Based on literacy learning and motivation research, they created a structure called The Daily Five which has been practiced and refined in their own classrooms for ten years, and shared with thousands of teachers throughout the United States. The Daily Five is a series of literacy tasks (reading to self, reading with someone, writing, word work, and listening to reading) which students complete daily while the teacher meets with small groups or confers with individuals.This book not only explains the philosophy behind the structure, but shows you how to carefully and systematically train your students to participate in each of the five components.Explicit modeling practice, reflecting and refining take place during the launching phase, preparing the foundation for a year of meaningful content instruction tailored to meet the needs of each child.The Daily Five is more than a management system or a curriculum framework; it is a structure that will help students develop the habits that lead to a lifetime of independent literacy.

    Glatthorn offers examples of how principals can incorporate curriculum leadership into their organizational behavior and re-examines the key issues that continue to influence principals in the real world.

    A promising career as a law professor, family money, and my good looks, but my life was full of secrets. I knew how to put up a good front; it was a mask I’d worn for a long time. I kept a rotating door of women to help me forget, but my efforts were futile. I was haunted by guilt, my always lurking, underlying darkness. I thought I had control, but there were things I had no control over.Then I saw her.Emma was the light to my dark, a beacon that called to me when I knew I should stay away. I avoided this kind of connection for a reason. The sins of my past left me with scars and not all of them were skin deep.People thought they knew me, but in reality, they knew nothing.

    And if he wins a summer scholarship at Dance-Splosion, he’s on his way. The problem? His dad wants him to play football. And Dillon’s freestyle crew, the Dizzee Freekz, says that dance studios are for sellouts. His friends want Dillon to kill it at the audition—so he can turn around and tell the studio just how wrong their rules and creativity-strangling ways are.WORK IT.At first, Dillon’s willing to go along with his crew’s plan, even convincing one of the snobbiest girls at school to work with him on his technique. But as Dillon’s dancing improves, he wonders: what if studios aren’t the enemy? And what if he actually has a shot at winning the scholarship? BRING IT.Dillon’s life is about to get crazy . . . on and off the dance floor.

    When national dance competition Starwars comes to her school looking for talent, she wants to sign up. It's just a shame her best friend agreed to enter with school super-cow Pearl Harris. Bea will fight back! But when school hottie, Ollie Matthews, who also happens to be Pearl’s boyfriend, decides to enter the competition with Bea, she will have more than a fight on her hands.This warm, nuanced, hilarious story about friendship, fortitude . . . and dancing is impossible not to fall in love with. Jenny’s voice is fresh and convincing, and she handles both darker and lighter elements of the story with equal panache.

    Forcing someone vulnerable and naive into a sexual relationship to satisfy a twisted desire is perverted, even evil. But when the perpetrator is a sixteen-year-old schoolgirl, is she culpable? And if the victim is her thirty-four-year-old teacher, shouldn't he have known better? When the nameless young narrator of Innocents decides to seduce her teacher, she immediately realizes that the power of her sexuality is greater than she ever imagined. She leaves the aunt and uncle who are her guardians and moves in with her teacher; together, they quickly embark on a journey into their darkest desires. Unforgettable, disturbing, and morally complex, Innocents permanently unsettles our notions of innocence, experience, and power, and suggests that we all are culpable.

    This book is about making those encounters as compelling as we can make them." -Harvey "Smokey" Daniels and Steven ZemelmanWe are specialists to the bone-in science, math, social studies, art, music, business, and foreign language. But now, the Common Core and state standards require us to help our students better understand the distinctive texts in our subject areas. "Nobody's making us into reading teachers," write Smokey Daniels and Steve Zemelman, "but we must become teachers of disciplinary thinking through our students' reading."If this shift sounds like a tough one, Subjects Matter, Second Edition is your solution. Smokey and Steve, two of America's most popular educators, share exactly what you need to help students read your nonfiction content closely and strategically: 27 proven teaching strategies that help meet-and exceed-the standards how-to suggestions for engaging kids with content through wide, real-world reading a lively look at using "boring" textbooks motivating instruction that's powered by student collaboration specifics for helping struggling readers succeed.Subjects Matter, Second Edition enables deep, thoughtful learning for your students, while keeping the irreverent, inspiring heart that's made the first edition indispensable. You'll discover fresh and re-energized lessons, completely updated research, and vibrant vignettes from new colleagues and old friends who have as much passion for their subjects as you do."We'll be using methods particular to our fields as well as engaging reading materials that help students understand and remember our content better," write Smokey and Steve. "We can realize that vision of the light going on in kids' heads and maybe fill them with enthusiasm about the amazing subject matter that we have to offer. Sound good? Let's get to work." Read a sample chapter from Subjects Matter, Second Edition.

    Inside turned the terrible wheel of drug addiction, part family curse, part legacy of the footloose surf culture he'd done so much to legitimise. Tom's family and friends struggled with him, kept his secrets, and looked on in anger and fear as the wheel began to grind him down.

    It not only covers the broad spectrum of ballet vocabulary but also gives sound, practical advice to aspiring dancers. The clarity of the writing, in a field notorious for its opaqueness, is in itself a major achievement."--Merrill Ashley, Principal Dancer, New York City Ballet"An excellent, comprehensive guide to ballet pedagogy valuable to teachers and students alike. For many years Gretchen's has been a major voice in the dance community, and this extensive work details the study of classical ballet from her unique and expert point of view. I applaud her, and I heartily recommend Classical Ballet Technique."--David Howard, International Ballet Master and Master Teacher"Gretchen Warren has undertaken a monumental task and has completed it with distinction. Obviously a labor of love, this book's attention to detail and the clarity of its text and photos make it a valuable contribution to the lexicon of ballet. I recommend it to every serious student and teacher."--Thalia Mara, Founding Director, Ballet Repertory Company and National Academy of Ballet; Artistic Director, U.S.A. International Ballet Competition"Congratulations to Ms. Warren for her authoritative book on classical ballet. Thanks are in order too from the many professional teachers, dancers, and students of the art form who will benefit from this book-an essential addition to any dance lover's library."--Lawrence Rhodes, Artistic Director, Les Grands Ballets CanadiensGretchen Ward Warren studied at London's Royal Ballet and the National Ballet School of Washington, D.C. She was soloist with the Pennsylvania Ballet for eleven years and ballet mistress of American Ballet Theatre II from 1978 to 1983. She is professor of dance at the University of South Florida and frequently appears as a master teacher on the national and international circuits.Susan Cook has photographed the performing arts for the past fifteen years. Her work has appeared in Time, Newsweek, the New York Times, and many dance books. Her own books of photographs include In a Rehearsal Room and The Alvin Ailey American Dance Theater.

    Why should a highly successful head teacher of an inner-city primary school move to a small rural school in the Yorkshire Dales to face so many challenges? There are the declining number of pupils and the poor state of the building for a start and then there are the disparaging former head teacher, the gloomy caretaker and the amorous chair of governors to contend with. Those in the village are intrigued by the appearance of the new young and attractive head teacher and gossip is rife. Gervase Phinn's novel is peopled with his usual cast of colorful characters, comic situations, and, of course, the delightful and sometimes taxing children.

    Readers will learn about each animal's anatomy, behavior, and more. Then compare and contrast the battling animals before finally discovering the winner!This nonfiction series is full of facts, photos, and realistic illustrations, and it includes a range of mammals, sea creatures, insects, and dinosaurs to satisfy all kinds of animal fans.

    John's and into the Squires household, a place where tragedy strikes but love prevails. Derry Girls meets Billy Elliot with an East coast twist.It's 1995. When the Full Tilt Dancers give an inspiring performance at the opening of the new bingo hall, twelve-year-old Finbar (Barry) Squires wants desperately to join the troupe. Led by Father O'Flaherty, the Full Tilt Irish Step Dancers are the most sought-after act in St. John's, Newfoundland (closely followed by popular bagpiper, Alfie Bragg and his Agony Bag). Having watched Riverdance twice, Barry figures he'll nail the audition. And good thing too -- it'd be nice to be known for something other than the port wine stain on his cheek. With questionable talent and an unpredictable temper, Barry's journey to stardom is jeopardized by his parents' refusal to take his dreams seriously. Thankfully, Barry has the support of a lively cast of characters: his ever-present grandmother, Nanny Squires; his adorable baby brother, Gord; an old British rocker named Uneven Steven; a group of geriatrics from the One Step Closer to God nursing home; and Saibal, a friend with whom Barry gets up to no good. Told with humor and a healthy dose of irreverence, Barry Squires, Full Tilt takes readers on a rowdy romp through the streets of St. John's and into the Squires household, a place where tragedy strikes, but love prevails.

    Join Linus as he awaits the Great Pumpkin, Peppermint Patty as she faces off against an entire hockey team, and Snoopy as he attempts to eat the largest sandwich he's ever seen. Sally befriends the new girl at school, Eudora, only to find a rival for the affection of her Sweet Babboo. And Charlie Brown searches for a home for Snoopy's mysterious brother, Spike. So put on your top hat, fancy tie and dancing shoes, and join Snoopy and the rest of the gang in this boogielicious new collection of classic Peanuts comics.

    Endorsed by Cambridge International Examinations for the revised Cambridge IGCSE Business Studies syllabus. It has been written for the revised Cambridge IGCSE (0450) and Cambridge O Level Business Studies (7115) syllabuses, for first teaching from 2013. Reinforces understanding through a variety of activities and discussion points Provides examination preparation with revisions questions and summaries throughout Written in accessible language, but with plenty of detail for top-grade students

    Soon she discovers she has no choice, unless she can win an ancient and mysterious board game. And every roll of the dice leads her further into danger. The Name at the End of the Ladder is a fantasy adventure for younger readers by award-winning New Zealand poet Elena de Roo. This junior fiction novel about the power of language and friendship is ideal for fans of Jumanji, Zathura and The Phantom Tollbooth. For more about the author and her books, please visit www.elenaderoo.com