Six-year-old Kassandra is given a doll: "I put her to sleep in her box, but first I cut off her legs and arms so she'd fit," she tells us, "Later, I cut her head off too, so she wouldn't be so heavy. Now I love her very much." Kassandra is an unforgettable narrator, a perfect, brutal guide to childhood as we've never seen it, a journey that passes through the looking glass but finds the darkest corners of the real world.This edition brings Kassandra and the Wolf back into print at last, a tour de force and, as Karapanou liked to call it, a scary monster of a book.

    In chapter one, the grandmother matriarch in the Soviet Union accidentally writes a bestselling autobiography. In chapter two, Tosca, her daughter (born in Canada, where her mother had emigrated) moves to the DDR and takes a job in the circus. Her son―the last of their line―is Knut, born in chapter three in a Leipzig zoo but raised by a human keeper in relatively happy circumstances in the Berlin zoo, until his keeper, Matthias, is taken away...Happy or sad, each bear writes a story, enjoying both celebrity and “the intimacy of being alone with my pen.”

    As they drive through the country they hit a young hare. Vatanen, the journalist, leaves the car and goes in search of the injured creature. The grateful animal adopts Vatanen and together the two scamper through farcical adventures and political scandal.

    Crossing town one evening to meet up with Gerti's Jewish lover, a blockade cuts off the girls' path -- it is the Fürher in a motorcade procession, and the crowd goes mad striving to catch a glimpse of Hitler's raised "empty hand." Then the parade is over, and in the long hours after midnight Sanna and Gerti will face betrayal, death, and the heartbreaking reality of being young in an era devoid of innocence or romance. In 1937, German author Irmgard Keun had only recently fled Nazi Germany with her lover Joseph Roth when she wrote this slim, exquisite, and devastating book. It captures the unbearable tension, contradictions, and hysteria of pre-war Germany like no other novel. Yet, even as it exposes human folly, the book exudes a hopeful humanism. It is full of humor and light, even as it describes the first moments of a nightmare. After Midnight is a masterpiece that deserves to be read and remembered.

    I have no interest in one person killing another. I only want to draw out morbid desires, imprisoned deep in the unconscious. This lust, once freed, starts growing. Their imaginations run free, and they soon discover their potential... They are waiting for someone like me.A spectral, nameless narrator haunts the lost and wounded of big-city Seoul, suggesting solace in suicide. Wandering through the bright lights of their high-urban existence, C and K are brothers who fall in love with the same woman - Se-yeon. As their lives intersect, they tear at each other in a struggle to find connection in their fast-paced, atomized world.Dreamlike and cinematic, I Have the Right to Destroy Myself brilliantly affirms Young-ha Kim as Korea's leading young literary master.

    Living in a big old house surrounded by a beautiful garden are Maria, the oldest sister, as sexually bold as she is eager to settle down and have a family of her own; beautiful but distant Infanta; and dreamy and rebellious Katerina, through whose eyes the story is mostly observed. Over three summers, the girls share and keep secrets, fall in and out of love, try to figure out their parents and other members of the tribe of adults, take note of the weird ways of friends and neighbors, worry about and wonder who they are. Karen Van Dyck’s translation captures all the light and warmth of this modern Greek classic.

    Adélaïde grows up without showing any outward signs of damage. As a teen and then as an outwardly cheerful young woman, she suffers in silence, battling her demons alone. Twenty-three years later, Adélaïde receives a call from the juvenile squad. An investigator has reopened the classified case of “the electrician” and DNA analysis points to a man known to the police as a serial burglar. He is subsequently charged with assaulting 72 minors between 1983 and 2003, and it is suspected that he has hurt hundreds of others who never filed complaints. In the spring of 2016, at the Paris city court, along with 18 other women, Adélaïde confronts the rapist who destroyed her life. In precise and delicate prose, with poise and passion, Adélaïde Bon tells a story that is both terrifying and all too common. This French bestseller is critical reading for all.

    But I'm grateful for that inauspicious start because ugliness, as my other uncle, Eurípides López Sánchez, was given to saying, is character forming.Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the "notorious infamous" like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, Teeth is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences.

    They all have one person in common, their beloved therapist Natasha who, though central to the lives of all of the women, is absent from their meeting. The women represent the many cultural and social groups that modern Chile is comprised of—from a housekeeper to celebrity television personality. They are of disparate ages and races and their lives have been touched by major political events from the dictatorship of Pinochet to the Israel-Palestine conflict. But despite their differences, as the women tell their stories, unlikely bonds are formed, and their lives are transformed in this intricately woven, beautifully rendered tale of the universal bonds between women from one of Latin America’s most celebrated novelists.

    Instead, we are presented with akaleidoscope of characters and events, signs and emotions, linked by theuncanny repetition of certain details: blossoming almond trees, redberets, bleeding feet, accidents small and large. Michalopoulou’scharacters are both patently fictitious and profoundly real, as theymove through a world in which even the smallest of everyday occurrencescan take on enormous significance. I’d Like offers a touching, utterly unique reading experience from one of Greece’s most innovative young storytellers.

    Encompassing over one hundred years of German history, from the nineteenth century to the Weimar Republic, from World War II to the Socialist German Democratic Republic, and finally reunification and its aftermath, Visitation offers the life stories of twelve individuals who seek to make their home in this one magical little house. The novel breaks into the everyday life of the house and shimmers through it, while relating the passions and fates of its inhabitants. Elegant and poetic, Visitation forms a literary mosaic of the last century, tearing open wounds and offering moments of reconciliation, with its drama and its exquisite evocation of a landscape no political upheaval can truly change.

    And so, before each girl leaves the small house on the riverside at the foot of Mount Olympus, Theodora makes sure they know they are always welcome to return.A devoted and resilient mother, Theodora has lived through World War II, through the Nazi occupation of Greece, and through her husband’s death, and now she endures the twenty-year-long silence of her daughters’ absence. Her children have their own lives—they’ve married, traveled the world, and courted romance, fame, and even tragedy. But as they become modern, independent women in pursuit of their dreams, Theodora knows they need her—and each other—more than ever. Have they grown so far apart that they’ve forgotten their childhood house in its tiny village, or will their broken hearts finally lead them home?

    Their distance has fatal consequences.Love is the story of Vibeke and Jon, a mother and son who have just moved to a small place in the north of Norway. It's the day before Jon's birthday, and a travelling carnival has come to the village. Jon goes out to sell lottery tickets for his sports club, and Vibeke is going to the library. From here on we follow the two individuals on their separate journeys through a cold winter's night - while a sense of uneasiness grows. Love illustrates how language builds its own reality, and thus how mother and son can live in completely separate worlds. This distance is found not only between human beings, but also within each individual. This novel shows how such distance may have fatal consequences.

    By chance all of their names contained a colour. The two boys were called Akamatsu, meaning ‘red pine’, and Oumi, ‘blue sea’, while the girls’ names were Shirane, ‘white root’, and Kurono, ‘black field’. Tazaki was the only last name with no colour in it.One day Tsukuru Tazaki’s friends announced that they didn't want to see him, or talk to him, ever again.Since that day Tsukuru has been floating through life, unable to form intimate connections with anyone. But then he meets Sara, who tells him that the time has come to find out what happened all those years ago.

    It tells the tale of a young woman who moves to Tokyo after the death of her mother, hoping to get over her grief and start a career as a graphic artist. She finds herself spending too much time staring out her window, though ... until she realizes she’s gotten used to seeing a young man across the street staring out his window, too. They eventually embark on a hesitant romance, until she learns that he has been the victim of some form of childhood trauma. Visiting two of his friends who live a monastic life beside a beautiful lake, she begins to piece together a series of clues that lead her to suspect his experience may have had something to do with a bizarre religious cult. . . . With its echoes of the infamous, real-life Aum Shinrikyo cult (the group that released poison gas in the Tokyo subway system), The Lake unfolds as the most powerful novel Banana Yoshimoto has written. And as the two young lovers overcome their troubled past to discover hope in the beautiful solitude of the lake in the country- side, it’s also one of her most moving.