The good wit of bad manners, elegantly spiced with irony and deftly controlled malice, has made Saki stories small, perfect gems of the English language. Here for the first time, are the collected writings of Saki--including all of his short stories ("Reginald", "Reginald in Russia", "The Chronicles of Clovis", "Beasts and Super-Beasts" "The Toys of Peace", and "The Square Egg"), his three novels (THE UNBEARABLE BASSINGTON, WHEN WILLIAM CAME and THE WESTMINSTER ALICE), and three plays (THE DEATHTRAP, KARL-LUDWIG'S WINDOW and THE WATCHED POT. You are invited to meet once again Clovis, Reginald, the Unbearable Bassington, and the other memorable characters etched so superbly by the pen of H.H. Munro. "In all literature, he was the first to employ successfully a wildly outrageous premise in order to make a serious point. I love that. And today the best of his stories are still better than the best of just about every other writer around."--Roald Dahl. Introduction by Noel Coward.(less)

    Republished in this new edition, this Victorian novel operates in the continuum of life and death. What has been can be again, though often terribly transformed. Energetically inventive and infused with a relish for the supernatural, especially the trappings of the dark, The House of the Vampire delivers a horror which we know does not - but none the less conceivably might - exist and threaten ourselves. Blurring the lines between fact and fiction, The House of the Vampire is considered a classic among Victorian Gothic stories."He felt the presence of the hand of Reginald Clarke - unmistakably - groping in his brain as if searching for something that had still escaped him. He tried to move, to cry out, but his limbs were paralysed. When, by a superhuman effort, he at last succeeded in shaking off the numbness that held him enchained, he awoke just in time to see a figure, that of a man, disappearing in the wall that separated Reginald's apartments from his room...."George Sylvester Viereck (1884 - 1962), remembered today chiefly for his contributions to fantasy literature, was born in Germany and emigrated to the United States with his family at age 11. He was editor of the magazine The Fatherland, and author of Confessions of a Barbarian and Glimpses of the Great.

    Now, after his death, his sons have taken up his work. But what they discover is beyond what they could have expected. For the Wood is a realm where myths gain flesh and blood, tapping primal fears and desires subdued through the millennia. A realm where love and beauty haunt your dreams -- and may drive you insane. Mythago Wood won the World Fantasy Award on its first publication in 1984, and secured Robert Holdstock's reputation as one of the major fantasy writers of our time. Now it returns to print in America for the first time in nearly a decade.

    Failed father, failed husband, and failed scholar, Charles hopes to put his life back together with a biography of Caedmon Hollow, the long-dead author of a legendary Victorian children's book, In the Night Wood. But soon after settling into Hollow's remote Yorkshire home, Charles learns that the past isn't dead. In the neighboring village, Charles meets a woman he might have loved, a child who could have been his own lost daughter, and the ghost of a self he thought he'd put behind him. And in the primeval forest surrounding Caedmon Hollow's ancestral home, an ancient power is stirring. The horned figure of a long-forgotten king haunts Charles Hayden's dreams. And every morning the fringe of darkling trees presses closer. Soon enough, Charles will venture into the night wood. Soon enough he'll learn that the darkness under the trees is but a shadow of the darkness that waits inside us all.

    To her overbearing family in London, it is a disturbing and inexplicable act of defiance. But Lolly will not be swayed, and in the depths of the English countryside she gradually discovers not only freedom and independence, but also, unexpectedly, her true vocation.

    Violet is obsessed with the books of fairy tales her husband acquires, but her growing delusions see her confined in an asylum. As she recovers and is released a terrifying series of events is unleashed.

    LovecraftNew Tales of Terror!What would happen if Sir Arthur Conan Doyle's peerless detective, Sherlock Holmes, and his allies were to find themselves faced with Lovecraftian mysteries whose solutions lay not only beyond the grasp of logic, but beyond sanity itself. In this collection of original tales, twenty of today's cutting-edge writers provide answers to that burning question.Contributors include Neil Gaiman, Brian Stableford, Poppy Z. Bright, Barbara Hambly, Steve Perry, and Caitlin R. Kierman. These and other masters of horror, mystery, fantasy and science fiction spin dark tales within a terrifyingly surreal universe.Includes the Hugo Award-winning story A Study in Emerald by Neil Gaiman.Cover design: David StevensonCover Illustration: John Jude Palencar

    From acclaimed director Guillermo del Toro.

    Modern editions use a later revised version printed in 1817 and featuring a gloss. Along with other poems in Lyrical Ballads, it was a signal shift to modern poetry and the beginning of British Romantic literature.It relates the events experienced by a mariner who has returned from a long sea voyage. The Mariner stops a man on his way to a wedding ceremony and begins to narrate a story. The Wedding-Guest's reaction turns from bemusement to impatience, fear, and fascination as the Mariner's story progresses, as can be seen in the language style: for example, the use of narrative techniques such as personification and repetition to create a sense of danger, or the supernatural, or serenity, depending on the mood each different part of the poem.

    Checking into a quaint boardinghouse for the summer, she hopes to put her life into perspective. In her fellow lodgers, she finds a friendly company of strangers: the frail Alice, cared for by a married couple with a heartbreaking story of their own; LuAnn, the eccentric and lovable owner of the inn; and Dominic, an unsettlingly handsome man inked from head to toe in mesmerizing tattoos.But in this inviting refuge, where a century of souls has passed, a mystery begins to swirl. Alice knows things about Brynn, about all of them, that she shouldn’t. Bad dreams and night whispers lure Brynn to a shuttered room at the end of the hall, a room still heavy with a recent death. And now she’s become irresistibly drawn to Dominic—even in the shadow of rumors that wherever he goes, suspicious death follows.In this chilling season of love, transformation, and fear, something is calling for Brynn. To settle her past, she may have no choice but to answer.

    The suspension of disbelief happens easily, as the reader is led through twisted family trees and plot lines. The quincunx of the title is a heraldic figure of five parts that appears at crucial points within the text (the number five recurs throughout the novel, which itself is divided into five parts, one for each of the family galaxies whose orbits the narrator is pulled into). Quintuple the length of the ordinary novel, this extraordinary tour de force also has five times the ordinary allotment of adventure, action and aplomb.

    While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.

    The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    We meet a school teacher, his wife, and their young son, Billy. One thing, one seemingly minor thing, goes wrong. And all that was safe and ordinary slowly unravels into nightmare. This familiar premise for the contemporary horror novel has rarely, if ever, been developed so brilliantly as in Bentley Little's The Mailman. A tall, pale postal carrier with carrot-red hair may seem an unlikely candidate for the embodiment of evil, but Little reveals the personality behind the mailman's ever-present smile with such finesse, you'll be more than happy to fall under his spell. By the time the frightened town folk are chanting, "No mail! No mail! No mail! No mail!"--and Billy ends up half-naked in a dark room, next to a soiled wedding dress--you'll be jumping right out of your skin.

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.