Using a layout style that was later copied by Wired, McLuhan and coauthor/designer Quentin Fiore combine word and image to illustrate and enact the ideas that were first put forward in the dense and poorly organized Understanding Media. McLuhan's ideas about the nature of media, the increasing speed of communication, and the technological basis for our understanding of who we are come to life in this slender volume. Although originally printed in 1967, the art and style in The Medium is the Massage seem as fresh today as in the summer of love, and the ideas are even more resonant now that computer interfaces are becoming gateways to the global village.

    Recognizing that The Great War was the psychological turning point . . . for modernism as a whole, author Modris Eksteins examines the lives of ordinary people, works of modern literature, and pivotal historical events to redefine the way we look at our past and toward our future.

    The media focused attention at once on the unexpected phenomenon of darkness in the life of the saint, the astonishing revelation that, for decades, Mother Teresa had struggled mightily with belief in God. To some, this seemed to lend support to the arguments of the “new atheists.” But what we are offered in this beautiful book is, at last, a serious grappling with the deeper meaning of her darkness, a work of sharp and unusual insight, written by someone who knew her.In this intimate look at her “private writings,” Paul Murray illumines the meaning of a life which is only now beginning to be understood.I Loved Jesus in the Night is one priest’s compelling account of meeting with the saint of Calcutta. Sharing anecdotes and first-hand experiences, Paul Murray offers a glimpse into why Mother Teresa could declare, in one of her letters, that if ever she were to “become a saint,” she would surely be one of “darkness.”This very personal yet powerful book is an attempt to come to terms with the dark night experiences endured by Mother Teresa in the light of the Gospel and the mystical teachings of St John of the Cross. And something else as well...revelations of Mother Teresa’s sense of humor!

    His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.

    It is said that truth is stranger than fiction and honestly, NO-ONE could have made this up. There are battles, murders, intrigues, rapes, assassinations, torture, intimidation, and much much more. Along the way Mohammed invented Jihad, the most effective system of conquest ever devised. Mohammed’s life story is also the key which unlocks the complexities and confusion of the Islamic religion itself. By understanding his story we quickly gain a clear insight into the Islamic religion and the incredible importance this holds for our future. This amazing book pulls no punches and brings the subject to life in a way which is both fascinating and informative. Rather than looking at Islam through a prism of Western (and by default, Christian) perspective, it takes Islam apart and explains the Islamic perspective itself. In doing so it illuminates the stark contrasts between Western and Islamic ethics and beliefs in clear and simple language which makes it a delight to read. There are no apologies, no excuses and no pretending. This is not Islam as we want it to be, this is Islam as it really is, warts and all. Every page is packed with important, but little known facts and key passages from Islam’s holy books. These are carefully arranged and then cemented into place with logical and insightful commentary which reveals the true picture, as Islamic scholars have always known it. This is the information which is never reported by the mainstream and this book will have you turning pages right to the very end. The reader is then left with an entirely new understanding of issues such as terrorism, the treatment of women, immigration and poverty. Inexplicable actions suddenly begin to make perfect sense. Seemingly insane or random behaviour fits perfectly into a well thought out and wildly successful strategy. By the end, the reader is hit with a real sense of the vital importance of this information. Millions of people, both Muslims and non Muslims are tragically affected by aspects of Islam. More than 95% of all wars and armed conflict today involve Muslims. Muslims also suffer some of the highest rates of poverty, disease, hunger, illiteracy, environmental degradation and many more crippling disadvantages. Islam is also increasingly affecting the Western World and not just through terrorism. Muslims make up 5% of the population of Denmark and yet they are estimated to absorb 50% of that countries welfare budget. Other Western countries face similar challenges. These problems all have their roots in Islam. The good news is that they can all be fixed. By tackling the subject head on, this book leaves us with the knowledge and understanding to address these problems with logical and well thought out solutions rather than hiding behind fine sounding, politically correct assumptions which have no basis in fact. Pat Fraser described it as follows: “A hard hitting book confronting a world epidemic. Using language for all ages and levels of education, the author has clearly illustrated the history and radical concepts behind one of the world’s largest and most influential religions. Written free from bias or personal agenda, it is a must read book to truly gain an understanding into the darker sides of this belief and the negative effects they have had on countries around the globe. If for greater understanding or just personal interest, this is definitely worth your time”. Ishiro Yamamoto called this “A truly informative and well researched work that should be read by all those who wish to know the real truth”.

    From the Florence of Lorenzo the Magnificent and Savonarola to the splendour of the papal Rome; the tormented life of a Renaissance genius.

    Their sound was inventive and tetchy, and front man Jello Biafra’s lyrics were incisive and often scathing. This chronicle—the first in-depth book written about Dead Kennedys—uses dozens of firsthand interviews, photos, and original artwork to offer a new perspective on a group that was mired in controversy almost from its inception. It examines and applauds the band’s key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening and enormously funny. Author Alex Ogg puts the local and global trajectory of punk into context and, while not flinching from the wildly differing takes the individual band members have on the evolution of the band, attempts to be celebratory—if not uncritical.

    Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include: * auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.

    It documents her experience visiting the continent of Antarctica in January 2019 with photos taken by New Zealand photographer Harriet Were. Lorde expressed an interest in exploring the region of Antarctica since she was old enough to read. In January 2019, she visited Scott Base and McMurdo Station, Antarctica, travelling as an Antarctic Ambassador. During her visit, she observed microscopic species in environmental laboratories and spoke with scientists. Lorde described the book as "sort of a perfect precursor" to her upcoming third studio album. It will feature over 100 pages of images taken by New Zealand photographer Harriet Were and writings from Lorde. All proceeds will be used to fund a postgraduate scholarship created by Antarctica New Zealand, a government agency.

    The creator of expansive tableaus of fantastic and hellish scenes—where any devil not dancing is too busy eating human souls—he has been as equally misunderstood by history as his paintings have. In this book, Nils Büttner draws on a wealth of historical documents—not to mention Bosch’s paintings—to offer a fresh and insightful look at one of history’s most peculiar artists on the five-hundredth anniversary of his death.             Bosch’s paintings have elicited a number a responses over the centuries. Some have tried to explain them as alchemical symbolism, others as coded messages of a secret cult, and still others have tried to psychoanalyze them. Some have placed Bosch among the Adamites, others among the Cathars, and others among the Brethren of the Free Spirit, seeing in his paintings an occult life of free love, strange rituals, mysterious drugs, and witchcraft. As Büttner shows, Bosch was—if anything—a hardworking painter, commissioned by aristocrats and courtesans, as all painters of his time were. Analyzing his life and paintings against the backdrop of contemporary Dutch culture and society, Büttner offers one of the clearest biographical sketches to date alongside beautiful reproductions of some of Bosch’s most important work. The result is a smart but accessible introduction to a unique artist whose work transcends genre.

    This book provides the art history student with an introduction to the range of theoretical perspectives used in looking at and analyzing art. It covers a broad range of approaches, presenting individual arguments, controversies, and divergent perspectives.The book begins by introducing the concept of theory and explains why it is important to the practice of art history. Each of the six chapters that form the core of the book presents a group of related approaches that are then discussed in turn and applied to one or more works of art. The book ends with some practical ideas about writing theory-based art history essays.

    Of that second category, Lawrence Weschler is the master. Witness the pieces in this splendidly disorienting collection, spanning twenty years of his career and the full range of his concerns–which is to say, practically everything.Only Lawrence Weschler could reveal the connections between the twentieth century’s Yugoslav wars and the equally violent Holland in which Vermeer created his luminously serene paintings. In his profile of Roman Polanski, Weschler traces the filmmaker’s symbolic negotiations with his nightmarish childhood during the Holocaust. Here, too, are meditations on artists Ed Kienholz and David Hockney, on the author’s grandfather and daughter, and on the light and earthquakes of his native Los Angeles. Haunting, elegant, and intoxicating, Vermeer in Bosnia awakens awe and wonder at the world around us.

    In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.

    His disturbing narrative opens up an entire culture, revealing the dark side of Renaissance man and politician Lorenzo de' Medici.On a Sunday in April 1478, assassins attacked Lorenzo and his brother as they attended Mass in the cathedral of Florence. Lorenzo scrambled to safety as Giuliano bled to death on the cathedral floor. April Blood moves outward in time and space from that murderous event, unfolding a story of tangledpassions, ambition, treachery, and revenge. The conspiracy was led by one of the city's most noble clans, the Pazzi, financiers who feared and resented the Medici's swaggering new role as political bosses--but the web of intrigue spread through all of Italy. Bankers, mercenaries, the Duke of Urbino, the King of Naples, and Pope Sixtus IV entered secretly into the plot. Florence was plunged into a peninsular war, and Lorenzo was soon fighting for his own and his family's survival.The failed assassination doomed the Pazzi. Medici revenge was swift and brutal--plotters were hanged or beheaded, innocents were hacked to pieces, and bodies were put out to dangle from the windows of the government palace. All remaining members of the larger Pazzi clan were forced to change theirsurname, and every public sign or symbol of the family was expunged or destroyed.April Blood offers us a fresh portrait of Renaissance Florence, where dazzling artistic achievements went side by side with violence, craft, and bare-knuckle politics. At the center of the canvas is the figure of Lorenzo the Magnificent--poet, statesman, connoisseur, patron of the arts, and ruthlessboss of bosses. This extraordinarily vivid account of a turning point in the Italian Renaissance is bound to become a lasting work of history.

    Every day people drink coffee on European terraces and kava in Pacific villages; chew betel nut in Indonesian markets and coca leaf on Andean mountainsides; swallow ecstasy tablets in the clubs of Amsterdam and opium pills in the deserts of Rajastan; smoke hashish in Himalayan temples and tobacco and marijuana in every nation on earth. Exploring the spectrum of drug use throughout history--from its roots in animal intoxication to its future in designer neurochemicals--High Society paints vivid portraits of the roles drugs play in different cultures as medicines, religious sacraments, status symbols, and coveted trade goods. From the botanicals of the classical world through the mind-bending self-experiments of 18th- and 19th-century scientists to the synthetic molecules that have transformed our understanding of the brain, Mike Jay reveals how drugs such as tobacco, tea, and opium drove the global trade and cultural exchange that created the modern world and examines the forces that led to the prohibition of opium and cocaine a century ago and the “war on drugs” that rages today.