything that goes on in the capital. The rich turn to a celebrated private detective when they need help: Sherlock Holmes. But in densely populated south London, where the crimes are sleazier and Holmes rarely visits, people turn to Arrowood, a private investigator who despises Holmes, his wealthy clientele and his showy forensic approach to crime. Arrowood understands people, not clues.

    They served together in the war as part of a shadowy unit called the Magic Men.Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind.Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another ‘trick’, the Wolf Trap, he knows that they are all in danger…

    Mystery author Lady Amy Lovell receives an anonymous letter containing shocking news: her fiancé, Mr. Ronald St. Vincent, has been dabbling in something illegal, which causes her to promptly break their engagement.Two evenings later, as Lady Lovell awaits a visit from Lord William Wethington, fellow member of the Bath Mystery Book Club, her former fiancé makes an unexpected and most unwelcome appearance at her house. She promptly sends him to the library to cool his heels but later discovers the room seemingly empty--until she stumbles upon a dead Mr. St. Vincent with a knife in his chest.Lord Wethington arrives to find Lady Amy screaming and sends for the police, but the Bobbies immediately assume that she is the killer. Desperate to clear her name, Lady Amy and Lord Wethington launch their own investigation--and stir up a hornet's nest of suspects, from the gardener who served time in prison for murder to a vengeful woman who was spurned by St. Vincent before he proposed to Lady Amy.Can they close the book on the case before the real killer gets away with murder?

    Then a beautiful young woman is found raped and savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol discovered at the scene and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.Now a fugitive running for his life, Sebastian calls upon his skill as an agent during the war to catch the killer and prove his own innocence. In the process, he accumulates a band of unlikely allies, including the enigmatic beauty Kat Boleyn, who broke Sebastian's heart years ago. In Sebastian's world of intrigue and espionage, nothing is as it seems, yet the truth may hold the key to the future of the British monarchy, as well as to Sebastian's own salvation....

    New and revised edition. Anna Kronberg lives in Victorian London’s worst rookery, offering medical treatment to prostitutes, vagrants, and criminals. To her, plugging holes and mopping up blood is normal. Stitching the slashed face of a young prostitute is not. Witnesses refuse to talk. The police can’t be bothered with yet another injured whore. But whispers are spreading about a man who pays well for a few harmless knife marks. No one dares reveal the man’s identity. Only Garret O’Hare - a thief Anna barely knows - reluctantly agrees to help her investigate the assault. But when the injured girl disappears, a veil of silence descends upon the slum. And Anna learns that she is no longer the hunter, but the hunted. Warning: medical procedures, poverty, and prostitution are depicted without apology. For fans of Caleb Carr, Louise Penny, and Anne Perry.

    The science of forensics is in its infancy but a few detectives – Trevor Welles among them – recognize that they are dealing with a different sort of killer, a “modern criminal” who chooses his victims at random. If Jack is to be caught, he won’t be caught with Scotland Yard’s normal methods of deduction for there is no logic to this madness. The question is no longer “Why was the victim killed?” but rather “How was the victim killed?” For the first time in the history of detection, science is trumping deductive reasoning.When a twist of fate puts Trevor in charge of the case, he hastily assembles Scotland Yard’s first forensics team: Davy Mabrey, the first bobby on the scene of the grisliest of the murders, whose working class common sense proves an invaluable asset, Rayley Abrams, a cautious intellectual whose future at the Yard is marginalized due to his Jewish heritage, Tom Bainbridge, a medical student with aristocratic connections and a secret drinking problem, and Emma Kelly, sister of the Ripper’s last victim who has a troubled past and a gift for linguistics. The team finds an unlikely ally in the form of Queen Victoria herself, who takes an unusual level of interest in the Ripper case and secretly funds the unit. But will they stop Jack in time to spare Leanna Bainbridge, the young heiress with whom Trevor has fallen madly and improbably in love?While City of Darkness takes place in London, its sequel, City of Light, will travel to Paris on the eve of the Exposition Universalle, the ultimate World’s Fair which debuted Edison’s phonograph, Buffalo Bill’s Wild West Show, and the Eiffel Tower The third book, City of Silence, will take place in St. Petersburg where Victoria’s beloved granddaughter Alexandria is on the verge of marrying the young czar Nicolas, much to her grandmother’s dismay. Throughout the series the Scotland Yard forensics team, which serves as a sort of Victorian-era CSI, will circle the world to investigate high-profile cases, most often at the urging of the Queen.

    He recruits his unwanted protégé Thomas Clarady to do the tiresome legwork. The son of a privateer, Clarady will do anything to climb the Elizabethan social ladder. Bacon's powerful uncle Lord Burghley suspects Catholic conspirators of the crime, but other motives quickly emerge. Rival barristers contend for the murdered man's legal honors and wealthy clients. Highly-placed courtiers are implicated as the investigation reaches from Whitehall to the London streets. Bacon does the thinking; Clarady does the fencing. Everyone has something up his pinked and padded sleeve. Even the brilliant Francis Bacon is at a loss — and in danger — until he sees through the disguises of the season of Misrule.

    Your Country. Your Kin. Who Do You Betray?1563: Anyone could be a suspect; any Catholic could be accused of plotting against the throne. Clarenceux keeps his head down and his religion quiet. But when a friend desperately pleads with Clarenceux to hide a manuscript for him, he is drawn into a web of treachery and conspiracy he may never untangle. Is there no refuge if your faith is your enemy?Bestselling author Dr. Ian Mortimer, writing as James Forrester, has crafted a chilling, brilliant story that re-imagines how the explosive mix of faith and fear can tear a country apart. Sacred Treason tells a thrilling story of murder, betrayal, and loyalty--and the power of the written word.

     Yet to Inspector Sam Blackstone, the case is as puzzling as any he has ever come across. Why should a corpse dressed the in rags of a commoner have the face of a gentleman? And if this man does belong to noble stock, why has no one come forward to claim the body? As his investigation proceeds, Blackstone finds himself entering the world of the aristocracy—in which the presence of an ordinary policeman is far from welcome—and tramping the dangerous streets of London's Little Russia—where English law and order are not welcome. Death seems to stalk him, and as each new clue leads to nothing more than a new murder, Blackstone comes to realize that he is caught up in what may turn out to be the most horrendous crime of the century… Blackstone and the Rendezvous with Death is an expertly plotted Victorian mystery that will keep readers guessing to the last page. Praise for Sally Spencer: “Spencer's finest hour: a tightly plotted puzzler with surprises at every turn” Kirkus Reviews “Spencer is an accomplished craftsman who serves up a good puzzle and deftly solves it with intelligence and insight” Publishers Weekly “Characters are diverse, intriguing, and believable . . . plots never fail to surprise; and the procedural details are grittily realistic” Kirkus Reviews Sally Spencer worked as a teacher both in England and Iran - where she witnessed the fall of the Shah. She now writes full time. Endeavour Press is the UK's leading independent publisher of digital books.

    When Aldgate Underground station was extended, the workmen discovered the grave and unceremoniously dumped the bones, to make way for the new track.Now, a renowned spiritualist is claiming the dead are rising to punish Londoners.Strange encounters start to be reported in London’s East End with some people dying from unexplained causes.People start to panic, and distressed parishioners consult local preacher, Matthew West, looking for reassurance.Matthew is at a loss and turns to local doctor, James Carlyle, for answers.Carlyle and West have very different views on science and religion, but they decide to work together to get the bottom of the mysterious deaths.Has a curse really been put on London? Have the dead risen from their graves?Or could a serial killer be loose in the city…?INTERVIEWING THE DEAD is the first crime thriller in an exciting new historical crime series, the Carlyle & West Victorian Mysteries, private investigations set in Victorian London and packed full of suspense.

    A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson's daughters--the Brontë sisters--learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent "lady detectors." Not yet published novelists, they have well-honed imaginations and are expert readers. And, as Charlotte remarks, "detecting is reading between the lines--it's seeing what is not there."As they investigate, Charlotte, Emily, and Anne are confronted with a society that believes a woman's place is in the home, not scouring the countryside looking for clues. But nothing will stop the sisters from discovering what happened to the vanished bride, even as they find their own lives are in great peril...